LIST OF SONGS SUBMITTED AND TAPE TRACK LISTING
MARCH TO APRIL 1997 RUN
Dear Mark
Welcome to News Revue!! It was good to hear from you the other day. As promised , here is a starter pack which consists of my latest songs plus some older ones which have longevity or are still topical.
Good luck and I look forward to seeing you soon.
Song Title
Original Title/
Artist on Tape Approx.. No. of weeks performed
7+ 4-6 1-3 New
side 1
plagiarise walk on by / dionne warwick N
labour medley world war two songs by ghastly soldiers 7+
what’s the story boring tory? what’s the story morning glory / oasis N
netanyahu chorus halleluja chorus / handel 1-3
paisley and adams father and son / cat stevens 7+
labour chorus symphony no 1 mov iv / brahms N
john major just cares for my baby just cares for me / nina simone 4-6
tony blair gloria / vivaldi N
hooray for bollywood hooray for hollywood / orignal cast N
i cannot run the government i’ll never fall in love again / ddionne warwick 1-3
side 2
short beckett prescott and the amazing tony blaire simon smith and the amazing dancing bear / alan price 7+
stakeholder economy don’t sit under the apple tree / andrews sisters 7+
This one went down pretty well, if I recall correctly, in Mark Brailsford’s spring 1997 run of NewsRevue.
PLAGIARISE (To the Tune of “Walk On By”)
VERSE 1
If you should be walking down the street, And you hear a tune you think is neat. Just Plagiarise Plagiarise Gabby’s eyes, Are covered, like this song, No one can see; What she’s done, That Dionne, Had not done, In 1963; More easily (Don’t…….bother) More soulfully (Don’t……bother).
VERSE 2
I just hope that I don’t end up sued, Cos all my hits are deja vu; Plagiarise, Plagiarise, Some eye-tie’s Just stitched up Michael Jackson copy-wise, Cos that song, That he’s done, Was written, By some other guys; Plagiarise, (Just…….stop) Plagiarise, (Just…….stop)
Below is a video with Dionne Warwick singing Walk On By:
This was my first visit to The Actor’s Workshop in Halifax.
It was an unusual start to the new year, that year, in several ways. Janie’s and my diaries both suggest that we had planned to attend a party at Anthea’s for New Year’s Eve, but we are pretty sure that party didn’t happen in the end.
After new year’s day, Janie had a diary full of work for the rest of the week, while I got in the motor to do a round trip taking in Halifax for the New Year revels show and then, the next day, a visit to a soft drinks factory in Nelson, Lancashire, across the Pennines.
Naturally I chose a freezing cold, snow and ice early January for that trip.
The journey to Halifax I recall being problem free (motorway more or less all the way) and of course I received warm hospitality from Mike and Lottie Ward when I got there.
I had met Mike in London two or three years earlier and had submitted material to the New Year Revels show for a couple of previous years, but this was my first (of several) visits to The Actor’s Workshop.
I was clearly impressed by the show. My log reads:
Much better than I expected. Did justice to most material and more than did justice to mine.
There were lots of in-jokes in the show and programme about The Ridings School, Halifax, which, in 1996, had:
…received nationwide attention when staff said 60 of its pupils were “unteachable” and school operations were temporarily suspended while the headmaster and other leading staff were replaced.
I don’t think the entire cast and crew were really alums of The Ridings School…but perhaps they were.
I stayed at The Imperial Crown Hotel in Halifax on that occasion. I think we ate a fine meal pre show at the Ward’s House. That must have been the first occasion I met Lottie and I have a funny feeling that Adam (whom I met at NewsRevue and through whom I had met Mike) was there on that occasion – perhaps also Olivia.
Janie (who was not with me, remember) wrote more details and contact numbers into her diary for that trip than I did into mine – including the local Halifax police and the AA – I suspect she scribbled down the latter two after seeing the weather forecast!
The drive across the Pennines from Halifax to Nelson early the next morning (3rd January) was truly nerve-wracking but I got there and did whatever I had scheduled to do at that factory for most of the day before setting off in the still treacherous driving conditions back to London.
In those days I was still driving “Red Noddy” the Honda Civic, which, although air conditioned, was still a late 1980s vehicle not ideally suited to freezing conditions. I struggled to stay warm throughout the journey and started to itch terribly before arriving at Janie’s place…
…covered in Hives.
I itched through Robert Lepage’s Elsinore the next (Saturday) evening, but that, as we say, is another story.
I suspect that this closing number medley arose from a specific request by Mike Ward at the Actor’s Workshop in Halifax, so it was probably used.
I’m not sure whether Janie and I went up to see the show that year – if we did my diary trawl, when it gets to 1996/1997, will find it and I’ll Ogblog about the visit.
THE VERY END
(A Medley to Many Tunes)
So Long, Farewell
So long, farewell, auf weidersein, goodbye,
We’re off, we’re done, we have to go, must fly;
Bye Bye Baby
Bye bye revels, revels goodbye,
Bye bye revels, don’t make me cry;
Farewell Jamaica
Sad to say, we’re on our way,
We won’t be back for many a day;
We’ve turned our backs, maybe we’ll send you a fax,
We’ve got to leave the Actor’s Workshop in Halifax;
We’ll Meet Again
We’ll meet again, don’t know where, don’t know when,
But I know we’ll meet again some New Year soon;
We’ve done revue, now we’re through, boo hoo hoo,
Now our show is done except for one more tune.
GOODBYE -EE
Goodbye-ee, goodbye-ee,
Wipe a tear, patron dear, from your eye-ee;
Though we sound like alley cats,
Our show stormed it in Halifax,
Goodbye-ee,
Don’t cry-ee,
Have a cup of tea and a minced pie-ee;
So long, chip chip,
Adios, pip, pip
Lets go, cheerio
Goodbye-eeeeeeeeeeeee (dragged off involuntarily)
Here is So Long, Farewell, with lyrics on screen:
Next up, Bye Bye Baby (Bay City Rollers version) with lyrics on screen:
Third up: Jamaica Farewell, Harry Belafonte. with lyrics on screen:
The Ridings School in Halifax was labelled Britain’s worst school around this time. I think Mike Ward at the Actors’ Workshop in Halifax might have requested that I write about it, although I might have worked out the relevance of the story for myself.
I think this one was used in Halifax but not at NewsRevue, but it might have made both shows.
The school was subsequently turned around and became one of Britain’s best schools, after which it was only a matter of time before the authorities would close it down, obviously.
WONDERFUL SCHOOL (To the Tune of “Wonderful World”)
VERSE 1
Don’t know much about Ecstasy, Don’t know much about LSD; Never learned how to run amok, Never learned how to pick a lock; But I do know my ABC, And I can count: 1-2-3, So The Ridings School’s no use to me.
MIDDLE EIGHT
Well I tried hard to be an A student, Then my class rebelled; Now maybe by being an A grade student, I could get myself expelled.
VERSE 2
Don’t know much about heroin, Don’t know much about drinking gin; Never had any gonorrhoea, Never drink much but ginger beer; But I know my relativity, So I do know, QED, That The Ridings School just ain’t for me; No, The Ridings School just ain’t for me.
Below is an official lyric video of Sam Cooke singing Wonderful World:
This one is dated 7 October on the face of the letter bt the file is dated 18 November and must have been written then, on my return from the USA:
Mike Ward 7 October 1996
Actor’s Workshop
West Grove Terrace
Hopwood Lane
Halifax West Yorkshire
HX1 5EX
Dear Mike
ADAM / THE RIDINGS SCHOOL / NO JUXTAPOSITION INTENDED
Thank you for putting Adam in touch with me; it was a pleasure to see him at The Harvard Club that Monday. He seems much more settled and in his element in NY NY than he did last time I saw him in London, which is good news. My trip went well you’ll also be glad to learn.
I got your Ridings School plea when I returned from the Big Apple. I enclose a fairly simple romp through the theme but it might just do the trick for you.
Xmas run of News Revue opens this Thursday – I’m trying to arrange a New York – style evening to enable me to complete my earlier evening appointments in time to catch the show!!
Politicians wear their ethics on their sleeve, And in politics that’s dead hard to believe; They pretend that they are worthy, And that they believe in God, Deep down, we know, each one’s an evil sod.
CHORUS 1
So here it is, moral Christmas, Major, Blair and Ashdown pray, Here’s to the public, Who just wish they’d go away.
VERSE 2
When the politicians try so hard to please, You can bet they’re on the make or deep in sleaze; They might ride a red nosed reindeer, Not a sexual delight, They’d do anything when told the price is right.
CHORUS 2
So here it is moral Christmas, When hypocrisy’s a smash, Pay for your questions now, With Barclaycard or cash.
CHORUS 3
So here it is moral Christmas, When MPs seek the high ground, Here’s to the future graft, In Euros not in pounds.
Below is Merry Christmas Everybody by Slade with lyrics on the screen:
Marjory Proops was a very well-known agony aunt, said to bear an uncanny resemblance to my mum. Frankly, I think it was just the cruel spectacles combined with some ethnic stereotyping.
Anyway, point is, Proops died in November 1996 so I wrote the following lyric for NewsRevue, which, I think, went down well.
MARGE PROOPS (To the Tune of “High Hopes”)
VERSE 1
If you want vice at a newspaper price, There was lots to be learned from Proops’ advice. Just what made that agony aunt, Want to write with a sexual slant; Editors thought an old aunt can’t, Make their readership pant.
CHORUS 1
But she was Marge Proops, She was Marge Proops, She was back of a barge, nose too large Proops. If you’d a dud relationship, ‘jaculation’s quick, Or you’d done a Hugh Grant. You’d tell all to Marge the agony aunt, {You’d tell all to Marge the agony aunt,} You’d tell all to Marge the agony aunt.
VERSE 2
If you gave head or were no good in bed, She was not too much help and now she’s dead. Just what made that agony aunt, Make folk think her advice was extant?; Anyone knows an old aunt can’t, Do much other than rant.
CHORUS 2
But she was Marge Proops, She was Marge Proops, She was light brigade charge, specs too large Proops. So now if you are cryin’ she’s, Not replyin’ cos, She’s a stiff so she can’t; Oops there goes another agony aunt, {Oops there goes another agony aunt,} Oops there goes another agony aunt.
Ker plop!
Below is a video of Frank Sinatra and a chorus of kiddies singing High Hopes with the lyrics on the screen:
Ben Murphy and I were getting towards the end of our road together by the autumn of 1996. I sense I am only half expecting to get paid again.
The album I refer to in this letter can only be “How Bonkers Is That”, which contains much of the material he and I debated in correspondence the previous year.
Anyway:
Ben Murphy 7 October 1996
(Alton address redacted)
Dear Ben
GREAT TAPE – WHERE’S ME DOSH? HERE’S SOME MORE STUFF!!!!!
I haven’t sent you any new material for ages – so here’s some. Let me know what you think. The album is great. I don’t know why you agonise so much about them, they always come out fine.