We left the arrangements for this get together pretty open-ended in the planning. Debbi & Graeme were flying in from Australia that very day, with only a few days in London and really only the one slot, this very day, which worked for us all.
As things turned out, they landed and got to Central London so very early in the morning, that not even the “mates arrangement” at their hotel could get them in to a room THAT early.
So we made a last minute arrangement for them to visit me in Clanricarde Gardens at breakfast-time, while they waited for a room.
We’re a bit dishevelled, straight off the journey from Melbourne, not least 17 hours non-stop flight from Perth…
…said Debbi. So I made a special effort not to hevel myself, just to put my visitors at ease, you understand. Mum would have been horrified by my admitting family visitors without doing something to my hair, but that’s a barber’s daughter for you.
Debbi, Graeme and I had a very pleasant chat about lots of stuff, including Part One of the life story discussion and a fair deal about sport. Graeme is a psychologist with particular interests in organisational and sports psychology. We also talked a fair bit about University life, as they both work in that sector.
We agreed that we’d meet for dinner at 8:00. It was my job to choose the venue. Graeme suggested that I use a swathe of psychometric tests on the staff of possible venues in order to select the authoritatively most suitable place in the vicinity. I think that might have been what he said. Perhaps he said, “don’t…”
Anyway, we parted company, I did some Googling and then I went off to Queen’s to play The Mighty Snitch at real tennis. I told Snitch that I’d had a session with sports psychologist earlier that morning, which was true in a way. We had a good game. Snitch thought I’d played well and wondered what secrets the sports psychologist had passed on to me. I explained that, if I told Snitch those secrets, I wouldn’t have one over him any more. Snitch understood.
On the way back from Queen’s, I used my own style of selection process by looking at, going in and smelling the Scarsdale Tavern. I also talked to the staff. They seemed friendly and relaxed about my booking. I liked the look, vibe and smell of the place. I held off on deploying psychometric tests and booked a table there and then.
When I returned to The Scarsdale several hours later, on foot, arriving just before the appointed hour, I was warmly greeted by a member of staff and told that they had put aside a quiet table by the fireplace for us, which sounded very considerate.
I waited for Debbi and Graeme.
Fortunately, I decided to check my messages and things while I waited – not least to see if they had been delayed or mislaid. But what I found was a Facebook posting by Debbi, claiming that THEY were waiting for ME in The Scarsdale Tavern, adorned with the following photo:
Recognising the main restaurant part, I popped through to the other side of the Tavern to find them. We switched to the quieter side, which was indeed more suitable for a chat and a meal.
We had a very enjoyable meal and managed Part Two of the life story discussion. Janie phoned in for a while.
…we agreed a wager of £1, with the loser donating that sum to their favourite charity, which might mean (if neither Australia nor England win the title) that both of us are £1 down and charity as much as £2 up at the end of it all. Nail-biting stuff. An ironic postscript is that fate has conspired to pair England with Australia for a semi-final at Edgbaston this time around, next week on 11 July.
But I digress.
I decided to walk Debbi and Graeme back to their hotel – not because they need chaperoning, but because it was such a beautiful evening and that gave us an additional 10-15 minutes to chat.
I was most impressed to see that they were staying at Ellen Terry‘s place, so I took the above photo. Debbi and Graeme were underwhelmed by this fact, as the name of that great Victorian actress meant nothing to them. And there was me thinking that Debbi & Graeme are Victorians?
The hotel was just around the corner from the flat where American cousins Joni and Hal lived during their short sojourn to London in the late 1980’s. I walked around the corner to survey Courtfield Gardens, the next garden square along, before calling a cab home.
A very enjoyable evening.
Postscript
When I told Janie that Graeme was a sports psychologist who had imparted the secret of success upon me, she positively quaked and naturally succumbed to my superior mental strength when we played tennis (modern variety) on the Saturday.
Janie wondered what secrets Graeme had passed on to me. I explained that, if I told her those secrets, I wouldn’t have one over her any more. Janie understood. By which I mean, I guess she understood that there are no such secrets for me. Janie levelled the match on Sunday.
Janie and I had hot tickets for a Royal Court preview on the evening of 29 June, but when Jo insisted that the cyber party she and Sheyda were to be throwing would only be getting started by the time we got to Tottenham Hale “no earlier than 23:00”, the idea of us going on to the party after theatre was very much on.
Only problem was, the party was a cyber party and Kim was very insistent that we do our bit by dressing up.
…but we got it done in the end, with just a few thumbs up and comments from the Royal Court bar flies who saw us leave.
Janie was convinced that we’d get stopped by the police driving through North London dressed like cyber-creeps, but my guess is that, in some of the neighbourhoods we drove through, we looked totally in place.
Taking excessive chances though, we drove past Pentonville Prison:
Once we got to the right postcode (thank you, Mr Waze) it still took us a while to find the venue…until we saw some vaguely-cyber-looking people waving at us from the distance.
We donned our cyber-lights and practised our cyber-moves a little before entering the fray.
It was a steamy hot evening, so most people spent plenty of time hydrating (and dehydrating) with liquids, but we were up for plenty of dancing.
By about 1:00, we felt a little spent, dance-moves-wise and decided to retire from all forms of cyber-dancing while we were still on top.
I thought that I had been a big hit with the girls and that my cyber-moll in particular would be in awe of me, but unfortunately she found true love elsewhere that evening:
Still, we both had a super time and I’m sure Cyber-Daisy must be happy with her new chap. As one of the gang explained to me, as I disconsolately left the venue
That new chap doesn’t answer back as much as you do, Cyber-Ged!
If you want to browse all of the photos we took that night, the link below takes you to a Flickr album with the whole lot of them:
Exile. The humiliation of it. Condemned to the role of real tennis supplicants for several weeks while the forces of global domination (cricket branch) took over Lord’s for the world cup.
We Lord’s real tennis players know how to suffer, so many of us have taken up the very generous offer of The Queen’s Club to play there for most of our weeks of exile. I say most, because the first of our wandering weeks coincided with The Queen’s Club ATP tournament for the modern variety of tennis.
But on this day, with the help of the kind professionals at Queen’s, three of us came in search of doubles practice. At one point, I think it was the day before, Ben Ronaldson e-mailed me to say he was having trouble finding us a fourth, but by the time I got to my e-mails he had e-mailed again to say that he had found us a suitable player.
So, Dominic (my doubles partner for this year’s Lord’s tournament) and Bill were joined by Chrissie for a two hour doubles slot. Ben said when I arrived:
I think this should be quite well matched. Try playing level and see what happens.
What happened was a five set epic. Dominic and I started strongly, with him facing Bill and me facing Chrissie. We won the first set 6-2. We tried the alternative server/receiver pairing on the next set, which led to Bill and Chrissie winning that set 2-6.
Dominic and I chose to persevere with the pairing of me facing Bill and Dominic facing Chrissie for the third set. We managed to turn things around and won that close set 6-4. We tried reversing again for the fourth, only to lose that set 1-6. Despite that loss, we chose to stick with that Ian facing Chrissie, Dominic facing Bill for the start of the fifth set; a set we didn’t expect to finish as we were now about 110 minutes into our two-hour slot.
But no-one came along to use the East Court at the end of our slot. Our sole (mostly sleeping) spectator from most of the match had been replaced by a keen scout who was 30 minutes early for his West Court contest. He encouraged us to continue. Or should I simply say that the crowd, as one, was baying for more and urging the metaphorical umpire not to suspend play.
So we saw through the whole of the fifth set, which turned out to be a cracker. Dominic and I got to 5-3 up, only to lose the next two games which (in real tennis, unlike the modern variety) leads to sudden death on the final game which was, as it happened, me and Chrissie doing the serving/receiving.
Somehow, at 2-sets-all, five-games-all, 30-30, with me on serve, I managed to conjure a couple of good-‘uns to seal the match. 6-2, 2-6, 6-4, 1-6, 6-5. Did that matter? Not really. Except that Dominic and I are trying to learn how to play as a pair, so the constant scoreboard pressure and trying to perform as a pair in that circumstance was just what we needed.
Great fun. Nearly two-and-a-half-hours in the end and oh boy did I feel it later in the day.
Coincidentally, much like my Keele experience described above, I developed a slight cold that evening which left me a bit husky for the next couple of days. That was not ideal preparation for a jam with DJ, except that DJ rather liked the variation it gave to my vocal range, despite that variation seeming, to me, rather restrictive.
Still, DJ and I tried a few new ideas, sang a few of our favourites and had a good chat and a good meal. There are far worse ways to spend an evening even when you are a little husky.
Two very enjoyable activities with people who make excellent company.
In many ways the smaller number is a shame, but it was nice, on this occasion, to have a single conversation between a group of five of us. I felt I had a proper catch up with everyone who was there this year, whereas sometimes I feel I didn’t really get to speak with some of the attendees.
Booking Bill’s is an interesting, different experience each time now. This time they seemed happy to take my booking for a largish group of people (I’d estimated eight) many weeks in advance, but I did get a shock when I was sent a reminder in late April for our 30 April booking. I checked my original e-mail from Bill’s and was relieved to see that it correctly said 30 May. I quickly got on the blower to Bill’s. Something about computer systems going awry, but not to worry, we were booked in for 30 May.
The booking all worked fine on the night. Even our reduced numbers proved non-problematic, as Bill’s had pushed two tables together for us and were able to recycle one of those tables when our last minute reduced numbers came to light.
We reminisced, perhaps a little more than usual. I think I might have got a half-confession out of Linda about the 1978 apple pie bed incident:
Linda’s guard, most unusually, must have been down, perhaps as a result of her having had a cocktail earlier in the evening before arriving at Bill’s.
Linda, Liza, Mark and Sandra all work in education and/or care professions, so I found myself a fascinated listener to a conversation about several sign languages and their diverse educational benefits.
When I discovered that Mark is now back in London, at Deptford Green School, I initiated a conversation about non-turf cricket pitches and my Trustee role at the London Cricket Trust…
…Mark agreed that it would be most helpful to his school if there were to be cricket facilities in Deptford Park. I said I’d see what I can do.
Then we returned to our reminiscing and concluded that we’d all like to see many of our old BBYO friends again, but in particular we should try to track down Barry Freedman who was, in so many ways, the driving energy behind our group in the early years.
I’m not quite sure how I got nominated and voted onto the non-existent committee in the role of “Tracking Down Barry Freedman Officer”, as I don’t recall leaving the table or the conversation at that stage of the evening.
My friends assured me that the instructions for my mission, should I choose to accept it (not that I could refuse it, seeing as I’d been elected nem con, in absentia), had been provided on a tape recording which, together with the tape recorder, had now mysteriously evaporated:
My friends wished me luck.
I said I’d see what I can do.
As usual, it was a really enjoyable evening with a great bunch of people whose company I enjoy with renewed relish at these annual gatherings. But the next gathering might need to be sooner than usual, if I can pull off an implausible mission.
Postscript: Did I pull off the implausible missions? You bet your sweet & sour balls and your white cricket balls I did:
The question “where do I begin?” in the matter of a love story is, I suggest, a rather uninteresting question. Almost all love stories start when the lovers meet. OK, the story might have a short preamble to set the scene, such as the almighty punch-up at the start of Romeo and Juliet, but basically love stories start when the lovers meet. Simples.
So before I
begin the short love story I have prepared for you, I want to explore two variants
of the “where do I begin?” question:
Firstly – where did “where do I begin?” begin, in
the context of the film Love Story.
Secondly, I
want to explore the question, where…or
rather when…does love begin?”, which I think is a rather more intriguing
question. My attempted answer also informs the rather regular style of love
story with which I shall briefly conclude.
So, where did “where do I begin?” begin?
Francis Lai
had written a score for the movie Love Story, including the tune Theme From Love Story.
The Paramount
Movie people felt that the Theme needed a lyric and commissioned Carl Sigman, a top lyricist
at the time, to turn that theme tune into a song.
Sigman initially
wrote a schmaltzy lyric summarizing the love story depicted in the film, with
lines such as:
“So when Jenny came” and
“Suddenly was gone”…
…you get the
picture. But Robert Evans,
the larger than life producer of Love Story, hated Sigman’s original attempt at
the lyric; in particular fretting that the “Jenny came” line was suggestive.
According to Sigman’s
son, the great lyricist was furious at being asked to rewrite the lyric, throwing
a bit of a hissy and threatening to withdraw from the project. But the next
day, when Sigman had calmed down, he told his wife that he would try again. But,
“where do I begin?”, Sigman asked. “That’ll do”, or words to that effect, replied
Mrs Sigman. Thus, at least apocryphally, the famous line and song title was
born.
But the
question I really want to explore before I tell you my little love story is where…or rather when…does love begin?”
I believe that
people tend to rewrite their personal romantic histories somewhat, often
attributing a “love at first sight” narrative to, for example, the story of
meeting one’s life partner. But that attribution is made with the benefit of
hindsight.
Let me
illustrate my point with a slightly less emotive example. Falling in love with
a house.
I quite often tell the tale of my viewing our house in West Acton, at the behest of my then girlfriend, now wife, Janie, who had already seen it. I reckon I had been inside for no more than 30 to 40 seconds before I concluded that I could imagine Janie living out the rest of her life in that house, possibly with me in it too. In the vernacular, I fell in love with our house at first sight. We bought the house. Janie and I love that house. Noddyland, we call it.
But supposing
the Noddyland house story had not panned out as it did. My offer might have
been rejected or the survey might have found an insurmountable problem with
that house. Or we might have been guzumped by David Wellbrook or some such
person who knows a fine house at a sensible price when he sees one.
Janie and I
would have resumed our search for a house and we’d no doubt have found another;
we might have liked or even loved that other house…
…but I would
not have looked back on my initial visit to Noddyland as a “love at first sight”
story. We might have mused about whether we’d have been happier “at that one we
liked the look of but didn’t get”. We would not have used the term “love” about
that house at all.
My point is
that the love comes later. We tend to back-fill the story in hindsight and
imagine the love to have come much sooner than it really did.
Returning to the question of romantic love, I wonder where or when that love genuinely begins. My view on this matter has changed as I have got older. Back in the days of my very early fumblings in the late 1970s, for example The Story Of Fuzz in my inaugural TheadMash piece…
…I don’t think I thought of those escapades as love stories of any kind.
But soon
after that, once I had started having “proper, long-term relationships”…I’m
talking weeks here or even occasionally months…I considered those adventures to
be “my love life.” Rollercoaster emotions would ensue; elation at the onset or
when a romantic setback was overcome; heartache when things went awry,
especially when the upshot was that I had been dumped. I know it’s hard to believe,
folks, but one or two foolish young women made that mistake and paid the
ultimate price of losing their once-in-a-lifetime opportunity with me.
But when I
look back on those short-lived, early efforts now, I find it hard to recognize many
if any of the characteristics of a love story in those tales. At the time, of
course, I thought I was falling in and out of love. But with the benefit of a
more seasoned perspective, those stories are merely a good source for comedic
interludes or nostalgia-drenched asides…
Those early
entanglements are too fleeting and (I regret having to confess) sometimes too
entangled with each other to make true romantic copy.
Contrast that
sort of juvenile jumble with…
…David
Wellbrook’s superb recitation at ThreadMash 2, about his good lady’s near death
experience and David’s intimate account of his own reaction to it. Now that
piece was not written as a love story, it was written as a piece on the theme
of “lost and found”. Yet it was, I would argue, a profound and heartfelt personal
love story. I wouldn’t attempt to emulate or better it as a love story.
But it did
get me thinking about a couple of near-death experiences Janie and I went
through, particularly the first of them.
The incident was
many years ago, in the mid 1990s, when Janie and I had been together for fewer
than three years.
Janie and I went
over to my business partner Michael and his then girlfriend (now wife)
Elisabeth’s place for a Saturday evening meal that May Bank Holiday. Both Janie
and I experienced quite severe indigestion that night; a state we attributed to
Elisabeth’s solidly-Germanic, Sauerbraten style of
cooking, combined with perhaps a tad too much alcohol to wash down the heavy
food. But whereas my biliousness passed as the Sunday progressed, Janie became increasingly
poorly and doubled up with pain in her innards.
To cut a long
and painful story short, by the night of Bank Holiday Monday, I was convinced
that the locum doctor’s relatively casual attitude to a woman doubled up with
increasing pain was insufficient and took Janie to A&E, where they
immediately diagnosed (correctly) acute pancreatitis caused by a rogue
gallstone.
As I left
Janie in the care of the kind doctor, the youngster (yes, even when I was still
a mere 33 years old, the night-duty house doctor in A&E looked like a
youngster) took me aside. He warned me that, although they thought they had
everything under control and that the odds were in Janie’s favour, he was duty
bound to warn me how serious pancreatitis can be and that Janie might not survive
the ordeal.
I drove home, alone, with that “might not survive” thought and the strains of Miserlou by Dick Dale & His Del-Tones on the radio…
…well it was 1995 when Pulp Fiction was all the rage. I can no longer hear that tune without thinking of that lonely drive home.
But the incident
brought the romantic truth home to me; Janie wasn’t just the girl that I had
been going out with for longer now than any of my previous girlfriends – nearly
three whole years. It made me realize that I really did love Janie.
In fact it made me realize that I had recognized that fact a year earlier, when I discussed the idea of me setting up business with Michael. I had said to Janie that the venture was a big risk…
…the dangers of Michael and Elisabeth’s notorious cooking for a start…that’s an unfair joke that should not be repeated or put in print (apart from the Ogblog version of this piece 😉 )…
…the venture was a big risk because we’d be taking on indebtedness and if the business went wrong I’d have to give up my flat and have little or no money for quite a while. Janie had simply said that it wasn’t really a big risk because she still had a job and a flat and that we’d get by. It was then that I knew that she loved me and that I also loved her and that she and I were committed to help each other through life’s journey for the foreseeable future.
To me, THAT is truly the stuff of “where love begins”.
As for the more simple, “where do I begin?” love story; I suppose I should now tell you the story of how Janie and I met.
We met in
August 1992 at one of Kim and Micky’s parties; Kim being Janie’s best friend.
In some ways
it is odd that Janie’s and my path hadn’t crossed before, through Kim &
Micky. I had known Kim, through holiday jobs and stuff, since I was a youngster.
In the late 1980s, when I got to know Kim & Micky socially, I would see
them a few times a year at dinner or lunch parties. But I guess they saw Janie
and me as part of different circles. In any case, we were both otherwise
attached most of the time during those years.
Anyway, Janie
and I chatted quite a lot during the party and ended up as part of a smaller
group that was still around into the early evening, at which point Kim
suggested that we all go across the square and play tennis.
I had just
started playing tennis again, rather tentatively, following a particularly
nasty back injury. Goodness only knows how useless I was after quite a few
drinks at the party. But most of us had been drinking quite heavily, so I don’t
suppose the quality of the tennis was very high. I do recall thinking that
Janie was pretty good at tennis. It probably helped that she was the only sober
person among us.
Janie had
mentioned several times that she had driven to the party in her car and
therefore wasn’t drinking. After the
tennis, I asked her if she could drop me at a tube station. She said that she
would, but that she wasn’t prepared to go out of her way and that the only tube
station she’d be passing was Hanger Lane. That was ideal for me, as Hanger Lane
and Notting Hill Gate are on the same line.
Janie and I
chatted some more on the fifteen minute car journey.
Janie said
that she liked poetry.
When she
stopped the car to drop me off, I asked Janie for her telephone number.
Janie said
no.
In order to
get out of the car with my dignity intact, I took from my wallet one of those
sticky labels with my name, address and telephone number on it. I stuck the
label on her steering wheel, saying, “in that case, you can have my address and
telephone number”.
Janie thanked
me and said that she would write me a poem.
I’m still
waiting for the poem.
While preparing
this TheadMash piece, I asked Janie if she wanted to apologise for her terse refusal
that first evening and for the continued absence of my poem, some 27 years
later.
“No”,
said Janie, “love means never having to say you’re sorry”. Who could argue with
that sentiment in the matter of love story.
In
any case, Janie assures me that the poem is coming; she never set a specific
date for its production. It might end up being my epitaph.
I
look forward to that.
Meanwhile,
if this short account has left you wondering how on earth Janie and I got it
together after her initial rejection…
…well,
that’s another story or two – not for ThreadMash.
But those yarns will be linked to the Ogblog version of this piece. They involve ossobuco…
Postscript 1: For Those Readers Who Like Their Stories Circular/Complete
I realised after completing my first pass on this piece that Robert Evans, the producer who sent Carl Sigman back to the drawing board to write the “Where Do I Begin?” lyric, was the subject of a play Janie and I saw a couple of years ago; The Kid Stays In The Picture…
…which was put on by Simon McBurney/Theatre de Complicite, the same people who did The Street Of Crocodiles – Janie’s and my first proper date.
I always look forward to my music jams with DJ, but I was especially looking forward to this one, as DJ had promised me a guided tour around the new Theme Traders Production Village ahead of the jam.
I sure wasn’t disappointed. It is a really fun, interesting and unique place. The following video gives a feel for it, but does not show all of the most recent innovations:
On top of all of the extraordinary props, equipment and creative spaces I saw, there were two encounters, or I should say re-encounters, that will live long in my memory.
The first was with this fella:
DJ gave Janie a reclining Buddha just like this one, many years ago, suggesting that we place it in the garden at Sandall Close. We didn’t realise that it was one of a pair.
Our Buddha had mostly returned top the earth by the time Janie moved out of Sandall Close and I can now report that there is no trace of our Gautama left – the following picture taken 22 April showing the site where ours returned to the dust.
But the discovery of that memory-jogging Buddha was the least of it.
More bizarre still was the discovery, when we got deeper into the props collection and looked inside a large old decommissioned safe, inside which they keep, for some reason, an assortment of old gadgets and gizmos.
There in the centre of the middle shelf was a spool of 9.5 mm cine film…
…with my Dad’s handwriting on it:
How an old spool from Dad’s shop has ended up in the Theme Traders props collection is a bit of a mystery. I do know that, when dad was shutting up shop, DJ bought up some of dad’s old stuff. But that was over 30 years ago when DJ was running “the Boffin Shop”; prior to Theme Traders even starting.
DJ doesn’t recall taking much if anything of that “boffin” kind across to Theme Traders back then. In any case, the chances of any item surviving that long – let alone finding pride of place on display rather than buried in storage as part of their giant collection, are minuscule.
It fair made the hairs on the back of my neck stand up, seeing Dad’s unmistakable writing. Not only that, but a rare mistake of dad’s too. On the side and on the top Dad had written “The Pawnbroker”, but he also added on the top ‘Shop’, perhaps recognising that the name of the film is actually The Pawnshop”.
The irony of the discovery of that spool and the content of this film – some parts of the Pawnshop depicted look a bit like the Theme Traders props department – was not wasted on me. Well worth seeing the film (below) if you’ve never seen it.
I had never seen the film before, because we had no projector for that old 9.5mm gauge – that’s almost certainly why dad simply disposed of the film as I collected the 8mm items he hadn’t sold. Still have a box of them in the attic somewhere.
The music jam almost seemed like an anticlimax after all of that…
…except of course it never is an anticlimax to have fun making music.
DJ and I tried out my new rishas – plectra intended for ouds but Ian Pittaway has recommended that I use a cut version for medieval music, as they used a quill-like plectrum back then. DJ meanwhile thought the sound would be great for some of his jazz music work.
We mostly played 60s and 70s popular music this time, once I had demonstrated the medieval.
DJ and I bickered as usual as to who should be Major Tom and who should be Ground Control when we have a go at Space Oddity. As usual we ended up both trying each of the roles.
We tried some new material too. We’ll work on Valerie and Jesamine next time – songwise I mean. We also tried Daisy Bell, so that Daisy won’t be too jealous when she finds out about Valerie and Jesamine.
We also ate and drank…as always it was a really relaxing and pleasant evening.
Our getting together was long overdue; it’s been a good few years. Mostly because Ashley doesn’t travel to London all that much and my visits to Manchester have been few and irritatingly poorly timed for Ashley’s availability.
…we redoubled our efforts, not least because Ashley was due in London just a few weeks later. So I kept the late afternoon/early evening free awaiting further instructions from Ashley.
He suggested an early dinner at La Fabrica in Finsbury Park. I arranged to meet Ashely at The Terrace Cafe, situated between his hotel and the restaurant, enabling me to do the cross town hike ahead of the rush hour and get some reading done while I waited for Ashley.
For a while, earlier in the day, I wondered whether our plans might come to nought. Ashley was down in London for a friend’s citizenship ceremony and celebration. Ashley sent me the following pictures and note from The Landmark
– May be slightly squify
I’ve heard of Champagne Socialists, but a Champagne Anarchist?
Anyway, Ashley turned up at The Terrace at the appointed hour seemingly not the worse for wear. He had a soft drink there, though, while I had a juice rather than a second coffee.
Then on to La Fabrica, which was a great choice of place. We tried several tapas, including scallops with chorizo, cod croquettes, Iberico loin with apples, Iberico ribs, prawns in a yummy sauce…
…washed down with a rather yummy garnache/carignon wine.
…to such an extent that he claims not even to remember being there. Bobbie will not be impressed.
Still, Ashley and I did have a very good chat/catch up. Not only that; Ashley and I also had a good go at resolving some of the UK and the world’s problems.
Unfortunately, though, one evening was not enough to actually solve any of those major world problems. Maybe next time. And hopefully next time won’t be years and years away.
On pondering the topic, lost and found, I soon realised that the thing I tend to lose most frequently at this stage of my life is time. And that the thing I am seeking to find with the most gusto is memories.
Those thoughts reminded me of two anecdotes.
The first one came at the end of the cricket season a few years ago.
Late season, I always try to take in a day of county cricket with my old friend, Charley “The Gent” Malloy. It helps us both to prepare for the inevitable winter withdrawal symptoms. The cricket season starts earlier and ends later each year, yet it seems to fly by faster than ever. Where do those months go?
In order to investigate this temporal phenomenon, which I shall paraphrase as ‘in search of lost time,’ I decided to add a large packet of madeleines to the picnic. I had bought that large pack earlier in the season but had not got around to using them. Those madeleines would expire before the next season. Besides, as any fool knows…
…or at least anyone with a vague knowledge of the writings of Marcel Proust…
…when in search of lost time, what you need more than anything else, is madeleines.
No sooner had the umpires called “tea”, than out came the madeleines.
And no sooner had the crumbs touched my palate, than a shudder ran through me and I stopped, intent upon the extraordinary thing that was happening to me. An exquisite pleasure had invaded my senses. Whence did it come? What did it mean? How could I seize and apprehend it?
And suddenly the memory revealed itself. The taste was that of the little piece of madeleine which on Sunday mornings nanny would hand me, after dressing me in my little sailor suit, when I went to say good morning to mama in her boudoir.
“Are you getting involuntary memory from these?” I asked.
“Yup,” said Charley. “I can recall the rare occasions in that grim North-Eastern mining town, when mum would put a tiny pile of cakes on the table and the whole family would fight like wildcats in the hope that a few crumbs might touch yer palate.”
Now Charley is Essex born and bred. He does have some County Durham ancestry way back, but I’m not sure he’d ever even been to County Durham until we went together to the Durham test match in 2013.
“Hmm”, I said. “I think we might both be getting false memory rather than involuntary recovered memory from this packet of madeleines. Must be the lack of lemon zest. Still, they’re surprisingly good for packaged cakes. I’ll have another.”
“Me too”, said Charley.
So we ate three or four each and Charley took the remainder home to share with his starving wife and bairns.
…
Now, not all that long afterwards, I experienced a real example of finding a lost memory as a result of eating food. The foodstuff wasn’t madeleines this second time; it was caviar. Janie decided to treat us to a small pot of Ossetra caviar to help celebrate New Year’s Eve.
And this time, the recovered memory was an extremely peculiar but absolutely genuine memory…
…about Hitler.
Now there is an internet adage known as Godwin’s Law, which states (I paraphrase) that any internet discussion will eventually descend into a Hitler comparison.
Surely Threadmash should be a Hitler-free, safe space; not subject to an immersive equivalent of Godwin’s Law? Normally, yes, but not today.
From my infancy all the way through my childhood in Streatham, we had a wonderful lady doctor, Dr Edwina Green. Edwina was a GP who went way beyond the call of duty.
For example, because I was…how should I put this?…more than a little fearful of my jabs as an infant, she came round to our house to dispense the vaccinations. On one famous occasion, when I was feeling particularly averse to being stabbed, Edwina indicated to mum that my rump might make a better target in the circumstances. I worked out the coded message and tried to bolt. The end result was a chase around the room and eventually a rather undignified bot shot delivered by Edwina under the dining room table. My mum oft-reminded me of this later in my life.
This extraordinary level of pastoral care and attentiveness went beyond zealously inoculating reluctant Harris miniatures – Edwina and her family were close friends with my immediate family, not least the ones who came “from the old country”. Uncle Manny, whose opinions were so robust and plentiful, that everyone in the family called him Pundit…and Grandma Anne – a traditional Jewish grandmother, who peppered her heavily-accented English with “bissel Yiddish”.
In the early 1970s, at Christmas-time, my parents would go to Edwina’s house for a seasonal party, along with many other local folk. Naturally, my parents plied Edwina and her family with gifts…many of Edwina’s other patients and guests most certainly did the same.
A strange tradition arose, in which Edwina reciprocated our present giving by handing down a generous gift she would always receive from a wealthy Iranian patient; an enormous pot, I think a pound, of Iranian Beluga caviar.
Edwina and family didn’t like the taste of caviar. Nor did my dad, as it happens. But mum loved it and I acquired a seasonal taste for it too.
Each year, mum and I would eat Beluga caviar on toast for breakfast for the first couple of weeks of the year.
Even back then caviar, especially Beluga caviar, was very expensive. Not equivalent to the “critically endangered, barely legal, hard to get hold of” price levels of today, but still very much a pricey, luxury item.
I remember mum warning me not to tell my friends at school that I was eating caviar on toast for breakfast, because they would surmise that I was a liar or that we were a rich family or (worst of all) both.
There was only one problem with this suburban community idyll; Don Knipe. Edwina’s husband.
Don liked his drink. Specifically Scotch whisky. More specifically, Teacher’s whisky. A bottle of Teacher’s always formed part of our family Christmas gift offering, that bottle forming but a tiny proportion of Don’s annual intake.
Don I recall always being described as “eccentric”, but, as the years went on, Don’s eccentricities gained focus with increasing unpleasantness. Don joined the National Front, at that time the most prominent far-right, overtly fascist party in the UK.
One year, when I was already in my teens, my parents returned early from Edwina and Don’s party. I learned that Don had acquired a large bust of Hitler, which was being proudly displayed as a centrepiece in the living room. My mother had protested to Don about the bust, asking him to remove it, but to no avail. Mum had taken matters into her own hands by rotating the bust by 180 degrees. When Don insisted on rotating Hitler’s bust back to its forward-facing position, mum and dad left the party in protest.
Mum told Don and Edwina that they remained welcome at our house but that she would not be visiting their house while Hitler remained on show.
One evening, a few weeks or months later, my parents had Edwina, Don and some other people around our house. The topic of Hitler and Nazi atrocities came up. Don started sounding off about the Holocaust not really having been as bad as people made out.
My father stood up and quietly told me to go upstairs to my bedroom. I scampered up the stairs but hovered on the landing out of view to get a sense of what was happening.
My father was a very gentle man. I only remember him being angry twice in my whole life; this was one of those occasions.
“You f***ing c***!”, I heard my dad exclaim.
I learned afterwards that my father, not a big man but a colossus beside the scrawny form of Don Knipe, had pinned Don to the wall and gone very red in the face while delivering his brace of expletives.
I heard the sound of a kerfuffle, a few more angry exchanges, ending with “get out of my house”. Then I heard Don and Edwina leave the house. Edwina was weeping, apologising and trying to explain that Don doesn’t know or mean what he says.
The story gets weirder. Edwina remained our family doctor, although social visits were now at an end. Don and Edwina remained extremely attentive to Uncle Manny’s branch of the family and Grandma Anne.
And the seasonal exchange of gifts remained sacrosanct.
For reasons I now find hard to fathom, I became the conduit for the seasonal gift exchange. Why my mother, who organised the errand, felt that I would be less defiled than my parents by visiting a household that displays a bust of Hitler, I have no idea.
Anyway, for several years I would go to Edwina and Don’s house to deliver our presents and collect the fishy swag. I didn’t go into the large living room which contained Hitler’s bust; I would usually be received in a smaller front drawing room.
As I got a bit older, Don would ask me to join him for a whisky and a cigarette; offers which I accepted.
I can’t recall what Don and I normally talked about; not politics. We probably just chatted vaguely about my family and the weather.
But I do recall what we talked about in 1981, my last visit in this ritual.
By late December 1981 I had completed four terms at Keele; I was far more politically aware than I had been in earlier years.
Don greeted me at the front door, as usual, but this time said, “come through to the living room and have a whisky with me.”
“Not if Hitler is still in there,” I said.
“Oh don’t start all that”, blustered Don, who I think must have made a start on the whisky before I got to the house that morning. “I really want to chat to you about your late uncle and your grandma.” Don started to cry.
I relented and entered the forbidden chamber.
And there he was, in the sitting room, glaring in my direction.
Hitler.
The bust of Hitler, I mean. I said the story was genuine and strange, not deranged.
Hitler’s bust, resplendently positioned with Nazi flags and books about the Third Reich on display around it.
I accepted a generous slug of Teacher’s and a Rothmans; then I reluctantly sat down.
Don was crying. “I miss your Uncle Manny and your Grandma Anne so much”, he said, “you have no idea how fond of them I was. I love your family.”
I remember saying words to this effect, “Don, I understand that you sincerely love my family, but I cannot reconcile that love with Hitler, Nazi memorabilia, your membership of the National Front and you keeping company with those who hold such views. Those are antisemitic, out-and-out racist organisations and people. It makes no sense to me.”
“It’s not about Jewish people like your family. I love your family.”
“So what sort of people is it about?” I asked.
“Other people. You don’t understand”, said Don.
Don was right. I didn’t understand. I still don’t understand. It isn’t as if our family was so secular and Westernised. Uncle Manny and Grandma Anne were like Jewish stereotype characters from central casting.
I think I was polite in making my excuses and leaving fairly quickly. The visit certainly didn’t end in any acrimony or hostility. For sure I got the caviar. But I resolved not to run that errand again and (as far as I recall) didn’t ever visit that house again.
Strange. And I found that memory simply as a result of sampling a small pot of caviar with Janie.
Now, as an experiment this evening, I thought it would be fascinating for all of us here at Threadmash to see if we can find lost memories in this way.
So, at my own cost…
…with absolutely no expense spared…
…I have bought each of you a small pot…
[TURN PAGE IN SEARCH OF THE PUNCHLINE]
…I have bought each of you a small, pot-entially Proustian…
…madeleine.
[HAND OUT WRAPPED MADELEINES FROM BAG]
Postscript – Brief Review Of the Evening, Written The Morning After
We gathered excitedly at the Gladstone Arms for this second Threadmash. Ten of us with stories to tell and just a couple of people this time observing only.
As last time, Rohan was the arranger and compere for the evening. He stitched me up to go first – which explains why I was in a good position to photograph some of the group from the side during Rohan’s intro.
Eight of us were having a second go; two new people joined us in telling a story.
The stories tended to be darker and more visceral this time. Perhaps the topic, “Lost and Found” was asking for that. Two of the stories were about experiences with drugs and/or addiction. Two were about nearly losing a loved one, together with the intense emotions that arise from such events. One was about nearly losing a cherished artefact – in this case a violin; a personal story, interestingly, nevertheless, told in the third person.
Several of the pieces this time were experimental in their written style. One was in blank verse. Two were fabulist, in one case making it intriguingly hard to tell the extent to which it was based on personal experience. One story spanned over fifty years and ended with a fascinating revelation.
All of the stories and performances were very good indeed; delivered and received with great warmth.
To continue the thread for next time, Rohan brought a pile of single records, from which we each picked two at random, so we shall each have a different title next time and some element of choice from the records we picked.
One story teller, earlier in the evening, had said that we don’t always find stories to tell; sometimes a story finds us. I was pondering this fascinating idea, after parting company with the last of my companions, as I switched to the Central Line at Bank. There, on the train, as I sat down in the almost empty carriage, on the seat opposite me, a story found me:
It had been a wonderful evening.
As I write, the next morning, my head is full of all of those stories and the warm, friendly feeling that pervaded the evening. Strangely, I cannot find a single word to describe that feeling in English, whereas there is a suitably descriptive word for it in German: Gemütlichkeit.
Once again Rohan, many thanks for making Threadmash happen. Here’s to the next one.
Did I mention that I had a recording deal lined up? Yeh, Simon Jacobs, who does producing as well as recording and all that – he signed me up to do a demo in his high tech studio. This could be the start of my stratospheric popular music career and not before time, frankly.
Now Simon is a very musical chap and has been so for longer than I have known him, which is well north of 40 years. Here, for example, is his latest hit, Ghosts, which he released many weeks ago, but it refuses to fade in the Spotify rankings, still getting infeasible thousands of streams a week on that platform – the YouTube is below so you can also see the vid:
So what, in the name of all that is good and pure, was Simon thinking when he suggested that I record the Warren & Durbin classic, I Only Have Eyes For You. Not in the original Dick Powell pitch/key of C (heck knows that is hard enough for me, even with the sheet music to look at), but nine whole stops up the register in the Art Garfunkel range.
Nine whole stops. That’s like, Notting Hill Gate to South Ruislip, if you are daft enough to go west from Notting Hll. Even Ian Pittaway, my music teacher, who has crazy ideas about my ability to reach high notes, only nudges me three or very occasionally five stops up.
Here’s the result of Simon’s wild musical concept:
Anyway, Simon said that he much preferred the Art Garfunkel version of the song:
While I complained that even the original Dick Powell was wicked hard for me to play and/or sing.
But Simon insisted that his recording gadgetry could rectify any minor failings in my singing and that he thought he could, with a little effort, turn me into a latter-day Art.
It seemed like a jolly good excuse for a get together and/but life seemed to intervene for a while, so a ridiculous number of months passed before we actually got round to implementing the plan.
On the day, I arrived at Simon’s West London studio, which also doubles as his house, late afternoon/early evening, ready for a rollicking rock’n’roll evening of music.
First up, obviously, we indulged in some appropriate herbal substances; a big mug of tea each, together with some chat about really trendy topics, such a Brexit.
Then down to business with the recording.
I felt a little strange working on that particular song, that particular week. A couple of days earlier I’d been to the funeral of our neighbour, Barry Edson, who was an aficionado of film musicals. I’d had several interesting conversations with Barry about Warren and Durbin songs and Barry had shown me interesting stuff about those song writers from his library-sized collection of books on the topic.
But back to me recording I Only Have Eyes For You in an Art-like style with the help of computerised sound engineering.
Actually it was a very interesting process for me. Simon clearly does this sort of thing a lot, but mostly with his own, not with anyone else’s, voice.
We had a rehearsal run through. Then we took a recording take which sounded crackly. That led to some rearrangement of the microphone, the music and me. I even offered to remove my socks but those lengths were deemed unnecessary.
Then a couple more takes, at which point Simon thought we might try to repair take four with some fragments, but after we’d done that, I suggested one more try at a better straight-through take.
I’m glad I did that, because the final take was, in my opinion, quite a lot better than the previous ones (I realise that notion might be hard for the listener to believe).
Then Simon really got down to doing the sound engineering thing.
It was a bit like having your homework marked in front of the school teacher. On many of my notes, there was a huge amount of vibrato which Simon was able to smooth a bit.
Imagine, as an analogy, someone using fancy software to turn my legendary illegible handwriting into something that looks more like a legible script.
The music software would help each note find its probable home on the scale. But sometimes the thing I had sung was closer to some other note than the note that the purist might fussily describe as the “right” note.
Actually I believe I did sing all the right notes…just not necessarily in the right order.
But it didn’t matter because Simon’s fancy software could shift pretty much whatever I sang to the exact place it belonged on the scale.
On just one occasion did Simon have to say, “I’m not even sure what you’re supposed to be singing there – may I please see the music?” – that was on the second intro couplet, which Art Garfunkle doesn’t sing.
And there is the one note that I strangled so very comprehensively that no amount of tinkering seemed able to repair it. Let’s imagine that I was gulping with emotion on that note.
Then some more listenings and some more tinkerings…
…by which time I was getting quite excited and wondered whether we should try more and more takes, on the basis that my voice seemed to be getting better and better each time.
The conversation then drifted towards artistes who had spent months or even years trying to perfect individual tracks for release.
I wondered whether we might lock ourselves away, perfecting this track, for, say, five years, in order to emerge, not only with a sure-fire hit on our hands, but with Brexit over. Simon thought that five years is probably not long enough…to ensure that Brexit is over with.
Anyway, in case you missed it above, or want to hear it again, here’s the end result:
Timothy then joined me and Simon for dinner at The Brackenbury Wine Rooms, which was a suitably convenient and high quality location for some good food & wine plus some top notch natter. It was a good opportunity to get to know Timothy a little better – the only time I’d met him before was at Simon’s Circle Line album launch, about 18 months ago, which was not an occasion for getting to know people well.
On parting, I suggested dates for me to return to record the rest of the album. But Simon just shook his head politely and solemnly. “A one-off recording deal, that was”, he said.
“Not even a B-side for the single?” I asked.
Simon shook his head politely and solemnly again, as both Simon and Timothy said, “goodbye,” not, “au revoir.”
But…
…and here’s a thing…
…when I listened to the track again the next morning, it sounded far better to me than it had the evening before. I said so to Simon, in a thank you message. Simon’s reply, perhaps similarly inspired by a re-listening:
Glad you like your recorded performance! Do let me know when you’re ready to record your whole album!!
So now I have an album deal lined up? Yeh, that well-known music producer Simon Jacobs…this must be the next stage of my stratospheric popular music career and not before time, frankly.
Anyway, life hasn’t been taking me to Manchester much lately, so when John White told me that his daughter, Lydia, was to have her first professional stage role in Rags The Musical at the Hope Mill Theatre…
…I decided to construct a short trip to that fair, clement City.
I contacted Ashley Fletcher, who had been unavailable on my previous visit or two; we arranged to meet for dinner on the evening of 12 March. So I booked three goes at the Manchester Tennis and Racquets Club, a ticket for Rags for 13 March and an Airbnb apartment near to the Hope Mill Theatre for two nights.
Unfortunately, Ashley got called away at the last minute on family matters, leaving the first night free. This possibly afforded me an opportunity to meet up with Alex “King Cricket” Bowden instead…
…but Alex spotted that Manchester City were to play Schalke 04 at the City Of Manchester Stadium that night, which is within chaos distance of my chosen location for diggings and musical theatre. What do I know of football? For a start, why are Schalke given 04 just for turning up – are they using a handicapping system in football now, much as we do in real tennis?
Strangely there had been a big European match at that same stadium when I was last in Manchester in 2016 against a shibbolethic team named…
…Borussia Mönchengladbach….
…But as I was staying in Salford Quays that time, the resulting disruption was merely hearsay to me, whereas this time I had inadvertently arranged to stay right in the thick of it.
I sought some spiritual advice on the matter.
I had arranged to meet Andy Salmon at Sacred Trinity Church briefly before playing tennis that Tuesday afternoon. We are both involved with the Church’s on-line service register initiative, which Andy is piloting.
It was actually very interesting for me to see one of the Churches involved in our project, not least to see what such places are like on a regular, non-service day. Andy of course made me very welcome and also gave me some helpful local North-East Manchester advice regarding what to do when a big match is on. Basically, get to your digs early enough to avoid the chaotic roads/transport and then only go out again during the hours of play.
After tennis (a close match in which I came second, despite having received handicap points) I dashed off sharpish to get to New Islington early and settle in to my apartment. Probably just as well, not least because I could see the police getting ready to herd fans round the ring road and along Pollard Street. Also, it took me a while once I got to the apartment to sort out parking and entry – some goon had parked in the designated parking space for my car. The errant parking goon had been given a parking ticket, but I had no idea what I was supposed to do in the circumstances, so I waited for my host to sort out an alternative space for me to use, which he did reasonably quickly.
Getting in and out of these fancy apartments in converted industrial buildings is often quite a palaver (this is not my first time in such a place), but this one was quite exceptional, with codes for the car park, building entrance, stairs (if needed – wasn’t), corridors and then finally the front door. Once you know all of these things its OK, but the first time, laden with baggage…
…anyway, I was there in decent time and liaised with Alex. We concluded that getting either of us to and from each other within the hours of play would leave precious little time to actually do anything of merit, so abandoned the idea of meeting.
Plenty of time to eat there between the start and end of a football match.
Indeed I was home well before the end of the match and was very tired. I had driven almost all the way to Manchester through torrential rain; my least favourite driving conditions. I went to bed early and thought I heard the roar of the crowd from the stadium. Probably a goal I thought, dozily.
I also discovered that Manchester City had done similarly well on my previous 2016 visit, scoring four against a team requiring no handicap – I’m starting to get the hang of this new soccer scoring system now. I’m sure the soccer crowds just love the additional nuance that handicap scoring can bring.
Anyway, after that enjoyably early night, I rose early and had plenty of time for reading and practising my Renaissance guitar technique before going off again to Salford for a lunchtime tennis match up. This time no handicap at all and this time I prevailed over my opponent. Both of the matches had been very good ones; really nice people and good challenging tennis. Tomorrow I’ll return for a lesson.
Back to the apartment for some more music and reading. Then back to the Thai place to try a rice dish – a beef massaman.
The next morning I vacated my apartment and drove round the ring road for my tennis lesson. I decided to take a picture of the main lobby of the club, which, in contrast to the exterior, looks like a grand club from a bygone era. Trigger warning: the heads of deceased beasts line the walls:
Darren Long gave me my lesson – as indeed he did on my last visit. He does some different drills from the guys at Lord’s and has some interesting thoughts on the one or two things I might do to transform my game from the ordinary to the utterly exceptional. It might be as easy as that…although it might not.
Seriously, Darren is a very good coach and it was a very enjoyable hour. Once again, the team at the Manchester Tennis and Racquets Club had made me feel extremely welcome and looked after me as well as I could possibly have hoped for.
I made two stops on the journey home to ensure an adequate state of alertness and to stretch a bit – driving from Manchester to London straight after a rigorous hour of drills on the tennis court is probably not ideal on the old body, but still.
It had been an enjoyable trip; apart from the cold, the wind and the rain. Manchester really should try and do something about that – otherwise it could end up with somewhat of a reputation for its inclement weather.