White House, NewsRevue Lyric, 20 November 1992

This lyric is dated as above, so I must have written it soon after Bill Clinton was confirmed as President, but it didn’t get used until Mark Bowden’s run in early 1993, which possibly makes sense as that was around about the time that the Clintons actually moved in to the White House.

I commented on Mark’s working of this song when I wrote to him the day after his run started – click here for that letter.

It seems just a little strange posting this lyric now, in 2016, just after Trump has beaten Hillary to the White House. I wasn’t all that sure about the Clintons the first time around, was I?

Janie really liked this one. Not least because it is based on Our House by Crosby Stills Nash and Young which she really likes – click here or below for YouTube with tune and original lyrics.

♬ WHITE HOUSE ♬

(A song for Bill and Hillary Clinton to the Tune of “Our House”)

VERSE 1

HILLARY:I’ll light the fire, you use the powers,

As the Governor of State;

BILL:Sittin’ by the fire, with Gennifer Flowers,

While the wife’s out working,

She’ll be earning,

Ten times more than me, ee, ee,

All legally, ee, ee.

 

VERSE 2

HILLARY:Deep in the South {BILL:Deep in the South}

With gravy, grits and gingham dresses,

God, Guns, Geeks and Goops;

BILL:Joint in my mouth,{HILLARY:Joint in his mouth}

I smoke my spliff without inhaling,

Voters bought it,

They must be e-ven more stoned than me, ee, ee,

Ill-legally, ee, ee;

 

CHORUS 1

BOTH:Our house, is a very very very fine house,

Electric chairs will shock,

In down town Little Rock,

We rednecks kicked the shit out of George Bush;

We say, (cocking a snook)

Na, na, nananana, nananana, nanana nanana, nanananananananana,

(OptionalNa, na, nananana, nananana, nanana nanana, nanananananananana);

 

CHORUS 2

BOTH:The White House, is a very very very fine house,

White marble on the floor,

This sure beats Arkansas,

Though everything is hicky since George Bush….

….moved out;

 

VERSE 3

HILLARY:I’ll light the fire,

BILL:While I wear the pointed hat,

And sheets that we bought to-day-ay-ay-ay-ay.

A Weekend Without Janie By The Looks Of It, 6 to 8 November 1992

My diary shows me playing bridge with Daniel & Marianne on the Friday evening (probably also with Andrea).

Then it shows spending the day on Saturday with Michael Mainelli writing “Zen Things You Wanted To Know About Business”…which was the working title of the subsequent hit book Clean Business Cuisine...

…what do you mean, haven’t read it?

It’s as topical now as it was when it was written…

…it’s set c500 b.c.e. for goodness sake…

...read all about it here…

…or better still, buy it here.

Anyway, it looks as though Janie worked all day on the Saturday and there is no sign in the diaries of us seeing each other on the Sunday. There are some electronic signs of me working on my canon of NewsRevue material ahead of the Christmas run, that Sunday.

My First NewsRevue Christmas Run Submission, To Jacqui Somerville, 8 November 1992

This submission helps me to realise which of my songs (at least those that had a bit of longevity to them) had been in the show during that first year of writing for NewsRevue.

I think this might have been the first time I submitted a table-style note in this fashion along with a cassette and wad of lyrics. Perhaps Jacqui suggested same when we met a few week’s earlier.

The old WordPerfect table doesn’t replicate, sadly, but I have tweaked to show the information reasonably clearly, I hope.

I cannot remember which were used, but I think I had perhaps three songs in that Christmas run – not bad for a newbie.

LIST OF SONGS SUBMITTED AND TAPE TRACK LISTING
JACQUI SOMERVILLE (XMAS) RUN

Song Title/OriginalTitle/Artist on Tape Aprox. No. of Performances
7+ 4-6 1-3 Nil*

Side A of Tape

Coal Digger/Goldfinger/Shirley Bassey 1-3^
Closed to You / Close to You/Carpenters 4-6^
Kate Adie / Dream Lover/Bobby Darin 7+^
Ultimate Love Song / Nothings Gonna Change My Love/Glenn Medeiros 4-6^
Mama Mia Farrow / Mama Mia/Abba 1-3^
You Can’t Hurry Trusts / You can’t Hurry Love/Supremes 7+^
Snowbush / Snowbird/Anne Murray 1-3^
Mick’s Unpleasant Things / My Favourite Things/Sound of Music Cast 1-3
Coppers Dressed as Hippies Teddy Bear’s Picnic/Henry Hall 7+
Eugene Terre’Blanche Sweet Gene Vincent/Ian Dury & Blockheads 4-6
We’re a Member As Well I Remember it Well/Gigi Cast 4-6
Midnight Plane to Jordan Midnight Train to Georgia/Gladys Knight & Pips Nil
Snatchbroker Snatchbroker Matchmaker Matchmaker/Fiddler on the Roof Cast 1-3
Stand By Your Bank Stand By Your Man/Tammy Winette 1-3
Steroids I Just Don’t Know What To Do/Dusty Springfield 4-6

Side B of Tape

Come Back Labour / Come Back My Love/Darts 1-3
Trucker Strikes / Summer Loving/Grease Cast 1-3
Maxwell’s Wife / Mack the Knife/Louis Armstrong 1-3
You’ll Never Watch a Game / You’ll Never walk Alone/Gerry & Pacemakers 7+
Mrs T / I Will Survive/Gloria Gaynor 7+
John Major Rock / Crocodile Rock/Elton John 4-6
Norman Lamont / Norweigan Wood/Beatles 4-6
Bye Bye NHS / Bye Bye Love/Simon & Garfunkle 4-6
As Time Goes By (Sketch and Medley) Falling in Love Again/Techno Twins / Don’t Sit Under the Apple Tree/Andrew Sisters
We’ll Meet Again/Vera Lynn / Rachmaninov Piano Concerto No 2 Mov 2 1-3^

* but should have been in by now.

^ still running in the show at the moment 8 November 1992

White House, NewsRevue Lyric, 8 November 1992

Bill Clinton was elected President and I felt motivated to write about it straight away for NewsRevue. This lyric did very well in the show; but not until early the following year when Mark Bowden and his troupe used it, when the Clinton’s actually entered the White House.

Writing exactly 25 years later, it is an interesting reminder that most of us weren’t too sure about Bill Clinton at the very start, although what would we give to have someone of his stature, albeit flawed, in the White House today…

…his wife, for example?

I didn’t know how to spell “Hillary” back then but I’ll cut and paste the lyric as I wrote it.

The writing log says 8 November 1992 but the electronic file reads 20 November, so I must have tweaked slightly – perhaps in response to it not being used immediately. 

One slight regret about this lyric is that it has rather messed up my perception of “Our House” by Crosby Stills Nash and Young. It is a simply superb song (enjoy the link below whether you know the song or not), but for a quarter of a century now, hearing it has relentlessly made Bill and Hillary Clinton pop into my head.

WHITE HOUSE

(A song for Bill and Hilary Clinton to the Tune of “Our House”)

 

VERSE 1

HILARY:I’ll light the fire, you use the powers,

As the Governor of State;

BILL:Sittin’ by the fire, with Gennifer Flowers,

While the wife’s out working,

She’ll be earning,

Ten times more than me, ee, ee,

All legally, ee, ee.

 

VERSE 2

HILARY:Deep in the South {BILL:Deep in the South}

With gravy, grits and gingham dresses,

God, Guns, Geeks and Goops;

BILL:Joint in my mouth,{HILARY:Joint in his mouth}

I smoke my spliff without inhaling,

Voters bought it,

They must be e-ven more stoned than me, ee, ee,

Ill-legally, ee, ee;

 

CHORUS 1

BOTH:Our house, is a very very very fine house,

Electric chairs will shock,

In down town Little Rock,

We rednecks kicked the shit out of George Bush;

We say, (cocking a snook)

Na, na, nananana, nananana, nanana nanana, nanananananananana,

(OptionalNa, na, nananana, nananana, nanana nanana, nanananananananana);

 

CHORUS 2

BOTH:The White House, is a very very very fine house,

White marble on the floor,

This sure beats Arkansas,

Though everything is hicky since George Bush….

….moved out;

 

VERSE 3

HILARY:I’ll light the fire,

BILL:While I wear the pointed hat,

And sheets that we bought to-day-ay-ay-ay-ay.

If you click through this link – here – you can also read the lyrics…or just watch by clicking below:

I GATT Round, NewsRevue Lyric, 27 October 1992

I don’t suppose the Uruguay Round of the General Agreement on Tariffs and Trade (GATT) was the funniest topical subject in late 1992, unless you happened to be an economist.

Seems a bit topical again now at the time of writing (December 2016) with protectionism hoving back into political view.

Evidence shows that this one wasn’t used before Christmas 1992 and I doubt if it was used afterwards either, although I can see I submitted it in the January 1993 Bowden submission and there is evidence that I tweaked the text in February 1993.

 

This isn’t really a funny enough song, I’ll be frank. Although the following line made me smile:

“My buddies and me we’re not at all well known, But the IMF know us so they give us a loan.”

Here’s the whole lyric:

♬ I GATT ROUND ♬

(To the Tune of “I Get Around”)

 

INTRO

Round, round, Gatt round, Uruguay round,

Round, round, Gatt round, Uruguay round.

 

We Gatt round,{Round, round, Gatt round, Uruguay round,

We have found,Round, round, Gatt round, Uruguay round,

That we are bound,Round, round, Gatt round, Uruguay round,

To make contentious sound.Round, round, Gatt round, Uruguay round.}

 

VERSE 1

We’re getting bugged trying to subsidise your oil seed crops,

We’re goanna stick a huge tariff on your goods in our shops.

 

My buddies and me we’re not at all well known,

But the IMF know us so they give us a loan.

 

CHORUS

We Gatt round,{Round, round, Gatt round, Uruguay round,

We’ll astound,Round, round, Gatt round, Uruguay round,

When we propound,Round, round, Gatt round, Uruguay round,

That quotas still abound.Round, round, Gatt round, Uruguay round.}

 

We Gatt round round round round round round round,

Wupwah-ooh, wupwah-ooh, wupwah-ooh-ooh.

 

VERSE 2

The West spends a fortune hoarding crops and meat,

While the Third World countries have got nothing to eat.

 

We’ve been talking for years but we can never agree,

So we’re goanna fuck up the world economy.

 

We loathe Leon Brittan and hate Jacques Delors,

So we’re goanna fall out and have a global trade war.

 

We Gatt round,{Round, round, Gatt round, Uruguay round,

It’s renowned,Round, round, Gatt round, Uruguay round,

That we shall impound,Round, round, Gatt round, Uruguay round,

Any goods we’ve found.Round, round, Gatt round, Uruguay round.}

 

We Gatt round, Gatt round round round round round.

Click here or below for a link to the Beach Boys song, I Get Around, upon which the lyric is based.

Janie Visits NewsRevue For The First Time Along With Kim & Micky, Canal Cafe Theatre, 22 October 1992, Plus Relics & Questions From The Next NewsRevue Run

Janie’s diary for that evening reads:

6.30 Kim & Micky 8.00 Canal Cafe Theatre 9.15 Review [sic]

Bridge House Pub, Delaware Terrace…

…etc.

Mine just reads:

Canal Cafe

I have more than a sneaking suspicion that Janie, Kim & Micky turned up with a view to surprising me that evening. I’m pretty sure I’d have written more in the diary otherwise. I also do not recall missing out on the writers’ meeting to be with those three, although I do recall us sitting together to watch the show.

The running order from that week is missing, presumed dead, sadly.

But I do, strangely, have the running order and writers’ list from the following week:

I say “strangely” because I wasn’t at the Canal Cafe the following week (Janie and I were in Stratford), nor indeed for the next few weeks, with a mixture of work and Janie commitments. But some kind person saved the running order and writers’ sheet for me.

Why?

Because that late October to early December 1992 run was “peak Harris” in the material use department. Eight of my songs on one show. Too many, frankly.

Whose handwriting is that renaming the show after me?

When Janie, Kim & Micky came to the show, I think there were probably only three or four of mine in the show. I say “only”, I considered three or four pieces to be a good return. I’m guessing:

I especially remember Kim latching on to the Kate Adie one – she still (27 years later) teases me with the opening line of it sometimes.

The irony of the following run, which was “peak Harris” material-wise and also “peak Harris” other commitments-wise is not wasted on me. Looking through my diary, I could only have got to see that run once, in late November, hot-footing it from a works team evening in the City, probably just to see the show.

The Director was Michael Eriera who was clearly not offended by my absence, as he and his team used a lot of my material the next time he directed, in mid 1993. I was a better attendee thee next time around for Michael.

But the $64M questions are:

  • who was the kind person who saved the 29/30 October 1992 papers for me in my absence?
  • who was the mischievous person who renamed the show on the writers’ sheet?

Nude For Thought, NewsRevue Lyric, 17 October 1992

I don’t think this one about Madonna was ever used. Certainly it forms part of the Bowden submission of January 1993 and was unused before then.

I don’t think it is a great lyric for a NewsRevue performance, although it does have its moments as a read.

Strange to think that, at the time of writing (December 2016) Madonna is still hanging around and UB40 are doing a comeback tour.

 

 

♬ NUDE FOR THOUGHT ♬

(To the Tune of “Food for Thought”)

CHORUS 1

I can see Madonna,

Posing in the nude,

She’s got nothing onna,

And some bits are quite rude.

 

VERSE 1

Customs at the airport,

They have seized her book,

While they file their report,

They’ll have a closer look.

 

VERSE 2

Look at nuns in custard,

See her with a sheep,

And I see she’s mustered,

A costume like Bo-Peep.

 

VERSE 3

Rude things with a candle,

Having oral sex,

Now she has her hands full,

Of fat enormous cheques.

 

CHORUS 2

I can see Madonna,

Standing in the buff,

I shall be a gonna,

If my wife sees this stuff.

 

I can see Madonna,

Posing in the raw,

She is not a stunna,

What did I buy this for?

Click here or below for a link to Food For Thought by UB40 with the original lyrics.

Coal Digger, NewsRevue Lyric, 17 October 1992

This was a very successful number, which ran for many weeks in many runs of NewsRevue, including the Christmas run I’m pretty sure and then the Bowden run in early 1993. 

It’s a belter, with potential for enough business to keep the audience laughing as well as thinking.

 

♬ COAL DIGGER ♬

(To the Tune of “Goldfinger” with an acapella horn section)

VERSES 1 & 2

Coal diggers,{ba ba ba}

Fear the man,

The man with the miners touch,

A minus touch.

 

Such,

A cold figure,{ba ba ba}

31,

John Major’s no friend of mine,

Nor’s Hestletine.

 

MIDDLE BIT 1

British Coal had a dose of the shits,

So decided to close half the pits,

And the miners all know they’ve been pissed on,

Cos the mining in-dustry’s gone.

 

VERSE 3

Dole figures,{ba ba ba}

Like the men,

Who live in a mining town,

Just won’t go down.

 

MIDDLE BIT 2

All the bosses in power are crass,

Cos they think that they need only gas,

So the miners are once again shafted,

By that coal black hearted bastard.

 

VERSE 4

John Major,{ba ba ba}

Hope he finds,

That trying to shut down coal,

Was an own goal.

 

copyright © Ian Harris 1992

Click here or below for a karaoke version of Goldfinger with the original lyrics on the screen.

 

Closed To You, NewsRevue Lyric, 10 October 1992

This was a very successful song in NewsRevue. Not a laugh out loud song at all, but a biting/make you think lyric and room for some business.

“Care in the community” was one of that Major Government’s big things. Not much changes (he says, writing in December 2016).

The song ran for several runs towards the end of 1992 and was part of the early 1993 Bowden submission, although I’m not sure Mark used it.

 

♬ CLOSED TO YOU ♬

(To the Tune of “Close To You”)

(A vagrant wanders the stage, very scruffy, perhaps rummaging in bins, perhaps talking to himself incessantly, perhaps both.  The singer and chorus are clearly disturbed by him and hurry out of his way to take their positions.)

 

VERSES 1 & 2

Why do flies suddenly appear, every time you are near?

Just like fleas, they long to be, close to you.

 

Passers by all avert their eyes, with the fear that implies,

Traversees, don’t want to be, close to you.

 

MIDDLE BIT 1

Everyone who sees the poor believes it’s not their problem,

And the homeless ought to find a job to do,

So they hose the vagrants off the streets,

And hope they bugger off to Waterloo.

 

VERSE 3

That is why all the cops in town, wish that you weren’t around,

{cops in town….wish that you weren’t around}

Endlessly society’s closed to you.

 

INSTRUMENTAL

(During the instrumental the tramp dances with an inanimate object – e.g. a traffic cone – and talks gently to it – e.g. “Good evening, my dear.  Do you come here often.  The hyacinths are particularly beautiful this year.  Would you care for another glass of sherry?”)

 

MIDDLE BIT 2

When the Tories came to power, accountants got together,

And decided they could save a bob or two.

So they closed the residential homes,

Those Tories are more lunatic than you.

 

VERSE 4

That is why cranks roam round the town, since their homes were shut down,

{cranks roam town….since their homes were shut down}

Care in the community’s closed to you.

Care in the community’s closed to you.

 

(Either end it there, or dance off going “Waaahhh, closed to you”)

 

copyright © Ian Harris 1992

 

Click here or below for a link to Close To You by The Carpenters with lyrics on the screen.

 

As Time Goes By or They Flew From Tuscany, NewsRevue Sketch and Medley, 10 October 1992

This was the version of this sketch/medley that was actually used. It is much better than the original version – click here for that – but the original version is interesting because I wrote it before Black Wednesday.

Pearls before swine, my economic predictions, pearls before swine.

Anyway, this post crisis version is funnier. There is an in-between version written a week or so  before – click here – I’m guessing that the director suggested improvements, e.g. switching Gini Bottomley out and Lady Thatcher in, which did make for a funnier sketch.

The early evening show at the Canal Cafe at that time was called “As Time Goes By” – some sort of musical retrospective of 1940s material, which made this sketch/medley especially fitting.

AS TIME GOES BY – NEW IMPROVED VERSION

or THEY FLEW FROM TUSCANY (A Sketch and Medley of Sterling 1940’s Songs)

 

DRAMATIS PERSONAE

 

John Major (Johnny)

Gillian Shepherd (Jilly)

Lady Thatcher (Maggie)

Norman Lamont (Fartface)

 

THE SKETCH

 

(VOICEOVER:And now, for those of you who missed the early evening show – here is an exert from “As Time Goes By”)

 

(The pianist tinkles away at the Second Movement of Rachmaninov’s Second Piano Concerto – a la Brief Encounter.  The music is adagio sostenuto, the voices are staccato.  Paula Tappenden knows all about it.  We start with just Johnny and Jilly on stage.)

 

JILLY:Johnny.

 

JOHNNY:Jilly.

 

JILLY:Oh Johnny.  What’s happened to the economy?

 

JOHNNY:Gerry’s giving us a bally barney, Jilly.  The pound’s doing terribly.

 

JILLY:What about Yankee Doodle Dandy?

 

JOHNNY:Gerry’s giving Yankee Doodle Dandy a bally barney too, Jilly.  The dollar’s doing awfully.

 

JILLY:Oh Johnny.

 

JOHNNY:Oh Jilly.  What are you doing for the old effort?

 

JILLY:I’m in employment.

 

JOHNNY:Gosh, that is unusual these days.

 

JILLY:In the ministry.  Oh Johnny,  this darned economy’s simply ruining all our lives.  I’m sorry.  I’m acting like a bally fool.

 

(Enter Maggie)

 

MAGGIE:Johnny, the economy’s going horribly.

 

JOHNNY:Terribly.

 

MAGGIE:Awfully.  And what about the Treaty?

 

JOHHNY:(offers her a sweety)  Have a choccy, Maggie.

 

MAGGIE:I mean the Maastricht Treaty.  (Maggie pokes her finger at Johnny’s lapel as she says) Johnny, I’ve warned you before, it is a ruinous straitjacket.

 

JOHNNY:(Brushing his lapel)  I thought it was rather trendy.  I got it on special offer in Marks and Spencer’s.

 

MAGGIE:Oh this is hopeless.  Where’s Normy?

 

JOHNNY:Out there in the treasury battling it out with Gerry.

 

MAGGIE:Oh God, I hope he isn’t going to do something silly.

 

(Enter Normy)

 

JOHNNY:Here he comes now, and I rather think we’re all going to do something silly.

 

JILLY:You don’t mean……

 

NORMY:Yes, we’re all going to sing a medley.

 

FALLING IN ERM

(In the Style of Marlene Dietrich to the tune of “Falling in Love again”)

 

I often stop and wonder, why stripy shirted men,

Financial markets plunder, sell pounds and buy yen.

We offer them low taxes, but still those city sharks,

With mobile phones and faxes, dump pounds for Deutchmarks.

 

Falling in ERM,

Sterling’s down the drain,

Valueless again,

So don’t hold it.

 

Falling in ERM,

Sterling is the pits,

Norman’s got the shits,

And can’t help us.

 

DON’T FUCK UP THE ECONOMY

(To the tune of “Don’t Sit Under the Apple Tree”)

 

Don’t fuck up the economy with anyone else but me,

Anyone else but me, anyone else but me (no, no no);

Don’t fuck up the economy with anyone else but me,

We’re screwed financially.

 

We’ve devalued the currency with countries like Germany,

We’ll struggle internally, from now till eternity (no no no);

We’ve devalued the currency to purchasing parity,

With Spain and Italy.

 

WE’LL ERM

To the tune of “We’ll Meet Again”)

 

We’ll ERM don’t know why don’t know when,

But I know we’ll ERM our money pay.

Make Sterling true to the Mark and ECU,

Till the interest rate is ten percent a day.

 

Now we are not in at all,

But the pounds in free fall,

While the Deutchmark’s still strong;

And though Sterling’s now small,

Some of us still recall,

When we used to belong.

 

We’ll ERM don’t know why don’t know when,

It’ll cost us fourteen billion a day.

The above material was used quite a lot, not least the “Don’t Fuck Up The Economy” snippet which found its way into other medleys and even was sandwiched in a Ben Murphy medley in 1993 – I take no credit, nor demerits, for Ben’s other bits:

Here is a link to Marlene Dietrich singing “Falling In Love Again”…

…and below a link to the Andrews Sisters singing “Don’t Sit Under The Apple Tree”…

…and here’s Dame Vera Lynn singing “We’ll Meet Again”: