Santaphobia, Sartorialism, Keele Connections And Several Crises At Christmas, 4 January 2022

Sanity Clause, Anyone? – Christmas Eve & Boxing Day

Janie and I are not exactly model celebrants of Christmas. In recent years we have made it our habit to volunteer, primarily for Crisis at Christmas, which is a wonderful charity.

Yet Janie does have a fondness for unusual Christmas decorations, and has long-regretted not photographing the “Christmas Gnomes Tea Party” we drove past on Popes Lane two or three years ago.

But we did stop and snap the above acrobatic (or possibly desperate) Santa on Boston Manor Road, setting aside our santaphobia and praising the owner of the house for his stunning fandangle.

As if that wasn’t excitement enough before Christmas, we also did our first Crisis shift of the year on Christmas Eve:

We are Ged & Daisy for our Crisis shifts. Daisy here was sporting Christmas (and for that matter Z/Yen corporate) colours.

Daisy, for reasons known only to her, tends to pronounce the word “crisis” as “crises”, as if one massive homelessness crisis at Christmas isn’t enough.

Daisy was tempting fate this season with her plurality, in my view. Indeed, we swiftly found ourselves embroiled in a second crisis. The Duchess of Castlebar (Daisy’s mum) had yet another nasty fall on Boxing Day, not even two hours after we left her. So that’s hospital again (the third time since the start of November) and all the palaver that entails.

Keeping calm in a Crisis…or crises

All Isn’t Quiet On New Year’s Day

On New Year’s Day, we were back to Crisis. A smaller team that day with plenty to do; we ended up running the coffee stall / canteen, the clothes store and delivering food to rooms on that shift.

For those who might be blunt or snide enough to throw the “ah, but could he run a coffee/food stall?” question in my direction, the answer is, I believe, “yes” – as evidenced not only by our Crisis volunteering but also by the FoodCycle volunteering Daisy and I have been doing since the start of the pandemic.

Running the clothes store was a different matter.

On Christmas Eve, there was masses of donated stock but it was difficult to find individual items of the requisite type and size for each guest, so some people were taking/writing down orders in the “clothes store”, others were fulfilling them from stock in the basement and then delivering the clothes orders to the rooms. Time consuming but basically a systematic sequence of tasks. Daisy and I worked on fulfilling and delivering clothes orders on Christmas Eve.

New Year’s Day was different. Stocks were running low, with mostly super-large and super-small sizes remaining available. Almost all of the stock had been moved upstairs to the clothes store.

After our session running the canteen, Daisy and I were allocated to the clothes store. That is when we met The Sartorialist; a guest with a particular interest…you might even describe it as an obsession…with the garb on offer.

Daisy tells me that I handled the situation with great patience, but I suspect that my face was betraying whatever my words and tone were belying – I’m not a naturally patient chap. Perhaps sensing my frustration, The Sartorialist kept apologising to me for his persistence, without ever tempering his resolve to see just one more garment, in case it turned out to be a size/colour/style/brand that suited him.

At one point he said to me:

You’re well dressed – why shouldn’t I be?

I pointed out to him my tracksuit bottoms and trainers, similar to those I had worn for tennis a few hours earlier (see below).

I was talking about your top. I don’t wear tracksuit bottoms and I would never, ever wear training shoes.

I thought about my choice of jumper for my Crisis shifts (see above). It must be more than 25 years old. Daisy and I bought it when visiting a provincial town; the weather had turned unseasonably cold on us and I wanted a cheap, comfortable, washable pullover to use as layering.

I also wondered what The Sartorialist might have made of my choice of top – in particular headgear, for tennis (see below).

Geddy In Disguise…With Glasses.

At that juncture, I thought it best to hand the customer-facing side of the Crisis clothing emporium over to Daisy.

Consummate professional salesperson that she is…

…at least in the matter of selling…by which I mean giving away by dint of talking up…charitably-donated goods…

…Daisy successfully persuaded The Sartorialist to take three items of clothing and move on, enabling us to progress with other customers, who were forming an increasing long, yet surprisingly patient, queue.

4 January – A Charitable Keele Connection On Our “End Of Term” Shift

One of the good things about Facebook is the way it informs you about connections with other people who know your friends. On Holiday Monday I joined the relevant private Facebook Group for people who were doing Crisis volunteering shifts in our slot, to spot that one of the volunteers, Amber Bauer, is a friend of Sally Hyman, whom I know from “back in the day” at Keele.

Sally runs a wonderful charity, CRIBS International. It turns out that Amber knows Sally through that charity.

I wondered whether Amber would be on our 4 January shift. I didn’t spot anyone named Amber during our pre-shift briefing, but that “end of term” briefing was…very brief.

But soon after the briefing, one of my first customers when I was staffing the canteen/coffee stall again, had the name badge Amber, so we connected in person.

A little later, Daisy and I took over from Amber on outdoor duty…

…yes it was punishingly cold doing that duty once the temperature had dropped that evening…

…enabling Daisy to take pictures of a very chilly Amber handing over to a not-yet-but-soon-to-be-chilly me:

I look comparatively cold already and I haven’t started the duty yet. Mind you, Amber seemed awfully pleased to see us when we turned up to take over.

Amber and I both reckon that the above picture and story should make Sally Hyman smile – not least because it includes a soft plug for Sally’s wonderful international homelessness charity.

You Want To Know More About The Charities Mentioned In This Piece?…Of Course You Do…Clickable Links Below:

Crisis – Together we will end homelessness
FoodCycle – To make food poverty, loneliness and food waste a thing of the past for every community
CRIBS International – Care for Refugee Interim Baby Shelter

Real Life Begins Around 1740: Delving Into The Previously Untold Story Of Tennis Champion Clergé

More A Question Of “Who?” Than “When?”

The oldest world championship asserted for any sport is the one for tennis. By “tennis”, I mean the sport we now call real tennis, court tennis, royal tennis or jeu de paume.

This piece of amateur research was triggered, towards the end of 2021, by a casual enquiry by Carl Snitcher, a leading light in the Dedanists & Real Champions world, while we were on our way to play a match at Hampton Court Palace.

Carl was wondering whether the asserted date of 1740 for the first real tennis champion was accurate. Some had suggested it was not. I was the only amateur tennis historian Carl had to hand at that moment.

The answer to the exam question: “Did Clergé become the first tennis champion in precisely the year 1740?”, is a reasonably straightforward one; I shall answer it briefly in the next section of this piece.

But I realised, on engaging in this small piece of research, that, far more interesting than the numerical, “when?” question, is the more human query, “who on earth was this initial tennis champion Clergé?”

1740?

The earliest use of the specific date “1740” as the initial championship year is in Julian Marshall’s seminal work, published in 1878, The Annals Of Tennis:

Other great players of this time (1740- 1753) were Clergé, the elder Farolais, La Fosse, Barcellon (the father), and Barnéon. Clergé was the most remarkable…

p33

Subsequent history books, especially those that cite sources and references, use this 1740 date. Those that source/reference that date, including Marshall, cite Traité sur la connoissance du royal jeu de paume et des principes qui sont relatifs aux différentes parties qu’on y joue par Manevieux (1783) as their source. Marshall’s words are mostly a decent translation of the Manevieux passage…

Paumiers qui acquirent, il y a trente ou quarante ans, une certaine réputation de force, furent les sieurs Clergé, Farolais pere, La Fosse, Barcelon pere & Barneon ; — le sieur Clergé étoit le plus vanté…”

P137

…except in the matter of dates, where Manevieux is saying “these past thirty or forty years” rather than stating specific dates. Manevieux no doubt spent several years writing his amateur treatise.

There is other circumstantial evidence, which I’ll discuss later, which makes 1740 as good a guess as any for the start of the period of Clergé supremacy at tennis. More recent tennis historians, such as Kathryn McNicoll (The First & The Foremost A Gallery Of Champions) and John Shneerson (Real Tennis Today And Yesterday), have tended to use “circa 1740” or “1740s” as their base date.

As an early music lover, I am at home with the use of “circa” for dates derived from estimates based on best available evidence. I find the term “circa 1740” suitably precise yet hedged for the starting date of Clergé’s pre-eminence.

Who Was This Manévieux Fella?

Before we explore the story of Monsieur Clergé, I’d like to delve a little into the author, Manévieux , upon whose 1783 writings our knowledge of the early tennis champions is based.

He is almost certainly otherwise (or more completely) known as Louis-Claude Bruyset de Manévieux, who published a couple of other works, in particular a eulogy to his great uncle, Jean André Soubry (1703-1774), Treasurer of France in Lyon.

One of my bugbears is that we have no picture of Clergé, nor of Manévieux for that matter, but there is a contemporaneous portrait of Soubry, which will have to do in the “eye candy” department for the time being:

Portrait by Nicolas de Largillière, presumed to be Jean André Soubry, c1729

The several works of Manévieux, including his tennis treatise, all appear to be available as free e-books through Googlebooks (other sources of this free material are available) – click here.

In the 1783 tennis treatise, Monsieur Manévieux describes himself as an amateur. Whether he means amateur tennis player, writer or historian is unclear. Sounds like my kind of guy in any case.

Manévieux dedicates the treatise to Le Comte D’Artois, who went on to become Charles X after the Bourbon Restoration. As a youngster, Charles, Count of Artois was famous for his drinking, gambling and womanising (presumably he wasted the other 10% of his time), the fashionable rumour of the time was that Charles was having an affair with his sister-in-law, Marie-Antoinette. He famously won a bet with Marie-Antoinette that he could get his architect,  François-Joseph Bélanger, to design and build a party palace within three months. The result, at enormous expense, was the 1777 Château de Bagatelle.

Charles, Count of Artois, painting attributed “after Antoine Callet”, c1775

Charles, Count of Artois was unusually keen on tennis for a French royal of his era. Thierry Bernard-Tambour (good name for a tennis historian, Tambour) in his article on 18th century royal paumiers, registers, from royal archives that that…

Janvier-Jacques [Charrier] became the King’s paumier in 1763, also [paumier to the] Count of Artois

and

[ball making by] Etienne Edmond [Quillard] in 1765 for the Dauphin and the Count of Artois

…which means that Artois did play tennis from his infancy. The Manévieux dedication suggests that Charles retained an interest in the game into adulthood. Shneerson (pp76-77) provides some fascinating insights into Charles’s extravagant behaviours and spending around the game. D’Artois apparently had a hissy-fit when spectators applauded his opponent in a public court. After that, he only wanted to play on private courts. Between 1780 and 1786 he had his architect, Belanger, build him a court on the Boulevard du Temple – as much for drinking, gambling and womanising as for watching/playing tennis if the designs are anything to go by. That was probably the last pre-revolution court built in France.

Charles spent several years in England during his exile from France, during which time he is known to have played regularly at the James Street (Haymarket) court, spectators presumably having been warned not to cheer the future King of France’s opponents.

But let us now return to Monsieur Clergé himself.

Wikipedia (Unusually Not) To The Rescue

My usual starting point for research of this kind is Wikipedia, but on this occasion, at the time of writing (December 2021), Wikipedia was having a bit of a shocker in the matter of our first named tennis champion, Monsieur Clergé.

Here is Clergé’s (wafer thin) Wikipedia entry, archived 26 December 2021.

Here is the Wikipedia entry for real tennis world champions, archived on the same date, which (wrongly) supposes our hero Clergé to be “Clergé the elder”. That entry also wrongly supposes the great Masson who followed Clergé, to be Raymond Masson, whereas it is now firmly believed that Antoine-Henri Masson (1735-1793) was the great Masson (Nicholas Stogdon via The British Museum, Bernard-Tambour, McNicoll, Shneerson). In particular Bernard-Tambour clarifies that Raymond Masson was a less exalted player, born 1740, a cousin of the great Antoine-Henri.

By the time you get to read this piece, the Wikipedia entries might well have been improved, so here are links to the live entries:

“Clergé” live Wikipedia entry.

“List of real tennis world champions” Wikipedia entry.

So Who Was Clergé The Elder?

Having explained that our hero was the younger Clergé, I should explain what little we know about “Clergé The Elder”.

Our older source is the nineteen volume Journal of the Marquis de Dangeau, with the additions of the Duke of Saint-Simon – you can read or download the whole lot through this link.

Philippe de Courcillon, Marquis de Dangeau (1638-1720) by Hyacinthe Rigaud

Parenthetically, it is amusing to note that Louis de Rouvroy,The Duke of Saint-Simon founded his own fame and reputation as a memoirist on the back of his annotations of Dangeau’s memoires, despite stating that Dangeau’s writing was:

of an insipidity to make you sick.

Still, the period of the Dangeau memoires; 1684-1720, covered the last 30+ years of The Sun King, Louis XIV’s reign and the early years of the Louis XV era.

Here is an example from the autumn of 1685:

Sunday 4 November 1685, in Fontainebleau. – The King went to shoot; My lord [Louis the Grand Dauphin] did not go out all day; he made the good jeu de paume players play, and Jourdain played better than little Breton or little Saumur had ever played, as people say at that time.

I am not the first tennis historian to trawl those 19 volumes for nuggets of information about tennis, nor will I be the last. It is mostly pedestrian stuff, but I discern and summarise the following:

  • tennis was on the whole falling from favour in royal circles during that period;
  • more or less only in the autumn, when the royals were at Fontainebleau and Versailles for the hunting season, does tennis feature at all in their lives;
  • younger members of the royal family would “have a go” – Louis the Grand Dauphin was still having an occasional hit in the earlier period of those diaries. For example, on 3 December 1686, he played on the three-day old new court at Versailles – the Grand Dauphin continued to play regularly there throughout the winter of 1686/87, but the novelty of playing there soon wore off for him;
  • there was more enthusiasm for watching professional players play than for having a hit themselves – the royals tended to watch if the weather was too poor for hunting and/or if they were entertaining visiting dignitaries, such as exiled English royals;
  • one of the Jourdain brothers was the pre-eminent player in the mid 1680s at least;
  • in October 1687 the professionals at Fontainebleau petitioned The Sun King for a licence to exhibit their skills in Paris; this he granted:

Thursday 9 October 1687, in Fontainebleau. – The King saw the good players of jeu de paume play, who asked that they be allowed to take money to see them play in Paris; it would earn them money, and apparently the king will allow them.

Sunday 26 October 1687, in Fontainebleau. – The king saw the good players of jeu de paume playing, and granted them the privilege they asked for; they will play twice a week in Paris, and will be displayed like the actors. They are five: the two Jourdains, le Pape, Clergé et Servo.

I believe the above mention of Clergé The Elder to be the only one by Dangeau himself. There is a further mention in the autumn of 1690 which comes from a Saint-Simon footnote, the detail presumably extracted from Mercure:

Thursday 12 October 1690, in Fontainebleau. – The bad weather made it difficult for people to go hunting. – The king led the exiled royals [James II & Mary of Modena] of England to the tennis court, where the great players played (1).

(1) “The weather was so bad in the afternoon that we could not go chasing the deer. So we only went to the game of jeu de paume, where a game between the Jourdain brothers and le Page, Clerget [sic] and Cerveaux against them, gave a lot of pleasure.” (Mercure of October, p. 297)

The great journalistic tradition of mis-spelling names goes back at least to the 17th century

Eagle-eyed lovers of tennis might have noticed that the account suggests that the exhibition match might have been three-a-side, or possibly three-against-two. Accounts from the 17th and 18th century, such as they are, suggest that such matches were quite common at that time – possibly even the norm for exhibition matches.

From Art du paumier-raquetier, et de la paume by François-Alexandre de Garsault, 1767

What Do We Know About The Initial Tennis Champion, Clergé The Younger?

The first thing to say is that there must have been an elder and younger Clergé, despite some histories suggesting that the Clergé referred to by Dangeau in 1687 and the Clergé referred to by Manévieux as being pre-eminent for some years from c1740 might have been one and the same person.

Even those of us who marvelled at the skills displayed at Lord’s, until recently, by nonagenarians Robin Simpson and the late Major Jan Barnes, would admit that the giddy heights of skill described by Manévieux are probably only at their peak for a decade or two or (at a push) three.

In The Annals Of Tennis, Julian Marshall suggests that Manévieux’s Clergé is…

possibly a son, or grandson, of a player of the same name, mentioned above [by Dangeau]

…while in Real Tennis Today and Yesterday, John Shneerson is more resolute:

probably the grandson of the Clergé who played in front of Louis XIV.

I agree. The tennis business tended to be a family business, in those days to an even greater extent than it is today. Assuming our c1740 champion Clergé was the grandson of the Louis XIV petitioning and performing Clergé, it is probable that the father was also “in the business”.

In truth, we know almost nothing about the early life of the younger Clergé.

David Best’s research into the Whitehall tennis courts finds our hero employed there in 1736. As Kathryn McNicoll points out in The First & The Foremost A Gallery Of Champions:

…it is possible that he [Clergé] taught [Frederick] the Prince of Wales to play the game

Frederick, Prince Of Wales by Philip Mercier c1736

But it is Manévieux’s rapturous report in Traité sur la connoissance du royal jeu de paume et des principes qui sont relatifs aux différentes parties qu’on y joue that led to Clergé being lauded as the champion c1740. Let’s examine what M Manévieux had to say. These passages, pp 136-138, have been extracted and translated into English before, not least by Julian Marshall in 1878 – but here is my modern translation of them in full:

The Master Paumiers who acquired, over the past thirty or forty years, a certain strong reputation, were Messrs Clergé, Farolais (the father), La Fosse, Barcelon (the father) & Barneon. Mr Clergé was the most extolled by the strength of his first stroke, which he executed perfectly. He was the man who played the doubles game best, taking only the shots he had to, according to the rules, bolstering & warning his second, strong or weak, to take the ball. Very different from other players, who tend to make their second useless, by hogging the whole game.

When Clergé had taken the serve [hazard end], he advanced to the last [winning] gallery, appearing to defend the galleries with volleys from boasts, cross-court forces and shots off the tambour, warning his second to play the others. On the service side, he would take his place in the line of four tiles [around chase one-and-two] near the [dedans] post, where he volleyed forehand or backhand the forces or boasts off the main wall. He preferred to allow the ball to land a chase than to move from this position & let his second play all the other shots.

Nobody, in a word, was nor will be held in higher regard, not only for the strength of his game, but also for the strength of his character – Mr Clergé was a totally honest paumier. There was no deceit to his game nor did he succumb to the commercial interests that sooner or later tend to prejudice the professional player; he never played for money.

It really does sound as though he was a great bloke, Clergé, as well as a great player.

We think we know just a little more about his later life.

In 1751, René Clergé received a Paumier-Raquettier supernumerary patent, as evidenced in the French National Archives.

In 1767, the same René Clergé received a patent of Paumier Raquettier du roi … following the death of Monsieur Liebault.

Between those two notable/notarised events, we find our hero assisting Louis Joseph, Prince of Condé in putting the finishing touches on his jeu de paume court at Chantilly, in 1756/1757.

Alexandre-François Caminade: Portrait of Louis Joseph de Bourbon, Prince of Condé

Modern travellers can stay at the Auberge Du Jeu De Paume in Chantilly, where the former tennis court is now an exhibition and events hall.

There is more detail in the article Chantilly et ses princes : des Lumières à la Révolution by Stéphane Pannekoucke, including a full name for our hero:

Henri-René Clergé du Gillon

It was Clergé who put the finishing touches on that Chantilly jeu de paume and who also acted as paumier to Louis Joseph, Prince of Condé for some while after that:

It is to Henri-René Clergé du Gillon, master paumier, that
we entrust the regulatory finish of the room, to
namely “the black painting of the Jeu de Paume three separate times”. Finally, we equip the room with nets and we
buy different “utensils” needed for the game for nearly 1,500 pounds.

By that time, Guillaume Barcellon had been appointed paumier to King Louis XV, in 1753. Modern historians suggest that Clergé’s supremacy as a player had probably waned by then and that Barcellon was the champion player for a dozen or so years.

Guillame Barcellon 1726-1790, by Etienne Loys, 1753. In Wimbledon Museum, this image borrowed form the Fontainebleau Jeu de Paume Circle on Facebook.

We also know, based on an undated mention in Manévieux, that Antoine-Henri Masson at one time (probably after 1765, once his supremacy had been established) challenged and defeated Clergé and Charrier, having given them half-fifteen in handicap.

Antoine-Henri Masson 1735-1793, this image from British Museum website

Thierry Bernard-Tambour in his paper Les maîtres paumiers du roi au XVIIIe siècle, explains that, once Louis XVI comes to the throne, more detail is kept in the royal accounts, which informs us that the following paumiers were on the royal books in 1775:

La Taille et La Taille the younger, Bunelle, Clergé, Farolet,
Masson, Charrier and Barcellon

But, when Manévieux lists paumiers and their courts at the end of his 1783 treatise, the name Clergé is absent. Possibly he had retired, possibly he had died between 1775 and 1783.

There might now be enough evidence gathered in one place (I’m pretty sure this article is more comprehensive than anything previously published about Clergé) to enable a keen historian to dig deeper and uncover more.

Picture This: Henri-René Clergé du Gillon, aka “Clergé The Younger”

I mentioned earlier that it seems such a shame that we have no portrait of the first champion of tennis, the first sport to establish a continuous world championship.

We have images of Barcellon and Masson, who followed soon after Clergé The Younger, but none of our hero. Perhaps he eschewed pictorial publicity as well as pay for play.

So I decided to commission a fine artist – the only amateur fine artist I had to hand at that moment – to create an artist’s impression of what Clergé The Younger might have looked like.

Nobody was nor will be held in higher regard, not only for the strength of his game, but also for the strength of his character ”

There you have it – Clergé The Younger – he looks and sounds like such a fine chap.

Acknowledgements

With grateful thanks to the many encouraging and helpful people whose comments and ideas have shaped and are shaping my scribblings on tennis history. In particular thanks to Thierry Bernard-Tambour for additions and corrections (currently in process).

Back To Life, Back To Reality… Almost, November 2021

Thanks to Giles Stogdon for the above photo.

At the beginning of November, life seemed to be almost getting back to normal. Lots of real tennis in convivial circumstances for a start,

Thursday 4 November 2021 – MCC Real Tennis Skills Night

For my sins, I have inherited, from John (“Johnny”) Whiting, the role of “match manager” for the popular skills nights at Lord’s. A few years ago, on hearing John and the professionals discussing the amount of organising the event needs on the night, I made the schoolboy error of offering to help next time. John saw the offer of help as an opportunity to step down; frankly, Johnny had done it for so many years, who can blame him?

Fortunately for me, Johnny had left comprehensive instructions and spreadsheets rendering the event almost fool-proof, as long as there are a couple of pros who know what they are doing to make the event run smoothly on the court, which, of course, it did.

My review of the event can be found on the MCC website through this link.

Alternatively, if anything ever goes awry with the MCC site link, a scrape of the report can be found here.

Naturally, skills night is as much an exercise in conviviality as it is an exercise in tennis court skills.

However, the assembled throng did have to listen to me waffling on about prizes and the like:

Thanks again to Giles Stogdon for this photo

A Week Of Tennis & Dining Out 6 to 12 November 2021

Quite a week. Janie and I went to Simon Jacobs place for dinner on 6th, where he cooked a delicious soup followed by chicken & mushroom pie. Lots of chat about music and that sort of thing. No photos on this occasion but there are photos from our previous visit, before lockdown 2.0:

I played a fair bit of tennis that week, not least a ridiculous 24 hours during which I played an hour of real tennis singles on the Tuesday evening, two hours of modern tennis on the Wednesday morning (part singles, part doubles), then a match, representing MCC against Middlesex University on the Wednesday, which ended up being another two-and-a-half hours of doubles. No wonder I served a couple of double-faults at the end of my second rubber on the Wednesday evening. Again, no photos from the match this time, but here’s a report with pictures and videos from the most recent equivalent home fixture – a couple of years ago:

On Thursday 11th, I went to the office for the first time (other than for a team meeting) in more than 18 months. Then I met up with Johnboy – initially in “Ye [sic] Old Mitre” (it really should read “þe Old Mitre”, you know) and then on to Chettinad Restaurant (my choice), as I thought a high-quality Indian meal would be a good way for us to “get back on the bike” of dining out. The food was very good.

It had been a really long while since John and I had met up for a simple restaurant meal – our last few gatherings had either been at homes, the four of us or the four of us at homes. This Yauatcha meal might have been the previous one:

Then on the Friday I was evicted from this year’s MCC singles tournament for feeble-handicappers in the Round of 16. I don’t think I’ll try tournament singles again. I love playing singles more than doubles on a friendly basis but doubles makes more sense at my level for matches and tournaments.

Tennis At All Sorts Of Levels, Performances Of Various Kinds & A Bit Of A Boost, 15 to 29 November 2021

On 15 November I spent a very jolly afternoon at The Queen’s Club watching real tennis played by real players; The British Open 2021.

I saw Neil Mackenzie take on Matthieu Sarlangue, then Zac Eadle challenge Nick Howell, then finally (and most excitingly, a five setter) Edmund Kay against Darren Long. Here is a link to the draw/results on the T&RA website. If by any chance that link doesn’t work, I have scraped the file to here.

I spent much of the afternoon & evening with my friend/adversary Graham Findlay with whom, by chance, I was due to battle with myself that very Thursday. I was thus able to reciprocate the coffee and cake Graham kindly treated me to at Queen’s with a light bite in The Lord’s Tavern after our battle on the Thursday, before I went home to perform my latest ThreadMash piece – click here or below.

Janie and I had an afternoon of adventure on the Friday, having our Covid vaccinations boosted (we don’t get out much these days – all such matters need noting).

Picture actually from first vax

Most people reported a sore arm and aches. We both got the aches but strangely my arm did not feel at all sore at the vaccination site and I was able to play lawners lefty-righty all weekend.

A quieter week followed. I continued to play some doubles in partnership with Andrew Hinds, in preparation for our R16 match – this we did Tuesday 16th and Monday 22 November.

Janie and I were due to see Lydia White…

… star in Little Women at The Park Theatre on the Thursday, but sadly our performance needed to be cancelled due to cast illness (not Lydia) that day, so we’ll miss the run now.

On Monday 29th, Andrew Hinds (depicted wooden-spoon-wielding, left, in the photo below) and I won a place in the quarter finals of the feeble-handicappers’ doubles tournament.

With thanks to Tony Friend for this photo From skills night

Due to competitor/court availability (or lack thereof) before the seasonal break, that means that we shall still be in the 2021/22 tournament into the New Year – the equivalent of getting to week two of a grand slam lawn tennis tournament – but in a very slightly less-elevated way.

Let Them Eat Cake & The Tennis Court Oath, ThreadZoomMash Performance Piece, 18 November 2021

A few weeks ago, I played an especially close and exciting real tennis tournament match at Lord’s, emerging victorious – in straight sets but by the narrowest of margins in each set.

Exhausted but happy, I stopped at Porchester Waitrose on my way home, to pick up bread and other comestibles for my supper.

But I discovered the in-house bakery covered in tarpaulin, with signs reading, “No Entry” and “Due to a leak in our ceiling we have had to close down this area…”

Opposite the bakery were mostly bare shelves, where normally the bread would be. But one shelf was fully stocked, bulging with packs of brioche loaves and brioche rolls.

“Qu’ils mangent de la brioche”, I said to myself. In the circumstances; who wouldn’t?

The English expression. “let them eat cake” is, in fact, a loose translation of the phrase, “qu’ils mangent de la brioche”.

I don’t like the loose, English translation. Brioche is, in my opinion, a rich form of bread. Classified as viennoiserie, brioche is almost pastry, but not a piece of cake.

Bread, pastry, biscuit, cake; these distinctions might seem trivial or inconsequential. Yet, in the early 1990s case of McVities v HMRC,  the very VAT status of Jaffa Cakes hinged on whether that particular delicacy should be defined as a cake (zero-rated) or a chocolate-covered biscuit (standard rated). The tribunal ruled that the product had nine characteristics, some cake, some biscuit, but on balance determined it to be a cake.

Two hundred years earlier, Marie Antoinette’s place in history was determined, formally, at the hands of the French Revolutionary Tribunal. Unfortunately for Marie Antoinette, her informal reputation is entwined with the phrase “let them eat cake” or “qu’ils mangent de la brioche”, despite the fact that there is no evidence that she ever used the phrase and a great deal of evidence that she couldn’t possibly have originated it.

Marie Antoinette – say what?

Jean-Jacques Rousseau coined the phrase in his Confessions, attributing the anecdote to an unnamed “great princess”.  Rousseau wrote Confessions between 1765 and 1769, when Marie Antoinette was still a nipper and before she had ever been to France.

Rousseau might even have made up the anecdote. Another possibility is that the anecdote originated with Marie Theresa of Spain, about 100 years earlier.

Marie Theresa being “handed over” to Louis XIV

Marie Theresa was consort to Louis XIV, The Sun King, during an extremely lavish era – when Versailles was transformed from a hunting lodge into the opulent palace we now associate with Versailles.

Marie Theresa died in 1683, before the Versailles tennis court was completed, but her son, Louis, The Grand Dauphin, played an inaugural game on that court in 1686. 

Louis The Grand Dauphin

Roll the clock forward a hundred years again, to 1789. The Versailles tennis court played a crucial role in the French Revolution. In June 1789, the Third Estate or National Assembly of commoners, found themselves locked out of the chamber by order of the King.

Dr Joseph-Ignace Guillotin

Joseph-Ignace Guillotin, suggested that they congregate instead in the nearby Royal Tennis Court of Versailles, where they swore a collective oath, similar in style to the US Declaration of Independence, “not to separate, and to reassemble wherever circumstances require, until the constitution of the kingdom is established”. 576 of the 577 members of the assembly took the oath.

The Tennis Court Oath was a seminal moment in the progress of the French Revolution. Ironically, though, the tennis court oath neither benefitted the reputation of tennis nor that of Joseph-Ignace Guillotin.

Jeu de paume, as the French call real tennis, virtually died out in France in the aftermath of the French revolution.  In tennis’s 17th and 18th century heyday, there were hundreds of courts in Paris alone. 

Joseph-Ignace Guillotin was a doctor who opposed capital punishment. He advocated the use of a quick, painless blade mechanism, but only in preference to the more torturous methods of execution commonly used.  It was much to the doctor’s chagrin that the deadly mechanism acquired his name. There is an urban myth that Dr Guillotin was himself thus decapitated during the reign of terror. It is true that A Dr Guillotin met that fate, but not Dr Joseph-Ignance Guillotin, who was imprisoned, but survived the reign of terror by the skin of his teeth.

I mused on all these matters that evening, a few weeks ago, while munching my brioche and reflecting on winning a tennis match by the skin of my teeth.

The oath I had heard on the tennis court that evening was the single expletive, “shit”, used by my opponent so many times, he got a warning from the marker (umpire).  I wondered how many of the 576 subscribers to the original Tennis Court Oath were reduced to such lesser, expletive oaths, soon after their revolutionary gesture.

Changing the social order, like brioche, is not a piece a cake.

Pas un morceau de brioche

A Day At Hampton Court Palace Representing The Dedanists v The Hamsters, 21 October 2021

A real treat of a day out for real tennis – such a long time since I have been able to do one of these.

Selected to represent The Dedanists against The Hamsters (a select subset of the Royal Tennis Court membership), I again, as last time, enjoyed the company of Carl Snitcher on the journey from Central London to Hampton Court Palace.

Carl with ball in hand

Here and below is my write up of the fixture from two years ago:

Again, this time, James McDermott was my partner, but, on this occasion, we were down to play the first rubber rather than the last of the match. That left me available for much of the day to do some match marking – I actually marked two of the other rubbers in the 2021 match.

In between those playing and marking activities, there was plenty of time for convivial chat and eating a wonderful lunch.

I wrote up the match for The Dedanists’ Society website, so no need to repeat those details here.

This scrape of the blog page shows our match as the second one down – the above link is live so the report will forever move down the page as more reports are added to that one!

Of course the pandemic isn’t over, but this sort of day marks a further return to something closer to normalcy. It was a splendid day and I thoroughly enjoyed the match and the company.

One of my better shots

Four Seasons & Four Rainbows For Our London Cricket Trust Launch At Birchmere Park, 6 July 2021

Not just one rainbow but four: a very special event

Still emerging from lockdown, I have not spent a great deal of time face-to-face with people for some while.

Indeed, apart from the regular volunteering Janie & I do with FoodCycle, it has only been my Trustee activities with the London Cricket Trust (LCT) – putting cricket back into London’s parks – that has got me out and about since the partial re-opening.

On 18 May, for example, I visited my friend Rohan Candappa in Crouch End…

Crouch End’s equivalent of the bread line emerges daily outside the Sourdough Shop

… and then went on to meet Sophie Kent, one of the LCT Trustees, to take a look at Hornsey Cricket Club to discuss a prospective indoor cricket facility project (not an LCT one).

Half-close your eyes, wish and imagine…

On 9 June we had a face-to-face LCT meeting at The Oval. Dumbo, my car, was very excited at the opportunity to park within the hallowed grounds of The Oval, adding to his bucket-list collection of “cricket grounds within which I have parked”:

Why shouldn’t Dumbo have a bucket list like everyone else?

But I digress.

Birchmere Park via New Zealand, Hendon & The Woolwich Ferry

I started the day in New Zealand. Not physically of course, but I did Zoom over to Wellington for a short meeting on Z/Yen business.

Then I set off for Hendon, to Middlesex University for a game of real tennis, in which a sixteen-year-old utterly took me to pieces. I had pretty much been able to keep up with him a couple of weeks ago, but his regular play post GCSEs and the rapid improvement available only to people 40 or more years younger than me means that he is at least 10 handicap points better than me now and shall soon sail off into the stratosphere of only wanting to play with serious sporty folk and pros.

It doesn’t get much better than this

Having allowed bags of time to get to Birchmere Park in Thamesmead, I trusted Waze to sat nav me there and was led to expect to arrive more than an hour before the event, via the Woolwich Ferry. Time for a wander around when I get there, I thought.

I had never attempted the Woolwich Ferry before. My only real knowledge of it, from my youth until this day, was traffic announcements on Capital Radio & Radio London saying that only one ferry was operating and that there were hour-long queues as a result.

I didn’t listen to the radio on my journey from North-West to South-East London. Why should I? The sat nav does that traffic guidance job these days…

…except that the sat nav clearly didn’t know that today, as in my radio-listening days of yore, the ferry was operating with just one boat and the queues were some 40 minutes long.

The Woolwich Ferry from a Dumbo perspective

Still, it was another tick on my bucket-list and Dumbo was very excited to travel by boat again, for the first time since his trip to Ireland with us six years ago.

Fortunately I had allowed so much extra time for this journey, even with the long wait for the ferry, I still arrived at Birchmere Park about half-an-hour before the event.

New Zealanders have an expression for their weather – all four seasons in one day – which can apply to English weather too and certainly did apply on this day. In fact, I think I can safely say that I experienced all four seasons in one two-hour journey from Hendon to Thamesmead.

By the time I arrived at Birchmere Park it was unquestionably the rainy season. It was bucketing down.

My trusty weather app suggested that the rain would ease off after about 15 minutes and even suggested that it should stop completely to allow us a 45 minute event in dry weather.

And so it was. The weather smiled on us for our launch. Only the multiple rainbows in my picture present clues to the changeable weather on that afternoon.

As the Trustee of a cricket charity that is putting dozens of non-turf pitches into parks around London, I am glad to point out that only a non-turf pitch would be playable just a few minutes after the sort of deluge we experienced that afternoon.

Can you see the join?

These cricket pitch projects tend to need several organisations to come together. In this case, not only the LCT, the ECB and the local (Greenwich) council, but also Peabody and in particular its Thamesmead Regeneration arm. It was very interesting to meet the various dignitaries and activists from the area. I also sensed genuine interest in progressing more projects of this kind in that corner of Greater London.

I took my stroll around after the main event. Birchmere Park is a charming place with a lake and plenty of bird life on the far side of the park.

Birchmere Park lake – a lovely, peaceful spot

A Day Watching Lawn Tennis At The Queen’s Club, 15 June 2021

More by luck than judgment, I chose a really good day, the Tuesday, for a pair of seats at The Queen’s Club to see some lawn tennis. It was fine weather and mostly excellent tennis too.

Janie and I have spent the day watching tennis at Queen’s before, just a few months before lockdown, but that was “realers”, not “lawners”.

We had also, back in the day, popped in to see a couple of late afternoon matches after work. But that’s not the same thing as a proper day at the tennis.

Socially-distanced (or, as Janie calls it, spatially-distanced) at Queens

Only a 25% crowd was allowed and centre court was the only court with seating. If you chose to wander around you might be forgiven for thinking that you were at Queen’s the day before the tournament – the walkways around the practice courts etc were so quiet.

But we were mostly there for the tennis proper . First up was Matteo Berrettini against Stefano Travaglia. Queen’s was a very Italian affair this year for some reason. That match – depicted in the headline picture, was a close run thing given that Berrettini is the top seed and Travaglia…isn’t.

Next up was Britain’s Dan Evans v Alexei Popyrin, the latter being an Australian with a Russian name.

We chose to stretch our legs at the start of that match, as the Berrettini match had been quite long. While walking around the practice courts, we spotted Herbert and Mahut practicing against each other rather than with each other:

Herbert waiting, Mahut serving

Then back to Centre Court. The small crowd ever so politely took Dan Evans’s side, but with barely a yelp, to be honest, just louder polite applause. It was good to see him play so well.

Good Evans

I had taken responsibility for the picnic, which we went through at a gentle pace throughout the day. Beef and horseradish submarine rolls, Lincolnshire Poacher ciabatta rolls, mixed nuts, grapes, strawberries, two types of smoothie…

…we took some of the food home with us and had a mini-picnic in the evening with the leftovers.

Meanwhile, after the Evans match, the big event was the return of Andy Murray to main tour play after a long interval. At this point there were elements of the crowd that got really quite excited.

Murray was up against Benoît Paire, a French player whose beard has become unfeasibly large over the years.

There goes Benoît Paire with his beard, He said, “It is just as I feared!—
Two Owls and a Hen, four Larks and a Wren, Have all built their nests in my beard.
Andy Murray in full flow

After Murray dispensed with Paire, I took a solo leg stretch, snapping one or two more stars along the way on the practice courts:

Nikola Mektić (above) and Lorenzo Sonego (below)

The last match of the day was less interesting to us; Denis Shapovalov v Aleksandar Vukic.

Denis “The Menace” Shapovalov in full flight

Both big servers, it became fairly obvious during set two that the match was likely to go to two tie-breaks which would likely go the way of Shapovalov, so we left a little early and indeed missed precisely that.

It really was a super day. The standard of stewarding, mostly young women, was very high – the atmosphere much calmer than usual but all the more charming for that.

Janie was super happy, to use a phrase that every tennis player seems bound to use these days.

Playing The Odds: A Real Tennis History, Yours Truly In Conversation With Oliver Wise, Boodle’s On-Line Event, 21 April 2021

This Boodle’s event was, I suppose, a direct consequence of my Gresham Society On-Line talk about real tennis in the autumn of 2020:

Oliver Wise called me out of the blue in March and asked me if I would be prepared to do something similar to the Gresham Society talk as part of a series of on-line events that his club, Boodle’s, has been holding during lockdown.

How could I possibly say no to Oliver? He probably doesn’t even remember it, but he gave me a great deal of encouragement when I started playing real tennis at Lord’s. I’m sure he does that with everyone; his view is that the handicapping system allows newbies and duffers to play with advanced players, so all should be encouraged to participate.

Anyway, I said yes to the Boodle’s on-line talk/discussion and we agreed a storyboard or semi-script with pictures and video clips that went roughly like this.

Playing The Odds: The Storyboard

Oliver: Can you briefly explain how real tennis differs from its offshoot, lawn tennis?

I’d like to answer that question in two respects – in terms of the history of the games and the nature of the games themselves.

Lawn tennis emerged in the mid to late 19th century, following the invention of vulcanised rubber. So when Boodle’s was founded, in 1762, the term “tennis” would refer to the game we now call “real tennis”. Indeed, the use of the single word “tennis” to refer normally to lawn tennis rather than real tennis dates from the early 20th century.

Real tennis is a rich and complex game played, mostly in indoor courts with gallery openings, penthouse roofs, targets and hazards, as well as the central feature of a net, shared between both real and lawn tennis. In France, real tennis is called “jeu de paume”, or “palm game”, which provides some insight into the game’s emergence by the 12th century in France…

…at least that’s when the earliest records emerge. The game was played with the hand. This stunning late 13th century picture from the Cambrai Book Of Hours shows a monk instructing his pupils in the game.

I love this picture; one of the oldest if not the oldest image of real tennis action. The master is unquestionably wearing gloves; the pupils also, perhaps.

You might have noticed that the pupils are learning to play with their left hands – both hands will have been used until the notion of a racket emerged, at which point one-handed forehand and backhand play will also have evolved. The switch from hand play to racket play probably started around the advent of the Renaissance and was all-but complete by the end of the Tudor period.

Just a few comments about the game at this stage; we’ll explore more as we go along in our discussion.  The racket and balls for real tennis differ significantly from those used for lawn tennis. The racket is significantly smaller and irregularly shaped; some say the shape is an enlarged palm, others simply that the asymmetric shape assists shots that need to be taken near to the side walls and the nicks.  The racket is highly strung; in my case much like its user. The balls look superficially like modern tennis balls, but they are hard items made from a cork core (in medieval times human hair was bound as the core), webbing and a covering of wool felt, hand-made, only approximately regular in shape. 

The court is even more asymmetric than the implements. Serving is only done from one end – the bottom end as depicted. The receiving end is known as the hazard end.

The ball is hit back and forth across the net and must be sent back over the net on the volley or after the first bounce. But only a few designated areas of the court are places where a shot might win the point outright, although there is a better opportunity for the server than for the receiver to hit an outright winning shot. Only one gallery opening on each side is a winning target; all of the other gallery openings lead to chases, as does all of the floor at the service end and half the floor at the hazard end. In real tennis, the second bounce does not normally determine that the point has been won, but that a chase has been laid.

[Explain one or two chases using the mouse pointer on the picture]

After one or two chases are laid (depending on the score), the players change ends and the serve therefore switches from one player to the other. The player who has laid each chase then needs to defend their territory – i.e. ensure that their opponent lands a second bounce further away from the rear wall than the chase they laid. The winner of the chase scores the point for that chase.

Apart from the matter of chases, the scoring system for real tennis will be familiar to lawn tennis people. 15-30-40-game.  Normally six games to win a set.

Here is a CCTV clip from Lord’s, in which the service has just changed ends after the setting of two chases.   Mr Snitcher, now serving, is trying to defend the five yard line for the first chase and the three yard line for the second chase. The score is 30-30 and I am leading by 5 games to four. Oliver Wise will pick up the commentary:

Oliver: (after explaining the two chases that determine the set).  Would you please tell us a little about some of the colourful characters from the history of the game.

Ah, that’s one of my favourite topics.

There is documentary evidence of tennis as a royal pursuit from the early 14th century. Tennis’s first “star”, for all the wrong reasons, was Louis X of France, known as Louis The Quarrelsome.

Philip IV, Louis’s dad, bought the Tour de Nesle in 1308 and had a covered tennis court built within. While Philip was clearly keen on the game, there is no evidence that he played. It is said that the fashion for covered courts emanated from young Louis’s love of the game. That love also, perhaps, proved to be Louis’s undoing. Just a couple of years after succeeding to the French throne, Louis X died, age 26, apparently after playing an especially rigorous game of tennis at Vincennes, in 1316. Louis X thus became the earliest named tennis player in history.

That event also initiated a long and rather sordid tradition of monarchs or heirs to the throne dying in unusual circumstances with tennis standing accused of being central to their demise. We could have an entire talk on real tennis horrible histories if you fancy…no, thought not. But one such demise is relevant to Boodle’s and its links with tennis from Boodle’s earliest days. Frederick Prince of Wales died in 1751, purportedly from a lung injury sustained on the real tennis court some three years prior to his death. Horace Walpole said so and this is the received wisdom handed down from those Georgian times. Presumably there was a well-recorded incident in which the Prince was injured by “wearing one in the chest”. We’ve all occasionally sustained such bruises. Modern historians and doctors think it unlikely that a chest injury sustained three years earlier would cause such a death. More likely it was a pulmonary embolism. But the hard ball sports of cricket and tennis, which Frederick had loved and patronised, took a reputational hit in England for the rest of the Georgian era, reviving as the Victorian era evolved.

So, at the time that Boodle’s was formed in 1762, there was really only one public court of note in the whole of London; The James Street Court near the Haymarket; a short, pleasant walk away from Boodle’s.  It was sometimes referred to as The King’s Court as Frederick Prince of Wales was said to frequent the place. He had a reputation for enjoying sport and gambling. At that time, public tennis courts were in part for gaming or gambling as well as for playing the sport.  

It is unsurprising that many of the gentlemen who founded Boodle’s, with their love of gaming and sports, were tennis enthusiasts.

Charles James Fox was an early noteworthy…some might say notorious, member of Boodle’s. He was leader of the House of Commons and Foreign Secretary multiple times in the Georgian era. Fox was an inveterate gambler, womaniser and lover of things and fashions foreign. The Conservative historian, Lord Lexden, has compared Fox’s manner with that of the current Prime Minister, Boris Johnson. Fox was also, according to the Georgian equivalent of the tabloids, a keen tennis player.

Here is a quote from the Morning Post and Daily Advertiser, Wednesday, July 2, 1777:

“Charles Fox is become conspicuous at the tennis court. When he leaves off play, being generally in a violent perspiration, he wraps himself up in a loose fur coat, and in this garb, is conveyed to his lodgings.”

Arthur Wellesley, 1st Duke of Wellington was a more conservative character than Fox, both politically and behaviourally. Wellington was another notable member of Boodle’s and another Boodle’s member whose tennis exploits found their way into the papers. Wellington built a tennis court at Stratfield Saye. He even played a few sets there with Prince Albert when the Royal couple visited in 1845. The Illustrated London News reported that:

“we noticed this recreative adjunct to the mansion of Stratfield Saye when chronicling the Royal visit last week, when his Royal Highness Prince Albert enjoyed this olden game”. 

But The History of Stratfield Saye does not record the Duke of Wellington as the star tennis player of that court. That history reports that Wellington’s…

“butler, Phillips, became one of the finest players in England of his day, successively beating all the best French players with whom he contended”.

Some years earlier, in 1820, when Robert Lukin turned the James Street Court into a tennis club, Lukin wrote to Wellington inviting him to become a member of the new Club, enclosing a list of the members who had already subscribed; Wellington graciously accepted the invitation. It would be fascinating to compare that 1820 founding members list from The James Street Court Club with the 1820 members list of Boodle’s, to see how much the membership overlapped. I’d guess quite a bit.

Oliver: One of the things I have always loved about the game is the use of a handicapping or odds system.  Does the use of handicapping have ancient roots?

Unquestionably so, Oliver. We have written records of the use of handicapping as far back as the Renaissance.

There is no coincidence in the fact that the terms odds and handicap both originate from gambling. From the very dawn of civilisation there is evidence that people have liked to gamble on games of skill as well as on games of chance. We have certain, documented evidence from the middle ages onwards of noblemen and gentlemen gambling on tennis.

The fellow depicted, Philip the Bold of Burgundy, is one of my favourite colourful characters from the history of tennis. Here is a story about him, from an 1801 English book about sports and pastimes:

“During the reign of Charles V . palm play , which may properly enough be denominated hand – tennis , was exceedingly fashionable in France, being played by the nobility for large sums of money ; and when they had lost all that they had about them , they would sometimes pledge a part of their wearing apparel rather than give up the pursuit of the game . The duke of Burgundy , according to an old historian , having lost sixty franks at palm play with the duke of Bourbon , Messire William de Lyon , and Messire Guy de la Trimouille , and not having money enough to pay them , gave his girdle as a pledge for the remainder ; and shortly afterwards he left the same girdle with the comte D ‘ Eu for eighty franks , which he also lost at tennis.”

As an aside, Philip the Bold was not only well-known to be an enthusiast of jeu de paume (tennis), he was also a great enthusiast for the Pinot Noir grape; prohibiting the cultivation of the Gamay grape in Burgundy (1395), thus initiating that region’s fine wine tradition. Philip the Bold also initiated a musical chapel which founded the great 15th Century Burgundian school of music. Tennis, wine & music – Philip was my kinda guy…and might I hazard to suggest, also a Boodle’s kinda guy?

Coincidentally, the earliest written reference to handicapping I can find is from a 1506 account of a “visit” to Henry VII at Windsor by Philip The Handsome, a subsequent Duke of Burgundy and also King of Castile. I say “visit” in inverted commas because it seems that the Castilian Royal couple were shipwrecked off the coast of England and Henry VII decided that they should remain in England until they signed a trade deal between Castile and England. There might be a Brexit technique lesson in this sorry tale, but let’s focus on the tennis aspect. I shall read the contemporary account, which is charming:

“The Sattordaye the 7 of ffebruary…Bothe Kyngs wente to the Tennys plays and in the upper gallery theare was Layd ij Cushenes of Clothe of gold for the ij Kyngs…wheare played my Lord marques [of Dorset] the Lord Howard and two other knights togethers, and after the Kyngs of Casteele had scene them play a whylle , he made partys wth the Lord marques and then played the Kyngs of Casteele with the Lord Marques of Dorset the Kyngs Lookynge one them, but the Kyngs of Castelle played wth the Rackets and gave the Lord Marques xv. and after that he had pled his pleasure and arrayed himself agene it was almost nights, and so bothe Kyngs Retorned agayne to their Lodgingss.”

There’s a lot of interesting stuff in that eye-witness account. That early 16th century period was a period of transition between hand-play and racket-play at tennis. Most scholars agree that the racket came into use around 1500. So the handicap described in the account has the King of Castille playing with a racket and the Marquess of Dorset playing with his hand, while receiving fifteen (i.e. starting each game 15-0 up). Personally, I’d prefer the racket, but perhaps the Marquess was a very handy player.

The evidence suggests that handicapping served a twin purpose: – (a) – to simplifying the wagers – i.e. evening up the contest, such that the choice of winner at the start of the match should be perceived as an even bet – (b) facilitating good sport – the honour and joy of doing battle in a close competitive contest.

But by the mid to late 18th century, there had emerged a third purpose or style of handicapping which I’d like to explore with you; a form of handicapping linked with showmanship demonstrated by tennis professionals.

In The Annals of Tennis by Julian Marshall, the antics of the French star player of the mid 18th century, Monsieur Masson, are described in some detail. Here is a particularly vivid extract:

“Against the best of the amateurs [Masson] also played matches of the most difficult combinations. One of these was, that he should deliver the service seated in a barrel, in which he remained after serving, and from which he leapt continually in order to return each stroke of the amateur. On the hazard-side, again, he awaited the service seated by the grille in his barrel, which he had to leave precipitately to play his first stroke, and in which he was compelled by the terms of the match to take refuge, before the amateur returned the ball again.”

My wife, Janie, refuses to believe this story in the absence of CCTV footage. We also know that Monsieur Masson visited England in 1767, just a few years after Boodle’s was founded. He took on and soundly thrashed the English champion of the time, Mr Tompkyns at Whitehall Hall on April 10th.

In fact tennis was enjoying somewhat of a heyday in 18th century France until the revolution came along. There were hundreds of courts in Paris and hundreds more around France. A famous moment in the French Revolution, Le Serment du Jeu de Paume (or “The Tennis Court Oath”), a gathering in a tennis court near the Palace of Versailles is depicted in this 1791 Jacques-Louis David painting. The revolution led to a dramatic decline in French tennis in the ensuing decades, only partially abated by the Bourbon Restoration that followed Napoleon’s defeats.

Which brings us neatly back to the period, about 200 years ago, when Robert Lukin turned the James Street Court into a tennis club and also produced the first English language book on tennis, c1822, A Treatise On Tennis By A Member Of The Club. In this book, the author, believed to be Lukin himself, sets out over several pages all of the different handicaps in use at the time and provides some commentary on their use and their relative betting values.

The basic unit of handicapping was the bisque, whose history is documented as early as the Renaissance and which was used in several games and sports. A player who receives a bisque per set can claim one stroke (point) ahead of that point being played, at any stage during a set. Any number of bisques can be given, but the use of other point handicaps, such as giving fifteen every game or half-fifteen (i.e. fifteen every other game) means that the number of bisques per set would normally have been limited to one or two.

There are two distinct types of odds or handicaps for tennis; one being the points-based odds I have just described, the other being known as “cramped odds”, which restrict the better player in some way. Lukin’s book goes into those at some length. They mostly involve preventing the better player from making use of particular features of the court. Most of these handicaps are now obsolete or only used occasionally in fun and friendly games. “Barring The Openings”, for example, renders all of the openings, including the winning targets such as the grille, the dedans and the winning gallery, out of bounds for the better player. One interesting handicap was named “Round Service”, which required the better players serve to touch both the side and the rear penthouse to be a legitimate serve, which normally renders the serve easy to return.

To demonstrate the difference between a round service and a decent serve, I have found some very rare hand-held video of me serving to a certain Mr Wise. In the first clip, I accidentally deploy a round service, which Oliver despatches into the dedans gallery to win the point without a moment’s hesitation.

In the second clip, I produce a serve of decent length and cunning, which lead to a better outcome for my pair. Discerning viewers will notice that I was able to send my second shot to hit the tambour, which is a jutting out bit of wall on the hazard side of the court. The handicap “ban the tambour” remains in use even in the modern game for the more extreme handicaps.

In fact this might be a good moment to show some wonderful footage you pointed out to me, from the 2016 Boomerang Doubles Tournament, when the final was contested between a very uneven couple of pairs, but went right down to the wire. Would you kindly do the honours and talk us through the video sequence, Oliver?

Oliver introduced/explained and then let the clip speak for itself with the Aussie commentary. Clip runs for 2’25” from the start point of 43’35”
Oliver then explained the following highlights reel, of Rob Fahey playing Camden Riviere, which has 6’00” of sound footage but we showed just the first two minutes or so, to give people a flavour of real tennis rests at their very best] 

Questions From The Audience

Questions included the following topics:

References/Sources

Most of the material came from two of the four “tennis history” blog pieces I wrote during the first lockdown in the spring/summer of 2020:

The source references for those pieces are as follows:

Tennis: A Cultural History, Heiner Gillmeister, A&C Black, 1998 or Tennis A Cultural History (Second edition), Heiner Gillmeister, Equinox Publishing Ltd, 2017

Real Tennis Today and Yesterday, John Shneerson, Ronaldson Publications, 2015

Willis Faber Book Of Tennis & Rackets, Lord Aberdare, Hutchinson, 1980

The Annals Of Tennis, Julian Marshall, “The Field” Office, 1878

Colloquia Familiaria by Desiderius Erasmus, c1518

Antonio Scaino, 1555, Trattato del Giuoco della Palla (Treatise of the Ball Game)

La Maison Academique – 1659 – the first French book on games 

Signification de l’ancien jeu des chartes pythagorique et la déclaration de deux doubtes qui se trouvent en comptant le jeu de la paume by Jean Gosselin, c1582 

 A Treatise on Tennis By a Member of the Tennis Club, now attributed to Robert Lukin, 1822

Dialogus Miraculorum, by Caesarius of Heisterbach, early 13th century

The Ball Game Motif in the Gilgamesh Tradition and International Folklore by Amar Annus and Mari Sarv, January 2015

Second Frutes, by John Florio, 1591

De Corrupti Sermonis Emendatione, Mathurin Cordier (Corderius), 1536

The Sports and Pastimes of the People of England from the Earliest Period, Joseph Strutt, 1801

Anyone For 18th Century Tennis, Sarah Murden, All Things Georgian. February 2018

Tennis section of The Badminton Library of Sports and Pastimes (1st edition published 1890).

Lawn Tennis with the Laws Adopted by the MCC and the AEC&LTC, and Badminton, Julian Marshall, CFA Hinrichs (New York), 1879

The Manual Of British Rural Sports, John Henry Walsh (aka “Stonehenge”), 1856 (1867 edition attached) 

The Game of Lawn Tennis With the Laws Of The Marylebone and All England Clubs, Henry “Cavendish” Jones, De La Rue, 1888 

Lawn Tennis, James Dwight, Wright & Ditson (Boston), 1886 

Wright & Ditson Lawn Tennis Guide, 1894

Racquets, Tennis & Squash, Eustace Miles, D Appleton & Company (New York), 1903

Capping With Handicopes, Roger Pilgrim, Tennis & Rackets Association, 2010

In addition, the following sources proved useful for this specific Boodle’s piece:

Charles James Fox Wikipedia entry

Arthur Wellesley, 1st Duke of Wellington Wikipedia entry

The Wellington Connection – Tennis.

A History of Stratfield Saye by the Reverend Charles Griffith, John Murray, 1892

Tennis Around The Time Of Thomas Gresham, Gresham Society Webinar Presentation, 7 October 2020

The video clips shown at the end of the webinar are embedded after the transcript below

Introduction

In 1561, Thomas Gresham, while residing in Antwerp, provided “bridging finance” to a young travelling spendthrift, Thomas Cecil; William Cecil’s son, who had been living beyond his means in Paris. A few months later, Thomas Cecil and his travelling tutor, Thomas Windebank, took sanctuary under Thomas Gresham’s roof in Antwerp. It seems likely that one of young Cecil’s dalliances in Paris had required the dynamic duo to move on from Paris in a hurry.

Th0mas Cecil, once he was a few years older and wiser

“I see, in the end,” said the disapproving father in a letter to Windebank on 4 November 1561, “my sone shall come home lyke a spendyng sott, mete to kepe a tenniss court.” 

This reference, to be found in J.W. Burgon’s monumental 1839 two-volume Life & Times Of Sir Thomas Gresham, seems to be the only mention of tennis to be found in any biography of Thomas Gresham to date.

Facsimile of J.W. Burgon p427 of Volume 1

Tennis does not seem to have been a big thing to Thomas Gresham. But it was a very big thing to the Cecil family and it was a big thing in Tudor times.

So why did William Cecil, who was such a massive tennis fan he even built a tennis court at his house on the Strand, write in such disparaging tones about tennis in this context?

William Cecil with disapproving look

And how on earth did this minor Cecil family intergenerational gripe find its way, some 40 years later, into a subplot of Hamlet?

It is my intention to use this tiny fragment from Thomas Gresham’s life as a MacGuffin, or plot device, to describe tennis and the colourful characters that populated the game around the time of Thomas Gresham.

Medieval & Renaissance Tennis

Humans have played ball games with implements since the very dawn of civilisation. The Epic of Gilgamesh, which was written some 4000 years ago, uses stick and ball games as a plot device more than once.

But the game we call tennis emerged in medieval times, around the 12th century, probably initially in French monastery courtyards and subsequently in noble courts. Known as Jeu De Paume in France, this walled, galleried courtyard game played with hard balls became known as tennis in England.

Today we call the game “real tennis” to distinguish it from the modern, 19th century game played with vulcanised rubber balls on open courts of grass, clay, etc.

Real tennis is often referred to as a sport of kings. There is documentary evidence of tennis as a royal pursuit from the early 14th century. Tennis’s first “star”, for all the wrong reasons, was Louis X of France, known as Louis The Quarrelsome.

Philip IV, Louis’s dad, bought the Tour de Nesle in 1308 and had a covered tennis court built within. While Philip was clearly keen on the game, there is no evidence that he played. It is said that the fashion for covered courts emanated from young Louis’s love of the game. That love also, perhaps, proved to be Louis’s undoing. Just a couple of years after succeeding to the French throne, Louis X died, age 26, apparently after playing an especially rigorous game of tennis at Vincennes, in 1316. Louis X thus became the earliest named tennis player in history.

Quarrelsome? Moi?

There are three characteristics about Renaissance tennis that might seem alien to lovers of the modern variety of this sport which are vital to understanding what it was about in the time of Thomas Gresham:

  • it was originally played with the hand (hence the name “Jeu De Paume”) but by around 1500 the use of the racket was emerging, the racket becoming ubiquitous within 100 to 150 years;
  • the game was a wagering game. If the players were of uneven quality, “odds” or “handicapping” would be deployed, such that the stakes would be an even bet. Odds might be deployed through scoring (the lesser player being given points), through the cramping of the better player through restricting their use of the court (e.g. banning certain galleries or walls) or a mixture of those handicaps. We still use handicapping today in real tennis for all but the top level competitions;;
  • noble folk and monarchs tended to become very fond of the game for themselves and their own sort…while taking great pains to prohibit lesser folk from playing of tennis or such sports.

Here is an extract from: “The Sports and Pastimes of the People of England from the Earliest Period” by Joseph Strutt, published in 1801

During the reign of Charles V . palm play , which may properly enough be denominated hand – tennis , was exceedingly fashionable in France, being played by the nobility for large sums of money ; and when they had lost all that they had about them , they would sometimes pledge a part of their wearing apparel rather than give up the pursuit of the game . The duke of Burgundy , according to an old historian , having lost sixty franks at palm play with the duke of Bourbon , Messire William de Lyon , and Messire Guy de la Trimouille , and not having money enough to pay them , gave his girdle as a pledge for the remainder ; and shortly afterwards he left the same girdle with the comte D ‘ Eu for eighty franks , which he also lost at tennis .

Philip The Bold, Duke of Burgundy – 14th Century loser?

As an aside, Philip the Bold was not only well-known to be an enthusiast of tennis, he was also a great enthusiast for the Pinot Noir grape; prohibiting the cultivation of the Gamay grape in Burgundy (1395), thus perpetuating that region’s fine wine tradition. Philip the Bold also initiated a musical chapel which founded the great Burgundian school of music. Tennis, wine & music – Philip was my kinda guy.

Tennis-loving royals and nobles married for strategic, territorial alliance in those days. I don’t suppose that “spreading tennis across parts of Europe that other games couldn’t reach” was central to that strategy, but such marriages seem to have contributed to the spread of the game…or in some cases possibly the tennis history of the place might have attracted the marriage.

For example, Philip The Bold married Margaret III of Flanders, which explains why Cambrai (now in Northern France, then in Flanders) became the centre of the Burgundian school of music, but Cambrai was already famous for medieval tennis, as illustrated in a beautiful Cambrai Book Of Hours, c1300 which can be examined in full on-line, depicting many scenes from regular life, including several pictures depicting games of the jeu de paume or longue paume variety.

Used with the kind permission of the Digital Walters Art Museum, creative commons licence 3.0
Used with the kind permission of the Digital Walters Art Museum, creative commons licence 3.0

Longue paume, or field tennis, is an outdoor variety of the game, versions of which were played across all tiers of society, which probably adopted the use of implements before jeu de paume. Elements of modern tennis and cricket derive from it. It is still played today, mostly in Picardy. It is probably the variety of the game that Edward III was banning with his infamous 1349 prohibition of sports.

Jeu de paume, the court version, almost certainly became established in Spain and the Low Countries before it became established in England. So long before Thomas Gresham popped up in Antwerp, a famous court had been established there, in Borgerhout.

The Early Tudor Period

Prior to the Tudor period, the limited popularity of tennis in England was restricted to the clergy and guilds of craftsmen in larger towns and cities in the south. The clergy tended to play the game themselves while prohibiting others from doing so; hence we have some written evidence of the game.

Henry VII, tennis enthusiast, painted 29 October 1505, by order of Herman Rinck

But the Tudor monarchs were very keen on the game, so it became a more widespread, noble sport in England from the late 15th century. It is well documented that Henry VII was a player and a fan. He liked to wager on his games and his substantial losses are well documented in royal accounting documents, as are those of his more-famously tennis-keen son, Henry VIII. Naturally those monarchs were also keen on banning the game for all but the right sort.In 1493 Henry VII decreed that, “…no sheriff or mayor or any other officer…suffer any man’s servant to play at the dice or at tennis.” 

Henry VIII, who neither said “anyone for tennis?” nor did he write Greensleeves

During Henry VIII’s time, several noble courts were built and several others were planned. At Austin Friars, following the dissolution of the monasteries, Thomas Cromwell planned to build a tennis court in his garden but did not see through his plans. Drapers Hall now stands on that site.

Austin Friars Copperplate c1550

But Thomas Wolsey’s court at Hampton Court Palace did get built. There is still a court on the original site (albeit a Stuart period replacement) to this day. I have had the honour and pleasure to play there.

Dedanists Norman Hyde (left) & Christie Marrian (right) defending Henry VIII (grille)
Me, marking a rubber from the Hampton Court dedans, having just (successfully) fought my own

The only other court in Great Britain that remains from that period is the Falkland Palace Court, built between 1539 & 1541 by James VI of Scotland. It is the only jeu quarré court – i.e. an older design of outdoor court, without an interior (dedans) still in use in the world. Janie and I had a delightful game there in 2018.

Believe it or not, I succeeded in hitting the ball through one of those small portholes, known as lunes, more by luck than judgement I assure you, in the course of our match. Some say that such a shot merits just one point, others say that it completes a game and yet others say that it determines the entire match. Needless to say the four of us debated that matter at length in a neighbouring hostelry after the match.

Talking of eye-witness accounts of tennis matches, there is a fascinating report by one of Henry VII of England’s attendants, of a “visit” to Windsor Castle by Philip The Handsome (another Duke of Burgundy, plus also King of Castille) and his Queen: Joanna The Mad of Castille, in early 1506:

Philip The Handsome, Duke of Burgundy, King of Castille

The Sattordaye the 7 of ffebruary…

Bothe Kyngs wente to the Tennys plays and in the upper gallery theare was Layd ij Cushenes of Clothe of gold for the ij Kyngs…

…wheare played my Lord marques [of Dorset] the Lord Howard and two other knights togethers, and after the Kyngs of Casteele had scene them play a whylle , he made partys wth the Lord marques and then played the Kyngs of Casteele with the Lord Marques of Dorset the Kyngs Lookynge one them, but the Kyngs of Castelle played wth the Rackets and gave the Lord Marques xv. and after that he had pled his pleasure and arrayed himself agene it was almost nights, and so bothe Kyngs Retorned agayne to their Lodgingss.”

Thomas Grey, 2nd Marquess of Dorset & survivor

There’s a lot of interesting stuff in that eye-witness account. That early 16th century period was a period of transition between hand-play and racket-play at tennis. Most scholars agree that the racket came into use around 1500. So the handicap described in the account has the King of Castille playing with a racket and the Marquess of Dorset playing with his hand, while receiving fifteen (i.e. starting each game 15-0 up). Personally, I’d prefer the racket, but perhaps the Marquess was a very handy player.

Sadly, the account doesn’t tell us who won the tennis match, but the story doesn’t end brilliantly well for the visiting monarch; who in reality was more a hostage than a guest of Henry VII. Philip signed some helpful treaties and trade deals to help bring his “visit” to an amicable conclusion. Still, within a few months, Philip The Handsome died in Spain; probably poisoned/assassinated there. This made Joanna The Mad even more distraught than usual, apparently.

Joanna The Mad, but possibly Joanna The Gaslit or Joanna The Misconstrued

Thomas Grey, the Marquess of Dorset, who as a youngster had been a ward of Henry VII, was, by 1508, sent to the tower as a suspected conspirator against Henry VII. Only the accession of Henry VIII the following year saved Grey, who had a decent run as a high-ranking courtier after that narrow escape. His grand-daughter, Lady Jane Grey, was not so lucky; famously the “nine day queen”. Coincidentally , one of his other grand-daughters, Mary Grey, pops up as a house guest for Thomas Gresham in 1569, thanks to William Cecil again, perennial supplier of house guests to Thomas Gresham. A politically sensitive and expensive guest, Mary Grey stayed with the Greshams, much to their chagrin, until 1573, by which time Sir William Cecil had become Lord Burghley.

The Late Tudor Period, Cecil & Gresham

William Cecil was a contemporary of Thomas Gresham; the two worked well together on matters of state and commerce from the early 1550s onwards. Cecil became Elizabeth’s Secretary of State in 1558. By 1560 he was ensconced in Cecil House on the Strand on the site that is now the Strand Palace Hotel and The Lyceum Theatre. Cecil House had a tennis court designed by Henry Hawthorne, the Royal Architect. It was by all accounts quite a small court with unequal lengths of penthouse along both side walls; it might have been used for hand tennis rather than racket tennis.

By that time, the prohibition of sports such as tennis had been clarified through several of Henry VIII’s statutes. Noblemen and those with an annual income of £100 or more were permitted to possess a tennis court on their own property.

Henry VIII’s 1541 statute included a system of licencing for public tennis courts and bowling alleys. Mary I abolished such licences in 1555. Elizabeth reintroduced a system of licencing for tennis courts circa 1567.

So when William Cecil vented in 1561 that his son Thomas was “mete to kepe a tenniss court”, he was not talking about the dignified tennis court that graced Cecil House. He was referring to barely reputable or even disreputable places, more or less gambling dens, frequented by “idle and misruled persons”, as the Mary prohibition statute described them.

William Cecil was an intriguing and important character during the second half of the Tudor period. Fortunately for us, he had a tendency to keep everything and to insist on his correspondence being kept, which is why we have such a rich treasure trove of material on his life and those around him, such as Thomas Gresham.

Another fascinating character who entered and stayed in William Cecil’s orbit for many decades was Michelangelo Florio, an Italian pastor who converted to Lutherism and escaped execution in Rome by the skin of his teeth around 1550. William Cecil helped establish Michelangelo Florio in London, where he became pastor to the Italian Reform Church in the City of London and chaplain to Lady Jane Grey. On this occasion, William Cecil himself gave his guest house room which led, rumour has it, to a scandalous affair with one of Cecil’s servants which resulted in Florio’s marriage to the servant and the birth of the more famous Renaissance humanist John Florio.

Soon after John’s birth, Lady Jane Grey became the nine day queen, succeeded by the Catholic Queen Mary, at which point London was not really the place for a firebrand Italian Lutheran pastor and his family.

John Florio

In the early 1570s, John Florio, steeped in a humanist education, returned to England. Around 1578, William Cecil (by then Lord Burleigh), sponsored John to study at Oxford where he excelled and the rest is history. Florio wrote several wonderful works and translated many others, not least Michel de Montaigne’s Essays. Florio’s own works include First Frutes & Second Frutes, which are basically primers in the English and Italian languages. Chapter 2 of the Second Frutes book (pp15-29) is a dramatised story of a day going to play tennis with the intention to go on to the theatre afterwards.

https://babel.hathitrust.org/cgi/pt?id=mdp.39015022223575&view=image&seq=35&q1=tennis

The character H, incidentally, is almost certainly a character based on Florio’s pupil at that time, Henry Wriothesley, 3rd Earl of Southampton.

The Earl of Southampton, early 1590s

There’s a good deal of insight into Tudor tennis in that little drama, which is a fascinating and amusing read. But Shakespeare it isn’t…

…however there are those who believe that John Florio was Shakespeare. I think those people are mistaken, but I do believe that Shakespeare probably met John Florio (through their mutual patron, the Earl of Southampton). Or at the very least Shakespeare will have read several of Florio’s works, not least the Frutes books and the Montaigne translations.

Edward de Vere, Earl of Oxford

Of course there are a great many “alternative Shakespeare authorship” theories, the most popular of which, Edward de Vere, Earl Of Oxford, was yet another of William Cecil’s long-term house guests; his ward for about 10 years from 1562 and subsequently Cecil’s son-in-law. In the early 1590s Oxford unsuccessfully attempted to marry off his daughter Elisabeth to the Earl of Southampton.

These geezers were all moving in similar circles, but that, to my mind, does not provide credibility to such “alternative authorship” theories about Shakespeare. But what do I know?

What is widely believed and is almost certainly true is that the character of Polonius in Hamlet was based on William Cecil and the character of Laertes, Polonius’s ne’er-do-well son abroad, based on the young Thomas Cecil. Scholars have suggested the Cecil connection for a great many reasons. For our purposes, Act Two Scene One of Hamlet has the sole mention of tennis in Hamlet, in a context that is reminiscent of the sole mention of tennis in Thomas Gresham’s biographies.

A stained glass representation of Polonius

So was Thomas Cecil “mete to kepe a tenniss court” in the end? He was less adept at stately matters than his dad and less adept than his younger brother, Robert, who became the first Earl of Salisbury and built Hatfield House. Robert Cecil didn’t build a tennis court there, but his Victorian descendants built a fine one, a refurbished version of which is still in use there today.

Hatfield House Tennis Court

But still Thomas Cecil had a pretty successful career. He inherited Cecil House, changing its name to Exeter House when he became the first Earl of Exeter, so to that extent he did keep a tennis court.

The Old Rectory, Wimbledon

He also bought, in 1576, The Old Rectory and most of the land that is now Wimbledon Park, where he developed Wimbledon Palace.

Thomas Cecil didn’t develop tennis courts in Wimbledon. But 300 years later, some other fellows did develop tennis courts, of sorts, around there, which was the start of a sustained, global, commercial sporting success. Thomas Gresham would no doubt have approved.

Wimbledon Championship, 1877

Further Reading & References

Ian Harris’s Ogblog Tetralogy On The Origins Of Tennis:

Tennis: A Cultural History, Heiner Gillmeister, A&C Black, 1998 or Tennis A Cultural History (Second edition), Heiner Gillmeister, Equinox Publishing Ltd, 2017

Real Tennis Today and Yesterday, John Shneerson, Ronaldson Publications, 2015

Willis Faber Book Of Tennis & Rackets, Lord Aberdare, Hutchinson, 1980

The Annals Of Tennis, Julian Marshall, “The Field” Office, 1878

Colloquia Familiaria by Desiderius Erasmus, c1518

Antonio Scaino, 1555, Trattato del Giuoco della Palla (Treatise of the Ball Game)

La Maison Academique – 1659 – the first French book on games 

Signification de l’ancien jeu des chartes pythagorique et la déclaration de deux doubtes qui se trouvent en comptant le jeu de la paume by Jean Gosselin, c1582 

 A Treatise on Tennis By a Member of the Tennis Club, now attributed to Robert Lukin, 1822

Dialogus Miraculorum, by Caesarius of Heisterbach, early 13th century

The Ball Game Motif in the Gilgamesh Tradition and International Folklore by Amar Annus and Mari Sarv, January 2015

Second Frutes, by John Florio, 1591

De Corrupti Sermonis Emendatione, Mathurin Cordier (Corderius), 1536

The Sports and Pastimes of the People of England from the Earliest Period, Joseph Strutt, 1801

Anyone For 18th Century Tennis, Sarah Murden, All Things Georgian. February 2018

Tennis section of The Badminton Library of Sports and Pastimes (1st edition published 1890).

Lawn Tennis with the Laws Adopted by the MCC and the AEC&LTC, and Badminton, Julian Marshall, CFA Hinrichs (New York), 1879

The Manual Of British Rural Sports, John Henry Walsh (aka “Stonehenge”), 1856 (1867 edition attached) 

The Game of Lawn Tennis With the Laws Of The Marylebone and All England Clubs, Henry “Cavendish” Jones, De La Rue, 1888 

Lawn Tennis, James Dwight, Wright & Ditson (Boston), 1886 

Wright & Ditson Lawn Tennis Guide, 1894

Racquets, Tennis & Squash, Eustace Miles, D Appleton & Company (New York), 1903

Capping With Handicopes, Roger Pilgrim, Tennis & Rackets Association, 2010

Video Samples Of Real Tennis Shown When Answering Questions

Ancient Arithmetic Appendix One: On The Use Of “Forty” Or “Forty-Five” To Count The Third Point In A Game Of Tennis

La vita inizia a quaranta – Life begins at forty

It is pretty clear from the medieval texts I covered in the article, Ancient Arithmetic, that tennis game scoring, since time immemorial, was a four point system described as 15, 30, 45 and 60:

Yet in modern parlance we use the number 40 to represent the third point, rather than 45. Most writers, if they mention the matter at all, suggest that 40 is merely an abbreviation for 45. The 1822: A Treatise on Tennis By a Member of the Tennis Club, now attributed to Robert Lukin, also referenced in Ancient Arithmetic, simply states that the score is called:

…40 or 45.

But since I published my tetralogy of pieces, several people have contacted me wondering about this forty/forty-five matter, so I thought I should delve a little deeper. Not least, I wondered how recent (or ancient) the use of forty might be. Also, is there actual evidence that “forty” merely is an abbreviation for “forty-five”.

The earliest documented use of “forty” in English is referenced in the wonderful book Real Tennis Today And Yesterday by John Shneerson. It is in the 1591 book Second Frutes, by John Florio, another wonderful old volume that can be read and examined in full through internet facsimiles in the public domain – click here or below.

Extract from Second Frutes by John Florio, 1591.

John Florio was an Anglo-Italian with a fascinating back story of his own. His “Frutes” books are basically primers in the English and Italian languages. Chapter 2 of the Second Frutes book (pp15-29) is a dramatised story of a day going to play tennis with the intention to go on to the theatre afterwards. There’s a good deal of insight into Tudor tennis in that chapter, which is a fascinating and amusing read. But the key phrase for this purpose is spoken by the character H on P25:

You haue fortie then, goe to, plaie

H, incidentally, is almost certainly a character based on Florio’s pupil at that time, Henry Wriothesley, 3rd Earl of Southampton.

The Earl of Southampton, early 1590s

But the habit of abbreviating “forty-five” to “forty” dates back at the very least several further decades…possibly even back to time immemorial.

Heiner Gillmeister buries the relevant factoid in a footnote within his excellent 1997 book, Tennis A Cultural History, which is also referenced in the main Ancient Arithmetic piece.

…quarante for quarante-cinq seems to be attested, at least by implication, for the year 1536.

Gillmeister (via Christian Schmitt) references Mathurin Cordier (Corderius, a fascinating character who was a humanist theologian, grammarian and pedagogue) from his De Corrupti Sermonis Emendatione, of 1536, in which the author is admonishing schoolboys for their sloppy use of language:

Caeterum omnino ineptum est quod pueri dicunt “quadra” pro “quadraginta quinque”.

Besides, it is totally useless to say “square” instead of “forty-five”

WTF? Kids abbreviating to absurdity. Who knew? Obvs.

Let’s be honest folks, most of us have been known, on occasion, to say “thirty-five” rather than “thirty-fifteen”…

…or “fift” rather than “fifteen”

…or “van” rather than “advantage”.

Mea culpa…or, as the young folks might say, “meculp”.

In syllable terms, we’re shaving but one syllable in English, when shortening forty-five to forty. Likewise in French; quarante-cinq to quarante. But in Italian, shortening quarantacinque to quaranta is an even more understandable five syllable to three syllable drop. The Latin equivalent, quadraginta quinque to quadraginta would be a six to four shift.

But the extra shave in Latin from quadraginta quinque to quadra really is going too far. Or not far enough; why stop at “quadra” when you can monosyllabically say “quad” and save yet another syllable?

Did the young really have such an abbreviated approach to language, even in the first half of the 16th century?

Yup. It seems they did. Perhaps we humans have done so since time immemorial.

Natch.

Cobbe Portrait of Southampton
Don’t be so square, grandad.

Q.E.D.