Supergazza, NewsRevue Quickie, 31 May 1996

This is a quickie about troubled footballer Paul Gascoigne, aka Gazza.

SUPERGAZZA
(A quickie)

FA officials are mooching around looking worried.

OFFICIAL 1: There must be something we can do to revive the England football team’s fortunes for Euro ’96.

OFFICIAL 2: Surely someone or something will save us.

OFFICIAL 3: Wait. (points offstage) Look over there. Is it a bird? Is it a plane.

(Enter Gazza)

GAZZA: They’re all the same to me like. Birds. Planes. I just smash ’em up whatever.

(starts crying)

I didn’t mean to do it. And anyway, it wasn’t me it was the others who did it.

BLACKOUT

Potter’s Last, NewsRevue Lyric, 29 May 1996

In truth I was (and still am) partial to Dennis Potter’s work, but I think I found his late (posthumously published) pieces focused more on those aspects of his work that pleased me the least. That might explain the near reverence if my Painting An Angel’s Nipples piece when he died…

Painting The Angels’ Nipples, NewsRevue Lyric, 13 June 1994

…compared with the less reverent tone of this piece, some two years later.

POTTER’S LAST
(To the Tune of “Why Must I Be a Teenager In Love”)

 

A “bimbo” looking girl should mime the lead vocals on stage while the other girl sings through the microphone offstage. The fellas can do the oooo-waaaaa-oooo’s, which you shall have to supply yourselves.

VERSE 1

Each time I read a Potter,
It almost breaks me heart;
Cos I am so afraid,
I’ll get the bimbo part;
Each night I ask the stars up above,
Why must he write such godawful stuff?

VERSE 2

He shows me doggy fashion,
Through mirrors, on the bed;
Hope I don’t have to bonk,
With Finney’s severed head;
Each night I ask the stars in the cast,
Why must I mime these naff songs from the past?

 

MIDDLE EIGHT

Four hundred years,
In the future, who knows;
Churn out scripts in sixty days,
But bleedin’ ‘ell it shows.

VERSE 3

So if you want to make me cry,
That won’t be so hard to do;
Slash me face and black me eyes,
Or paint lipstick round me pubes;
Each night I tell the stars in the cast,
Thank God this script will be Den Potter’s last,
Thank God this script will be Den……
Potter’s last!!

Below is a video of Dion & The Belmonts singing Why Must I Be A Teenager In Love with the lyrics on the screen:

Euro 96, NewsRevue Lyric, 26 May 1996

Others were better at sports stories than me, usually, but I think this quickie was used for a while. I wrote a companion piece to go with it, about Eurosceptics – click here.

EURO 96 – QUICKIE
(To the Tune of “Ode To Joy”)
CHORUS

Friends down Wembley at the football,
Tossed out of the stadium;
We’d been drinkin’ such a skinful,
We threw up our Heineken.
Used our seasons went back to Neasden,
Mooned with our bums and showed our dicks,
(Went) down the pub with Sky that evening,
We watched Euro ’96.

Started heavin’ then for no reason,
We threw some chairs and then some bricks;
(And) now we’re down the cells in Willesden,
This is Euro ’96.

Here is the sound of Ode To Joy – a little bit of Ludwig Van:

 

James Goldsmith, Lyric Fragment, 26 May 1996

At some point I’ll trawl through my old jotters and find all sorts of fragments in illegible scrawl.

This fragment found its way onto the PC, so I’m dealing with it now.

Clearly I wasn’t convinced then that it could go anywhere and I’m certainly not convinced now.

Coal Digger (1992) was a far better candidate for the Goldfinger song and one of those is surely enough?

JAMES GOLDSMITH
(To the Tune of “Goldfinger”)

VERSE 1

James Goldsmith (blah blah blah)
He’s the man, the man with a minor putsch,
Jemima’s pop’s,
Such
A strange Goldsmith (blah blah blah)

Submission To Robert Miles Re NewsRevue, 26 May 1996

Robert Miles
News Revue

LIST OF SONGS SUBMITTED AND TAPE TRACK LISTING
JUNE-JULY 1996 RUN

Dear Rob

Great to have you back again. Strangely, I learnt that you would be doing this run by bumping into Kerry Michael in a bar in Manchester; I was visiting an old Uni friend of mine who turned out to know the crowd Kerry was with etc. etc. – small world.

This starter pack consists of songs currently in the show, one or two previously unperformed ones and new ones which I have written this weekend. Sorry I couldn’t get the gear to you any sooner. I’ll try to write some more over the next couple of days (it’s a long weekend!!).

Call me and let me know if you are short of any subjects or styles and I shall try to oblige. If you want me to rewrite of an old chestnut of mine that you might have uncovered in the archive, just let me know. Also, if any of the enclosed need a bit of rewrite then I am happy to change them on request.

Good luck and I look forward to seeing you soon.

Song Title
Original Title/
Artist on Tape Approx.. No. of weeks performed
7+ 4-6 1-3 New
side 1
euro ’96 quickie ode to joy (4th movement Beethoven’s 9th) N
gay pride downtown / petula clark N
sex pistols revival song anarchy in the UK / sex pistols N
labour strikes – 1996 remix edelweiss / sound of music N
russian shock / 1996 remix casatchok / trad? N
hooray for bollywood hooray for hollywood / hollywood hotel N
goatee swanee / al jolson 7+
stakeholder dont sit under the apple tree / andrew sisters 4-6
whitewater 1996 oh susannah / trad 4-6
penguin 60s when I’m 64 / beatles 4-6

Gay Pride, NewsRevue Lyric, 25 May 1996

This little lyric will be exactly 21 years old tomorrow, as I wrote (24 May 2017). Is that perhaps a sign?

GAY PRIDE
(To the Tune of “Downtown”)
VERSE 1

When you’re a queen,
And you are feeling unseemly,
You can always go….
Gay Pride.
If you like quiche,
And all those tight-buttocked breeches,
When you’re marching slow……..
Gay Pride.

MIDDLE EIGHT

Listen to the speeches about HIV and herpes,
Lesbian, Gay and Bisexual and Transgender Pride is,
Now what it’s called;
The tights are much brighter there,
You can forget all your troubles, like unwanted hair and go…..

CHORUS 1

Gay Pride,
(Things will get better, oh)
Gay Pride,
(No time for heteros)
Gay Pride,
Queens will be mincing for you.
(Gay Pride, Gay Pride, Gay Pride, Gay Pride)……

Here is Petula Clark singing Downtown:

 

 

Sex Pistols Revival, NewsRevue Lyric, 25 May 1996

I revived my Royalties In The UK lyric…

Royalties In The UK, NewsRevue Lyric, 4 April 1994

…in a slightly different guise 25 May 1996:

SEX PISTOLS REVIVAL SONG
(To the Tune of “Anarchy in the UK”)

 

(The strained rhymes are deliberate and should be done Pistols style, e.g. “has-bin”,”nase” etc.)

INTRO

Right…….now………(well, twenty years ago to be more precise………..)……ha ha ha…..

VERSE 1

I was so anarchic,
Now I am archaic,
I’ve blown all me dosh and me voice has grown posh,
I wanna make cash and play trash;
Cos I wanna be wealthy.

VERSE 2

Anarchy for the UK,
I used to be blonde, now I’m grey,
I’ve done the Marquee now its Wembley,
I’m an “has-bin” with a safety pin;
But I wanna be trendy.

VERSE 3

We’re history from the punk days,
Use a safety pin through your “nase”;
The punters liked Sid its a shame that he’s “did”,
We’ll have him exhumed and well “illumed”;
Cos I wanna be predatory.

OUTRO

Cos I wanna see royalties,
(And I don’t mean the monarchy);
And I wanna be eternally,
(Like that bastard McCartney),
Cos I wanna be wealthy!!

Here is a video of the Sex Pistols singing Anarchy In The UK with lyrics on the screen:

Below is the official video of the Sex Pistols singing that iconic song:



Harrendous, A Poem For Michael Mainelli’s Stag Night, 3 May 1996

Latterly a tea room in Maldon, at that time Rupert Stubbs’s home in Chiswick.

I wrote this parody poem for Michael Mainelli’s stag night, which was held on Rupert Stubbs’s barge in Chiswick.

A rare example of a piece I wrote and performed myself; given the cosy audience and their state at the time of the recitation, unsurprisingly it went down rather well.

HARRENDOUS
One of the most godawful lays made about the city MCMXCVI
(A poem not entirely dissimilar to Horatius by Lord Macaulay)

VERSE 1

Liz Lizbetchen, she of Chiswick
By the sauerkraut she swore
That the great house of Franken
Should suffer wrong no more.
By the sauerkraut she swore it,
And named a wedding day,
And bade her messengers set sail,
Letters, faxes, calls and e-mail,
To summon her array.

VERSE 2

Letters, faxes calls and e-mail
She let them know real fast,
In hamlet, town and cottage
And little places you’d drive past.
Shame on the false Etreusscan
Who lingers at the stalls,
When Lizbetchen of Chiswick
Has Michael by the balls.

VERSE 3

Now from the dock St Katherine’s
Could young Mainelli spy
The line of blazing bridesmaids
Across the midnight sky.
The buddies of Mainelli,
They sat all night and day,
For every hour some faxes came
With tidings of dismay.

VERSE 4

To London and to Franken
Have spread the Reusscan bands
Nor house, nor fence, nor dovecote
Unrenovated stands.
Bayswater down to Bishopsgate
Hath wasted in a dash;
Our Liz has stormed through Selfridges
And spent shitloads of cash.

VERSE 5

They held a council standing
Before the River Thames;
Short time was there, ye well may guess,
To stop him buying gems.
Out spake the Verschoyle roundly:
“That Liz must great go down;
Mainelli’s sense is truly lost,
We might as well rave on down.”

VERSE 6

Then out spake brave Harrendous,
The one from Michael’s firm:
“To every man upon this earth
Wedlock cometh like a germ.
And how can a man wed better
Than pissed as a bloody fart
Cos he’ll still be window shopping
For a fresh bit of jam tart.

VERSE 7

So start the rave Sir Rupie,
With all the speed ye may;
I with two more to help me,
Will get on down, way hay.
The legal limit of a thousand
May well be drunk by three.
Now who will stand on either hand
And get well pissed with me?

VERSE 8

Then out spake Lucas Clementus;
A boating man proud was he:
“Yo, I will stand at thy right hand,
And get well pissed with thee.”
Then out spoke Ricardus Sealyus,
Of filming man fame was he:
“I will abide on thy left side,
And get well pissed with thee.”

VERSE 9

Then out spake Marcus Schlossmanus,
A photographer proud and tall:
“Don’t mind if I do have a quick jar or two,
Until I’m senseless and I fall.”
Then out spake Julius Mountainous,
A friend from firms gone by:
“I’ll knock them back, build up a stack,
I can drink this damned barge dry.”

VERSE 10

Then out spake Rupius Stubbsius,
A Saatchi man by trade:
“Just hold it a tick with your big swinging dicks,
This is my party I’m afraid.
For stags at stag nights quarrel
Spared either girl or dame,
No maids, no duff, no bits of fluff,
Not even one that’s on the game.

VERSE 11

Imbibers oh imbibers!
It’s Michael we must drown,
A bachelor but a few days left,
So just shut up and party on down.”
So he spake and speaking sheathed
(tho “why sheathed” in this company? doesn’t it make you think??)
And with his wineglass in his hand
Plunged headlong in the drink.

VERSE 12

Years later, you’ll not remember
Much about that night gone by;
But you’ll recall the week of migraine
And that month of sustained red eye.
With weeping and with laughter
You’ll tell the stories right,
How well Mainelli held his drink,
On Michael’s wild stag night.

If you want to know what Horatius At The Bridge by Lord Macaulay actually reads like, click here for the poem. Trigger warning: if you think my parody version is too long, I wouldn’t try reading all 600 or so lines of the original.

Hizbullah, NewsRevue Lyric, 23 April 1996

Gosh this was a tough topic to take on for a comedy lyric and an attempt to be even-handed. Not quite sure what made it topical right then – yet another Syrian/Southern Lebanese/Israeli skirmish I suppose.

The reference to Assad back then was to Hafez al-Assad, Bashar al-Assad’s dad.

I’m pretty sure the lyric never got used in public performance, which is probably just as well.

 HIZBULLAH  HIZBULLAH (To the Tune of “He’s So Fine”)

VERSE 1
Salaam salaam salaam, salaam salaam;

Hizbullah (salaam salaam salaam),

Waging a war (salaam salaam salaam),

That hunky boy over here,

The one with the galabia;

But now he’s deep in the mire (salaam salaam),

Down in Southern Lebanon (salaam salaam),

With Katyushas and rocket fire (salaam salaam),

Till all the people are gone (salaam salaam).

VERSE 2
He’s an Israeli guy (shalom shalom shalom),

With an eye for an eye (shalom shalom shalom),

Makes me wonder why,

He don’t give peace a try;

Cos these people shouldn’t fight (shalom shalom),

They should get along together (salaam, salaam),

Be all sweetness and light (shalom shalom),

End the lunacy forever (salaam salaam).

MIDDLE EIGHT

CHORUS He’s Hamas (oh yeh), Blowing up a bus (oh yeh);

TERRORIST: See you all later (oh no),

CHORUS: He won’t be back later (oh no).

TERRORIST: My bombs and me together (oh no), Will pull the chicks for ever (oh no),

CHORUS: He just can’t wait, he just can’t wait, to get to paradise.

VERSE 3
If I were Assad (salaam salaam salaam),

I would end this Jihad (salaam salaam salaam),

I’d do anything appropriate,

Except, perhaps, kiss Yasser Arafat;

Or Hizbullah (uh-huh),

Or Hamas (uh-huh),

Or Mossad (uh huh),

They’re all mad.

Here is a video of The Chiffons singing He’s So Fine, with lyrics:

I Am Old, NewsRevue Lyric & Ben Murphy Inspiration, 16 April 1996

The only version I have electronically is the one below, dated April 1996, but I must have sent Ben Murphy an early version in 1995 which he heavily adapted and recorded.

I prefer my lyric, but what do I know?

I AM OLD
(To the Tune of “All Right”)
VERSE 1

I am old, I’m obscene,
Keep my beard nice and clean;
Sleep alone every night,
Feel all right.

I wake up, scratch my arse,
Take my teeth from the glass,
Talk a whole load of shite,
But I’m all right.

MIDDLE EIGHT

Am I senile?
I can’t recall,
And I can’t learn me lines,
So me songs don’t all rhyme.

VERSE 2

Cos I am old, I am daft,
Cannot quite raise me shaft,
So I smoke and get tight,
But I’m all right.

Then I wank, have a shit,
A cantankerous old git,
In the pub, when I fight,
But I’m all right, I’m all right.

Alwight????????

And if you want to know what Alright by Supergrass sounds and reads like: