Dear William, My Peformance Piece For Threadmash 5, Gladstone Arms, 5 February 2020

The event that was Threadmash 5 is written up as an ogblog piece here and the link below

The brief was simply to write a letter, although Rohan Candappa gave me some additional guidance suggesting that I try fiction this time. Here is the piece I performed for that event.

Dear William

Hi. It’s Prince Harry here.  The sun is streaming in through my window here in France. It’s late morning; 1152 to be precise and you should know…indeed I want everybody to know, that I’m in love, William, I am in love!

Look, I know it isn’t going to be easy. She’s several years older than me, she’s a divorcee and she’s from across the pond. She might not be accepted by the great British public as “one of their own”.

She’s also a bit of a crusader. One tough cookie who doesn’t mind putting up a fight for the stuff she believes in. I like that about her.

William; she is SO beautiful. Not just how she looks in the pictures – those media types can make any old minger look special – but she really is a stunner. Real hotty totty, eh what?

But I’m not marrying her just for my own selfish reasons. Hell no. I’m getting married for the good of my country. We are in such a political mess at the moment. Near anarchy, I’d call it. Britain needs a royal wedding right now.

But, William, I would really like to know what you think. I know you can’t really give me answers, but you really know your pussy. Heaven knows you’ve played the field more than I have, more than most people. Droit du seigneur and all that.

So I wonder if you think my proposed marriage will work? I really could do with some familial advice and frankly I have no-one else credible to turn to in matters of the heart…

…just a second, all hell seems to have kicked off outside the Château. Bloody French, what the hell’s it about this time? They’re always revolting about something or another. Got to go, I’ll finish off this letter later on.

LATER ON

Hello again, William. It was 1152 when I started this letter; it’s 1173 now. Crumbs – when I said that I’d finish this letter later, I didn’t have “21 years later” in mind. Doesn’t time fly when you’re having fun? Heck, how should I know; I’m not having much fun. Frankly, things haven’t gone swimmingly well since I wrote the first part of this letter.

It’s not all bad news. I’ve been King of England now for 19 years, which makes me a pretty important bloke, especially when you also take into account all my Dukedoms and Counties in France, including your old Dukedom of Aquitaine. Nice place. Decent weather.

So I did marry your grand-daughter, Eleanor. Wow, she really is a goer. Boof. We’ve had loads of kids. But therein lies the rub. It is nigh on impossible to keep all the kids happy with lands and castles and stuff. Eleanor doesn’t help because she insists on interfering – you know what women are like.

To be honest with you, I have fallen out with rather a lot of people lately, including Eleanor…and all of our kids…and my former best mate (now late mate) Thomas Becket… the Scots, the Irish, the Bretons, the Flemish, most of the French nobles, many of the English Barons…and the Pope.

But you know what, William? I know it might be hard for you to believe, but NONE of this revolting business is my fault. None of it. Heck, I’m just trying to do my job, establishing some sort of order out of the political mayhem I inherited.  

You of all people will understand what I’m going through. You too fell out with your wife and had a ruction with the church. At least I haven’t been excommunicated; twice. But history will look kindly on you, William. It already does. You’ve not even been dead for 50 years, but already you are remembered as a bon viveur, a great lover and especially as the first troubadour.  Heaven only knows how I’m going to be remembered.

How did you get away with all that stuff, William? Your behaviour…and the language you used in your songs – I’ve never seen the “F” word and the “C” word used so much in all my life.

Times have changed, though, William. The younger generation are prudes and snowflakes.   

In truth, I don’t see much of Eleanor these days.  Heck, I’m a busy fellow with loads of revolts to quell and I cannot bear being nagged. Anyway, Eleanor permanently stays indoors at the moment; I have security see to that. But I do still love her, in a way. A chivalric way.  You of all people will understand that.

In fact, it occurred to me that, as you were the very first troubadour; the chap who established the tradition of secular performance song which will endure for centuries if not millennia…

…I thought I should end this letter with a song that explains exactly how I feel about your granddaughter Eleanor.

Sincerely yours,

Your devoted grandson-in-law

Henry Plantagenet

ELEANOR

VERSE ONE

You’ve got a thing about you; Grandpa was a troubadou, I really want you, Eleanor legally;

Your power intoxicates me, though all the French folk hate me;

There’s no-one like you, Eleanor, regally.

CHORUS ONE

Eleanor, you of Aquitaine, as they speak in Northern Spain, Southern France and parts of Italy;

Eleanor, can you be more kind, I want you to change your mind, try to reign beside me prettily.

VERSE TWO

Sometimes I think your hassle, treating me like your vassal,

Seeking advance for you and the offspring;

Don’t suppose you envisioned, that I’d have you imprisoned,

When your coup failed with Henry The Young King

CHORUS TWO

Eleanor, you of Aquitaine, you’re a right chivalric pain, all our sons will not forgive me;

Eleanor, can you be more kind, I want you to change your mind, at this rate you’ll way outlive me.

OUTRO

Eleanor, gee I think you’re hell, ah-hah; Eleanor, gee I think you’re hell, ah-hah…ha-ah.

Not that they had chords in the 12th century, but for those who might be interested in the chords I used, the image below will help you. Aficionados might note the devils intervals I used to conclude the “musical piece”.

Performed on my Roosebeck baroq-ulele, tuned DGBE. Thus A4th is fret 2 on the G&B strings, D4th is open D and F# on the E string. Not very 12th century but a bit medieval…or just evil.

A Brief & Personal Tribute To Nick R Thomas, Who Died On 10 January 2020

This piece is a response to the news that Nick R Thomas has died. It culminates with two personal memories, including a sound file of one of my favourite Nick R Thomas comedy pieces.

The above photo is borrowed from Nick R Thomas’s Facebook account; his own choice of signature image.

I met Nick in 1992, when I first started writing for NewsRevue. He was a seasoned comedy writer by then, having been writing News Huddlines, Week Ending and various other stuff of that kind for a couple of years.

Like many of the regular NewsRevue writers at that time, Nick encouraged me and other keen amateurs when we joined the NewsRevue pack. Many of us got involved at that time or, as I think was the case with Nick R Thomas, cemented that collaborative writers friendship around NewsRevue in the early 1990s. We started to describe ourselves as “the class of ’92”.

Most of us had become less actively involved with NewsRevue by the turn of the century, but kept in touch with each other through occasional dinners known as Ivan Shakespeare Memorial Dinners, in honour of the first of our cohort to pass.

Although Nick R Thomas had moved to Bournemouth, he was for some time one of the more regular attendees at those dinners and was great company at those, presumably taking an infeasibly late train home quite often or occasionally staying up in London to join us.

I think the last of his visits to one of those dinners was in October 2017, which was a special Class of ’92 gathering to review old material…

Sadly, Nick was not well enough to join the NewsRevue 40th Anniversary party last year:

But actually I’d like to end this piece with two very personal memories of Nick.

In the autumn of 2016 a friend had a show at the Canal Cafe Theatre (about Brexit of all things), so I arranged to go on a Thursday and did a shout out to the NewsRevue crowd that I intended to stay on and watch NewsRevue that evening as well. Nick turned up unannounced and we spent a very enjoyable late evening together at NewsRevue – it felt like the years rolled back, although of course we were not looking out for our own material in that week’s show in November 2016. Click here or below for my write up of that evening:

My second memory is of Nick as lyricist…but not businessman. In the early 1990s, many of us were approached by the west-country singer/comedian Ben Murphy for material. Ben performed and recorded much of our stuff.

Ben always needed badgering for the money, but (until the inevitable, final small bad debt) always paid me in the end, in order to obtain more material.

I always assumed that everyone else from NewsRevue must have been handling Ben the same way.

But I recall a conversation with Nick R Thomas some years later (probably around 2004 when we had the 25th anniversary of NewsRevue), when Ben’s name came up and Nick told me that Ben had never paid him. Nick had always assumed that no-one got paid by Ben. I’m not sure how often Nick sent Ben yet more material without first receiving (and banking and clearing) Ben’s cheque for the previous batch.

I think this story proves that Nick was a natural for the arts, whiereas I was a natural for commerce.

Anyway, what does survive (something money could not retrospectively buy) is Ben’s recording of one of my favourite Nick R Thomas lyrics; The Bald Song.

Nick R Thomas was a fine comedy writer and was one of the good guys. I, together with a great many others, will miss him.

Reporting On The Final Of The Ollis Cup, Lord’s, 17 December 2019

How did I get roped in to writing the match report for this great match? By the simple expedient of turning up to watch, that’s how.

Here is a link to the report as published on the MCC website.

I’m gutted that the powers that be declined my chosen headline:

Ollis Not Lost.

Pearls…pearls…

If by any chance the MCC website doesn’t let non-members into the tennis section, here is a scrape of the report, allowing Dedanists and other friends of tennis, Iain Harvey and/or James McDermott to read all about it.

Gresham Society Soirée, Barnard’s Inn Hall, 16 December 2019

Is it really two years since the last Gresham Society Soirée? Yes. I wrote up the previous soirée thusly:

This time around, 2019, the programme looked like this:

Unfortunately, my magnum opus for 2019, which marks Sir Thomas Gresham’s 500th birthday, hence The Sir Thomas Gresham 500th Anniversary Song And Dance, was accidentally misnamed as the Sir Richard Gresham themed performance I gave in 2017. But I was able to put people right on that point pretty easily.

But before all of that, Michael Mainelli made a brief appearance to leave soiréeistas in no doubt that the show was about to begin, when he blasted our lug-holes with the sound of his bagpipes.

Michael Mainelli on bagpipes? Well I’ll be blowed!

Mercifully, Part 1 of the soirée was a highly professional and entertaining set by David Jones and Sian Millett, which gave us all plenty of time to recover from the lug-hole blasting and listen to the superb talents of this pair, who are very much becoming Gresham Society soirée favourites.

David & Sian as seen in 2017

David demonstrated his vocal versality with material ranging from lieder to Lehrer. David’s rendering of Hochländisches Wiegenlied by Robert Schumann was a particular delight, not least David’s rendering of the non-Germanic word, “Carlisle” mid song, as was David’s perennial Tom Lehrer favourite The Elements Song, which David can peform better than anyone else I have ever seen attempt it.

Sian’s talents range from grand opera to musicals. Her rendition of Mon Coeur S’ouvre A Ta Voix, with David accompanying on piano rather than the more traditional orchestra backing, brought out the beauty of the melody and the words to my ears, enabling me to enjoy hearing that aria afresh. No recording of Sian and David’s performance, sadly, but those who want now to hear the aria might enjoy the 1961 Callas recording below.

Returning to Sian’s performances, her flirty rendition of I Cain’t Say No was great fun and went down very well with the audience.

Sitting in front of me was Bobbie Scully, with whom I had, in 1984, suffered an unfortunate fit of the giggles, when we accidentally attended a stilted Rodgers and Hammerstein recital, learn more by clicking here or the block below.

For the avoidance of doubt, Sian Millett’s soirée performance was absolutely nothing like the stilted recital of the mid 1980s; the audience laughter during Sian’s I Cain’t Say No was very much WITH Sian rather than AT Sian.

The tone changes for Part 2 of the soirée, which brings amateur talent and enthusiasm from within the Gresham Society to the fore. As if to lull us all into a false sense of security, the first couple of items – Robin Wilson on the recorder, followed by a recitation from Under Milk Wood by Martin Perkins – were suitably talent-filled and dignified.

Then it was my turn.

Actually, despite appearances, a fair bit of scholarship went into my piece. I discovered, quite by chance, while researching “Ding Dong Merrily On High” last year for the Z/Yen seasonal function, that Jehan Tabourot, aka Thoinot Arbeau, was a contemporary of Sir Thomas Gresham, the former being listed as either 1519 or 1520 in all sources I could find. Tabourot (under the pseudonym Arbeau) wrote, in the late 16th century, a book, Orchésographie, comprising dance tunes and dance moves he recalled from his youth.

Branle de L’Official, the tune that subsequently was used for Ding Dong Merrily On High, is one such dance from Arbeau’s Orchésographie.

The really strange coincidence about this, is that when I discovered the temporal connection between “Arbeau” and Sir Thomas Gresham, my Googling led me immediately to Ian Pittaway’s website and this superb article:

Ian is my early music teacher. We had been talking in late 2017 about me possibly using Coventry Carol for the 2019 Gresham Society bash, but the Arbeau song and dance possibilities seemed to good an idea to miss.

Fans of Coventry Carol might like to hear Soul Music on BBC Radio 4, which was broadcast on Christmas Day 2019, but is still available through this link, which features Coventry Carol and includes Ian Pittaway talking about the history of the piece and the effect it had on him, with a bit of Ian’s rendition playing in the background.

Anyway, I did test out the song and dance idea with the Z/Yen team in 2018 with predictably hilarious results…

…and just over a year later I inflicted same on the Gresham Society – except this time I had tailored the words to suit Thomas Gresham’s 500th birthday.

It would probably be to the benefit of all mankind if the Gresham Society soirée performance of this piece were lost in the mists of time, but unfortunately Basil Bezuidenhout had an accident with his mobile phone and inadvertently video recorded the darned thing.

I must say, the singing from the assembled throng sounds rather good, which is more than can be said for my singing that evening.

For the dance, I ever so slightly simplified the dance moves from this actual facsimile of the 1589 book:

Again, Basil had a mishap with his phone and the dance is recorded for all posterity:

Not much can go wrong in a dance like that, although I notice a couple of us ended up the wrong way round with our partners at the end of the first movement. Many thanks to David Jones for accompanying us on “virginals” and to Sian Millett for her delightful rendering of my silly words while we danced.

Anthony Hodson and David Jones then briefly brought a sense of decorum back to the proceedings with a rendition of the Elgar Romance for Bassoon & Piano, but then Robin Wilson and Tim Connell led the soirée past the point of no return in the matter of decorum. Song sheets that cover some of the residual malarky can be seen by clicking this link.

No such nonsense as the above 2017 rendition of Tinniat Tintinnabulum, dear me no. This year, instead, Robin Wilson lead us in a more ballad-like latin canticle, Reno Erat Rudolphus Nasum Rubrum Habebat

In the tradition of topical comedy, Tim Connell, Mike Dudgeon & Martin Perkins rendered a French Brexit Lament – click here for the text of that pièce de résistance.

After all that, the assembled Gresham Society stalwarts needed reviving with a great deal of food and wine…

…so it was just as well that there were indeed plentiful supplies of both, enabling the remainder of the evening to become a highly convivial party. There was eating, drinking, chatting, laughing and general merriment, without, by that stage, the fear of imminent music, song or dance from over-enthusiastic soiréeistas.

As ever in the company of Gresham Society folk, a thoroughly warm-hearted and enjoyable time was had by all.

A Hat Trick Of Seasonal Events, London Cricket Trust Dinner, Ivan Shakespeare Memorial Dinner & Z/Yen Team Lunch, 11, 12 & 13 December 2019

It seems churlish to complain about too many nice events, but this particular week really did include a surfeit of them for me.

I had already enjoyed the Parasite evening at Curzon Mayfair…

…and the Z/Yen 25th anniversary party at The Old Bailey…

…and it was still only Tuesday.

The three events described in this piece were the Wednesday, Thursday and Friday of the same week.

London Cricket Trust Dinner, Three Cranes, Wednesday 11 December 2019

Duncan Jenkinson, Andy Griffiths, Leshia Hawkins, some bloke in pink Middlesex kit photo-bombing our picture, Ivan Thomas and Me, 16 July 2019

No photos from this event, but the above photo and link is from one of the highlights of the London Cricket Trust’s year – A B de Villiers opening our Deptford Park facility in July.

We thought it would be a good idea to have a meal together after the Trustees meeting this time. We have been gathering now since 2017 planning non-turf pitch and net facilities for London’s parks, without ever breaking bread together…until this evening.

The Three Cranes location in the City worked well for me, giving me the opportunity to clear some work at the office (yes, believe it or not I did also do some work in this event-filled week) before the Trustees meeting at the Three Cranes, which was followed by the joyous meal and libations.

This evening was an excellent opportunity to all get to know each other a bit better. Not just we Trustees, but also the England and Wales Cricket Board (ECB) people who have been working tirelessly on our intiiative (and participation cricket more generally), plus Ed Griffiths and his team who have been doing so much wonderful pro bono work on behalf of the LCT over the years.

One of many good thoughts that emerged from the evening is that we still haven’t actually watched any professional cricket together; we’re hoping to put that right during the 2020 season.

A very enjoyable evening.

Ivan Shakespeare Memorial Dinner & Trophy Match, Spaghetti House Holborn, Thursday 12 December 2019

It’s been a big year for anniversaries. Not only the Z/Yen 25th (the alumni party for which is linked again here and at the very start of this “hat trick” piece)…

…but also the 40th anniversary of NewsRevue, which had its alumni event during the summer:

One NewsRevue alum who, sadly, only just made it a few months beyond the 20th anniverary of that show was Ivan Shakespeare. We “Class Of ’92” types who were NewsRevue contemporaries of Ivan meet on an irregular occasional basis, three or four times a year, to keep in touch with each other, eat, trade jokes, share bizarre quizzes and also to remember Ivan. We’ve been doing that since mid 2000, a few months after Ivan died.

In the seasonal version of our gathering, the stakes increase markedly and we play one of the quizzes for The Ivan Shakespeare Memorial Trophy. I am proud to be the donor of the original Memorial Trophy, which was first contested in 2002, about 18 months after the dinners started.

It’s a bit like The Ashes, but for comedy writers rather than for cricketers.

Much like The Ashes, the trophy is a thing of exquisite gimcrackness; it’s absence of taste simply has to be seen to be believed:

Observant readers will see that I won that trophy once; in 2004
Some real names from the world of quizzing on there: Hugh Ryecroft for one, Barry Grossman being another.

The problem is, unlike The Ashes, the trophy is inscribed with the winner’s name each year…

…and the original trophy is running out of sensible places for the embazoning of the winner’s name…

…OK, there never were sensible places for the emblazoning, but now we are even running out of silly places to inscribe.

The solution: a new trophy. Acquired through the sort of tenacity that only Graham Robertson could possibly deploy – an eBay purchase which he needed to make twice because the first eBay vendor of tasteless out-of-date royal gimcrack merchandise took Graham’s money and did a runner.

The assembled alums at our new spiritual venue, The Spaghetti House in Holborn, decreed that Mark Keegan, who won the original trophy three times, should become “steward-for-life” of the original trophy.

Mark Keegan, delighted with his original trophy. Graham Robertson looks on, enviously.
Barry Grossman shows off the new trophy…
…then wears one for the team by winning the new trophy this year

As usual I came quite close but no cigar for me in the trophy stakes since 2004. Barry Grossman scooped the glittering prize this year – with sincere commiserations to Barry – he could have been an also-ran, but instead…

It wasn’t all quizzes and trophies; oh no, no, no, no, no, no no. There was plenty of time for eating, drinking, topical humour and some sense-of-irony-sapping politics on what was, after all, an election night.

Moving swiftly on from the will-to-live-depleting topics back to the humour section, John Random produced another set of personalised Christmas crackers this year, based on the BBC Radio 4 programme In Our Time with Melvyn Bragg.

My cracker contained a note posing the intriguing question:

What do you call a deer with no eyes?

Frankly, I had no idea and would gladly have said, “no idea”, but for the answer provided, which instead said, in Braggian tones:

With me to discuss what you call a deer with no eyes, I have Ian Harris, Professor of Mammalian Opthalmology at Gresham College and author of In Darkness Let me Dwell – and Professor Jonny Hurst from the University of Manchester, author of Champagne Super Over: Oasis In Popular Culture.

There is sort-of a tradition in recent years for at least one person’s order to go horribly wrong at the festive dinner. This year it Barry Grossman who suffered the indignity of being brought his main at starter time and a starter-sized portion of his chosen main at main course time. The nice waiter did his best to sort things out.

Ironically, Barry went on to win the quiz, as did Jonny Hurst in 2017 when it was his turn to be the brunt of the ritual service humiliation – in those days at Cafe Rogues in Holborn not far from the scene of this year’s crime. That year, 2017, John Random’s personalised crackers had been based on the Moral Maze. He likes his thinky-Radio-4 programmes, does our John.

Anyway, the night of 12 December 2019 will surely be remembered as a great night for NewsRevue alums…and Tories…ironically.

Z/Yen Seasonal Lunch, The Old Bailey, Friday 13 December 2019

Z/Yen team gathered in the Alderman & Sheriff’s apartment

In the world of crime fiction, criminals have a regular, unfortunate tendancy; returning to the scene of the crime. Whether that is true in the real world or not I have no idea. Nor do I have the faintest idea what that point might have to do with this section of this piece.

Anyway, just three days after the Z/Yen Alumni function at The Old Bailey, the current Z/Yen team regrouped in that astonishing building for the staff seasonal lunch.

On this occasion we found ourselves in the smaller function room, used daily for the judges pre-luncheon drinks, after enjoying our pre-lunch drinks in Michael and Elisabeth’s apartment. Once again Sean, their footman, proved his skills as a photographer – thanks Sean.

The meal was a very good one; smoked trout fillet, followed by a posh duck dish, followed by an apple tart-like desert.

The wines tasted suspiciously like those excellent wines we’d enjoyed earlier in the week and seemed suspiciously well food-matched for the lunch, thanks to the combined skills of Gordon Clunie and (in all modesty) me.

Linda produced one of her fiendish seasonal quizzes – let’s not even talk about how badly Simon Mills and I did as a so-called team on that one.

Secret Santa visited (I got some baritone ukulele strings) and Santa also brought everyone a small box of super posh chocolates.

Then the traditional Z/Yen seasonal sing song. Being exceptionally woke for a boomer, I again recycled a previous effort this year, cunningly adding a topical reference ensuring that no-one would realise that it was recycled…

…unless they looked at the copyright years and/or version numbers and/or read this piece. Here is the 2019 version of The 12 Days Of Z/Yen Training. Excellent, was the performance, especially the “Five Forces” motif, which brought tears to my eyes each time around.

It is a fascinating musical phenomenon that this particular song works in so many different keys: C, C#, B, D, D#, A, E, G#, G, F & F#…all at the same time…at least, it did that afternoon.

After the formalities, plenty of informalities with some additional quizzing, singing, chatting and libations until it was chucking out time at The Old Bailey.

Chucking out time at The Old Bailey on a Friday afternoon works remarkably quickly and effectively:

You are welcome to stay on downstairs if you wish…but no-one will be here with the keys to your cell until Monday morning…

…everyone scarpers sharpish at that juncture.

Some ventured on for more libations at a local hostelry, but after five events in five days, all I could think about was getting home and lying down for a good few hours.

The Gift, Fourth Threadmash, Gladstone Arms, 6 November 2019

It’s been a while since the last actual Threadmash, although we have had a gathering of the clan at The Glad since the previous Threadmash in May:

Anyway, this time the brief was “The Gift”, with additional instructions to stick to just one page. I took that to mean “one side of a sheet of A4”, but some took it to mean two sides. No matter. I can write something War & Peace epic length next time to get my own back.

I sensed that Rohan Candappa had mischief in mind when he asked us to bring two copies of our text with us.

Once we started Threadmashing, after several of us had dined on goat pie (or whatevs) and made a start on the libations, I also sensed that there might be a mini riot when Rohan announced that we would each be reading someone else’s work rather than our own. But we soon settled down and knuckled down to the additional challenge.

40 years on, Chris Grant still gets head boy privileges.

Chris Grant, a first time Threadmash writer (although not first time attendee) was excused the additional challenge and thus read his own piece as an opener for the evening. It was a charming short piece.

We had each been given a few minutes to read the piece we had inherited.

Quite early in the evening, David Wellbrook read out my piece, which follows below.

David Wellbrook soldiering through my piece

Coincidentally, I was given David’s piece to read; a somewhat Dahlesque horror story, as Rohan had encouraged David to try fiction this time. I did enjoy reading David’s piece I must say. Rohan has strongly encouraged me to try writing fiction for the next one.

He doesn’t look dictatorial, does he? It’s a deceptively gentle form of throat shaking, Rohan’s dictatorial style – sttrong guidance followed by, “but it’s up to you, of course…only if you want to…”

Anyway, here’s my piece which was so capably read by David:

The word “gift” has two distinct meanings as a noun. A gift means something given freely, a present. But it also means a natural ability or talent, such as, “a gift for writing”. When Rohan suggested “The Gift” as his subject for Threadmash Four, I was drawn to the second of these definitions.

These past few years, I have been spending increasing amounts of my time on activities for which I am not naturally gifted, but they are nevertheless activities that I love doing and pursuing. Specifically, I mean sports, such as cricket, plus music.
My mother came from a supremely musical family. One branch of her family yielded several notable professional musicians, especially violinists. Even my barber grandfather could, by all accounts, instantly play on the piano any tune you might choose to hum at him.

When I started secondary school, my mother gave me every encouragement to take up and play the violin. But quite quickly, the sound of me practicing, which resembled cats being tortured in a pitch-distorting dungeon, led mum to encourage me to give up violin and try something else. Anything else.

Actually I was growing quite fond of sport. Cricket, tennis and fives mostly. I wasn’t very good at sports either, but I wasn’t going to let an absence of giftedness stop me from trying. Nor was I going to let my own shortcomings stop me from becoming a fascinated follower of my favourite sports. And indeed also a devotee of many varied genres of music.

In truth, although I didn’t inherit the family gift for performing music, I certainly did inherit “a love of music”. And it has occurred to me characteristics such as “a love of music” truly are gifts to be cherished and celebrated.

Where I got my gift for loving sports such as cricket is more of a mystery. Neither of my parents had any interest in sport whatsoever. Not professional sport and certainly not my participation in sport; I don’t think either of my parents ever saw me play sport, other than me mucking about at some nonsense game at home.

Yet, my father’s very last birthday treat included a sporting revelation. The only way to treat my dad towards the end of his life…actually for most of his life…was to take him out for a good meal. As it happened, in 2006, dad’s 87th birthday, fell on a day that Middlesex were playing at Lord’s. I booked at table with a view in the Warner Restaurant, which followed an informal pavilion tour before lunch. They loved it. As dad said, “there aren’t many places I can go now and see people of my own age…apart from old age homes”. The England & Wales Cricket Board marketing folk may use that quote for nothing.

At one point that day, dad mentioned that he and his kid brother Michael had been given a set of cricket equipment by their parents as a gift, when the family moved to Clapham Common in the early 1930s and the boys started a new school there. Neither dad nor Michael had shown any interest in cricket before the gift, apparently, nor did that gift inspire either of them to take the slightest interest in cricket. My grandparents; Eastern European migrants with accents from central casting, were perhaps striving to turn their sons into quintessential English schoolboys through the peculiar sport that is cricket.

I wonder whether my grandparents’ intention with that cricket equipment gift somehow skipped a generation but still subconsciously fueled my love of cricket? A gift indeed.

Chris Grant remarked that he found it really weird hearing words that were so clearly mine coming out of David Wellbrook’s mouth. We have all known each other for over 45 years, so I suppose that is understandable.

All of the pieces were excellent, as usual. I also thought everyone made a good job of reading out someone else’s work, especially as most of us had not started the evening expecting to read something other than one’s own piece.

I caught myself categorising this Ogblog page as both “writing” and “friends and family events” this time. This reflects the fact that Threadmash has become, in my mind and I think those of others, a community of friends who, as it happens, like to gather to read and write together. It’s more than just “a writing thing” now. For all of it, I am grateful to Rohan for innovating and stewarding the ideas.

This time John Eltham came along to be part of the evening, as did Ben Clayson, although the latter arrived after the readings. It became, as always, a convivial gatheirng of interesting and interested people.

I took a few more pictures – all 10 pictures can be found on Flickr by clicking the picture icon below:

NewsRevue 40th Anniversary Party, Show & Smoker, Canal Cafe Theatre, 18 August 2019

NewsRevue is the world’s longest running live comedy show. It has been running since 18 August 1979. That is a Guinness World Record. If you don’t believe me, click here and read it on the official Guinness World Records site.

I have been involved with the show since 1992, as reported on Ogblog in many postings, not least this one which records my first performed offering – click here or below:

I formed many friendships over the years I wrote for NewsRevue (most of the rest of the 1990s). Many of us keep in touch through Ivan Shakespeare dinners, many of which are written up on Ogblog, including this one:

Mike Hodd (see headline picture) is one of the founders of the show, was a mainstay at our writers meetings in the 1990s and is a fairly regular attendee at Ivan Shakespeare dinners.

For some reason, Mike roped me into liaising with Emma and Shannon at the Canal Cafe to help pull together the 40th anniversary event.

I take very little credit for the superb evening that ensued, but I did contribute some archival material and I did stitch up some NewsRevue alums by gathering names and serial numbers through the e-mail connections.

I also suggested that the event include a smoker, in line with a tradition we had back in the 1990s of having after show parties at which we performed party pieces. Mike particularly liked that idea so it simply had to happen.

But the organisation of the event was really down to Emma, Shannon and the team who did a cracking job.

First up was a pre show drinks reception, at which some of us (encouraged to dress up), looked like this:

Barry Grossman, Colin Stutt and Me.

Then we watched the current show. An excellent troupe comprising Dorothea Jones, Brendan Mageean, Gabrielle De Saumarez and Rhys Tees under Tim MacArthur’s directorship.

Before the smoker, Shannon and the team played us a wonderful 40th anniversary video compilation of pictures and video clips from across the decades. Here is that very vid:

I was proud to have supplied some of the clippings contained therein and moved to see the video and ponder on just what 40 years of a show really means.

Then the smoker. I was really delighted that current/recent cast and crew joined in the idea and chipped in with their own party pieces, which were very entertaining.

From our own “Class of ’92, there were several contributions, captured pictorially by Graham Robertson, with thanks to him for the following pics.

Mike Hodd made two excellent contributions to the smoker;

  • a very amusing stand up set in which he somehow managed to extract humour from Parkinson’s disease. I shall never again be able to dissociate in my mind the film Fatal Attraction from the affliction fecal impaction;
  • a slow build routine in which he was an auctioneer trying to fob off some utter tat as masterpieces. Great fun.
Gerry Goddin

Gerry Goddin performed an audience participation routine in which we joined in a song about “mutton dressed as lamb” to the tune of Knees Up Mother Brown. Gerry dealt with my heckling so masterfully that some people thought the heckles had been planted; they had not.

Barry Grossman

Barry performed a stand up comedy routine with masterful poise. I thought we were all supposed to be writers who cannot perform.

I wanted to celebrate one of my classic songs from 1992; the second of mine to be performed in the show but a perennial:

My solo rendition of You Can’t Hurry Trusts

Chris Stanton was the performer who made my debut contributions to NewsRevue such a success in 1992. He too was at this party and performed a couple of classics brilliantly well; A Loan Again and also John Random’s classic 0898 song. No photo of the Chris’s performance as yet – unless Graham finds one of those amongst his collection.

Jonny Hurst also celebrated John Random’s ouevre with a rendition of the wonderful “Tell Laura A Liver”.

This was in part done to honour John Random’s recent selfless act to donate a kidney out of pure altruism to an anonymous recipient. To complete the honouring of that extraordinary good deed, Jonny and I jointly segued the liver song into a visceral medley including a specific piece we put together to honour John’s donation:

 WHO DO YOU THINK GOT YOUR KIDNEY, MR RANDOM?

(Lyric to the Tune of “Who Do You think You Are Kidding, Mr Hitler?”)
 

THE MAIN REFRAIN
 
Who do you think got your kidney, Mr Random?
Since your organ donation?
Was it a girl for to stop her renal pain?
Was it a boy who can take the piss again?
So who do you think got your kidney, Mr Random?
Now that you’ve gone down to one?
 
FIRST MIDDLE EIGHT

Mr Burns – he came to town
The age of twenty-one
He did assume a nom de plume
And took the name Random.
 
FIRST REPRISE
 
So who do you think got your kidney, Mr Random?
Now that you’ve gone down to one?
 
SECOND MIDDLE EIGHT

Mr Burns did not return
With kidney number one
But kept his sense of humour…
(pause)
…And is ready with his pun.
 
SECOND REPRISE
 
So who do you think got your kidney, Mr Random?
Now that you’ve gone down to one?
 

It was a great party, it was a terrific show and it was a superb smoker. A truly memorable event to celebrate 40 years of a wonderful show.

As John Random said in his preamble to the smoker, NewsRevue has initiated so many careers and transformed so many lives over those decades. And for those of us who have formed enduring friendships, it is hard to express our gratitude to Mike Hodd and those who have kept the NewsRevue torch burning week in week out for forty years and counting.

(Where Do I Begin?) Love Story – A Performance Piece For TheadMash 3, 7 May 2019

The question “where do I begin?” in the matter of a love story is, I suggest, a rather uninteresting question. Almost all love stories start when the lovers meet. OK, the story might have a short preamble to set the scene, such as the almighty punch-up at the start of Romeo and Juliet, but basically love stories start when the lovers meet. Simples.

So before I begin the short love story I have prepared for you, I want to explore two variants of the “where do I begin?” question:

Firstly – where did “where do I begin?” begin, in the context of the film Love Story.

Secondly, I want to explore the question, where…or rather when…does love begin?”, which I think is a rather more intriguing question. My attempted answer also informs the rather regular style of love story with which I shall briefly conclude.

So, where did “where do I begin?” begin? 

Francis Lai had written a score for the movie Love Story, including the tune Theme From Love Story.

The Paramount Movie people felt that the Theme needed a lyric and commissioned Carl Sigman, a top lyricist at the time, to turn that theme tune into a song.

Sigman initially wrote a schmaltzy lyric summarizing the love story depicted in the film, with lines such as:

  • “So when Jenny came” and
  • “Suddenly was gone”…

…you get the picture. But Robert Evans, the larger than life producer of Love Story, hated Sigman’s original attempt at the lyric; in particular fretting that the “Jenny came” line was suggestive.

According to Sigman’s son, the great lyricist was furious at being asked to rewrite the lyric, throwing a bit of a hissy and threatening to withdraw from the project. But the next day, when Sigman had calmed down, he told his wife that he would try again. But, “where do I begin?”, Sigman asked. “That’ll do”, or words to that effect, replied Mrs Sigman. Thus, at least apocryphally, the famous line and song title was born.

But the question I really want to explore before I tell you my little love story is where…or rather when…does love begin?”

I believe that people tend to rewrite their personal romantic histories somewhat, often attributing a “love at first sight” narrative to, for example, the story of meeting one’s life partner. But that attribution is made with the benefit of hindsight.

Let me illustrate my point with a slightly less emotive example. Falling in love with a house.

I quite often tell the tale of my viewing our house in West Acton, at the behest of my then girlfriend, now wife, Janie, who had already seen it. I reckon I had been inside for no more than 30 to 40 seconds before I concluded that I could imagine Janie living out the rest of her life in that house, possibly with me in it too. In the vernacular, I fell in love with our house at first sight. We bought the house. Janie and I love that house. Noddyland, we call it.

San-Bin-Ista
The Noddyland Threshold

But supposing the Noddyland house story had not panned out as it did. My offer might have been rejected or the survey might have found an insurmountable problem with that house. Or we might have been guzumped by David Wellbrook or some such person who knows a fine house at a sensible price when he sees one.

Janie and I would have resumed our search for a house and we’d no doubt have found another; we might have liked or even loved that other house…

…but I would not have looked back on my initial visit to Noddyland as a “love at first sight” story. We might have mused about whether we’d have been happier “at that one we liked the look of but didn’t get”. We would not have used the term “love” about that house at all.

My point is that the love comes later. We tend to back-fill the story in hindsight and imagine the love to have come much sooner than it really did.

Returning to the question of romantic love, I wonder where or when that love genuinely begins. My view on this matter has changed as I have got older. Back in the days of my very early fumblings in the late 1970s, for example The Story Of Fuzz in my inaugural TheadMash piece…

…I don’t think I thought of those escapades as love stories of any kind.

But soon after that, once I had started having “proper, long-term relationships”…I’m talking weeks here or even occasionally months…I considered those adventures to be “my love life.” Rollercoaster emotions would ensue; elation at the onset or when a romantic setback was overcome; heartache when things went awry, especially when the upshot was that I had been dumped. I know it’s hard to believe, folks, but one or two foolish young women made that mistake and paid the ultimate price of losing their once-in-a-lifetime opportunity with me.

But when I look back on those short-lived, early efforts now, I find it hard to recognize many if any of the characteristics of a love story in those tales. At the time, of course, I thought I was falling in and out of love. But with the benefit of a more seasoned perspective, those stories are merely a good source for comedic interludes or nostalgia-drenched asides…

…especially those stories for which I have unintentionally amusing diary entries with easily-interpreted hieroglyphics…

…oh yes.

Those early entanglements are too fleeting and (I regret having to confess) sometimes too entangled with each other to make true romantic copy.

Contrast that sort of juvenile jumble with…

…David Wellbrook’s superb recitation at ThreadMash 2, about his good lady’s near death experience and David’s intimate account of his own reaction to it. Now that piece was not written as a love story, it was written as a piece on the theme of “lost and found”. Yet it was, I would argue, a profound and heartfelt personal love story. I wouldn’t attempt to emulate or better it as a love story.

But it did get me thinking about a couple of near-death experiences Janie and I went through, particularly the first of them.

The incident was many years ago, in the mid 1990s, when Janie and I had been together for fewer than three years.

Janie and I went over to my business partner Michael and his then girlfriend (now wife) Elisabeth’s place for a Saturday evening meal that May Bank Holiday. Both Janie and I experienced quite severe indigestion that night; a state we attributed to Elisabeth’s solidly-Germanic, Sauerbraten style of cooking, combined with perhaps a tad too much alcohol to wash down the heavy food. But whereas my biliousness passed as the Sunday progressed, Janie became increasingly poorly and doubled up with pain in her innards.

To cut a long and painful story short, by the night of Bank Holiday Monday, I was convinced that the locum doctor’s relatively casual attitude to a woman doubled up with increasing pain was insufficient and took Janie to A&E, where they immediately diagnosed (correctly) acute pancreatitis caused by a rogue gallstone.

As I left Janie in the care of the kind doctor, the youngster (yes, even when I was still a mere 33 years old, the night-duty house doctor in A&E looked like a youngster) took me aside. He warned me that, although they thought they had everything under control and that the odds were in Janie’s favour, he was duty bound to warn me how serious pancreatitis can be and that Janie might not survive the ordeal.

I drove home, alone, with that “might not survive” thought and the strains of Miserlou by Dick Dale & His Del-Tones on the radio…

…well it was 1995 when Pulp Fiction was all the rage. I can no longer hear that tune without thinking of that lonely drive home.

But the incident brought the romantic truth home to me; Janie wasn’t just the girl that I had been going out with for longer now than any of my previous girlfriends – nearly three whole years. It made me realize that I really did love Janie.

In fact it made me realize that I had recognized that fact a year earlier, when I discussed the idea of me setting up business with Michael. I had said to Janie that the venture was a big risk…

…the dangers of Michael and Elisabeth’s notorious cooking for a start…that’s an unfair joke that should not be repeated or put in print (apart from the Ogblog version of this piece 😉 )…

…the venture was a big risk because we’d be taking on indebtedness and if the business went wrong I’d have to give up my flat and have little or no money for quite a while. Janie had simply said that it wasn’t really a big risk because she still had a job and a flat and that we’d get by. It was then that I knew that she loved me and that I also loved her and that she and I were committed to help each other through life’s journey for the foreseeable future.

To me, THAT is truly the stuff of “where love begins”.

Extract From Tchaikovsky Romeo and Juliet Fantasy Overture

As for the more simple, “where do I begin?” love story; I suppose I should now tell you the story of how Janie and I met.  

We met in August 1992 at one of Kim and Micky’s parties; Kim being Janie’s best friend.

In some ways it is odd that Janie’s and my path hadn’t crossed before, through Kim & Micky. I had known Kim, through holiday jobs and stuff, since I was a youngster. In the late 1980s, when I got to know Kim & Micky socially, I would see them a few times a year at dinner or lunch parties. But I guess they saw Janie and me as part of different circles. In any case, we were both otherwise attached most of the time during those years.

Anyway, Janie and I chatted quite a lot during the party and ended up as part of a smaller group that was still around into the early evening, at which point Kim suggested that we all go across the square and play tennis.

I had just started playing tennis again, rather tentatively, following a particularly nasty back injury. Goodness only knows how useless I was after quite a few drinks at the party. But most of us had been drinking quite heavily, so I don’t suppose the quality of the tennis was very high. I do recall thinking that Janie was pretty good at tennis. It probably helped that she was the only sober person among us.

Janie had mentioned several times that she had driven to the party in her car and therefore wasn’t drinking.  After the tennis, I asked her if she could drop me at a tube station. She said that she would, but that she wasn’t prepared to go out of her way and that the only tube station she’d be passing was Hanger Lane. That was ideal for me, as Hanger Lane and Notting Hill Gate are on the same line.

Janie and I chatted some more on the fifteen minute car journey.

Janie said that she liked poetry.

When she stopped the car to drop me off, I asked Janie for her telephone number.

Janie said no.

In order to get out of the car with my dignity intact, I took from my wallet one of those sticky labels with my name, address and telephone number on it. I stuck the label on her steering wheel, saying, “in that case, you can have my address and telephone number”.

Janie thanked me and said that she would write me a poem.

I’m still waiting for the poem.

While preparing this TheadMash piece, I asked Janie if she wanted to apologise for her terse refusal that first evening and for the continued absence of my poem, some 27 years later.

“No”, said Janie, “love means never having to say you’re sorry”. Who could argue with that sentiment in the matter of love story.

In any case, Janie assures me that the poem is coming; she never set a specific date for its production. It might end up being my epitaph.

I look forward to that.

Meanwhile, if this short account has left you wondering how on earth Janie and I got it together after her initial rejection…

…well, that’s another story or two – not for ThreadMash.

But those yarns will be linked to the Ogblog version of this piece. They involve ossobuco

…and The Street of Crocodiles…

…obviously.

Postscript 1: For Those Readers Who Like Their Stories Circular/Complete

I realised after completing my first pass on this piece that Robert Evans, the producer who sent Carl Sigman back to the drawing board to write the “Where Do I Begin?” lyric, was the subject of a play Janie and I saw a couple of years ago; The Kid Stays In The Picture…

…which was put on by Simon McBurney/Theatre de Complicite, the same people who did The Street Of Crocodiles – Janie’s and my first proper date.

In Search Of Lost Time and Found Memories, A Performance Piece For The Second Theadmash, Gladstone Arms, 28 March 2019

On pondering the topic, lost and found, I soon realised that the thing I tend to lose most frequently at this stage of my life is time. And that the thing I am seeking to find with the most gusto is memories.

Those thoughts reminded me of two anecdotes.

The first one came at the end of the cricket season a few years ago.

Late season, I always try to take in a day of county cricket with my old friend, Charley “The Gent” Malloy. It helps us both to prepare for the inevitable winter withdrawal symptoms. The cricket season starts earlier and ends later each year, yet it seems to fly by faster than ever. Where do those months go?

In order to investigate this temporal phenomenon, which I shall paraphrase as ‘in search of lost time,’ I decided to add a large packet of madeleines to the picnic. I had bought that large pack earlier in the season but had not got around to using them. Those madeleines would expire before the next season. Besides, as any fool knows…

…or at least anyone with a vague knowledge of the writings of Marcel Proust…

…when in search of lost time, what you need more than anything else, is madeleines.

Madeleines de Commercy

No sooner had the umpires called “tea”, than out came the madeleines.

And no sooner had the crumbs touched my palate, than a shudder ran through me and I stopped, intent upon the extraordinary thing that was happening to me. An exquisite pleasure had invaded my senses. Whence did it come? What did it mean? How could I seize and apprehend it?

And suddenly the memory revealed itself. The taste was that of the little piece of madeleine which on Sunday mornings nanny would hand me, after dressing me in my little sailor suit, when I went to say good morning to mama in her boudoir.

“Are you getting involuntary memory from these?” I asked.

“Yup,” said Charley. “I can recall the rare occasions in that grim North-Eastern mining town, when mum would put a tiny pile of cakes on the table and the whole family would fight like wildcats in the hope that a few crumbs might touch yer palate.”

Now Charley is Essex born and bred. He does have some County Durham ancestry way back, but I’m not sure he’d ever even been to County Durham until we went together to the Durham test match in 2013.

“Hmm”, I said. “I think we might both be getting false memory rather than involuntary recovered memory from this packet of madeleines. Must be the lack of lemon zest. Still, they’re surprisingly good for packaged cakes. I’ll have another.”

“Me too”, said Charley.

So we ate three or four each and Charley took the remainder home to share with his starving wife and bairns.

Now, not all that long afterwards, I experienced a real example of finding a lost memory as a result of eating food. The foodstuff wasn’t madeleines this second time; it was caviar. Janie decided to treat us to a small pot of Ossetra caviar to help celebrate New Year’s Eve.

And this time, the recovered memory was an extremely peculiar but absolutely genuine memory…

…about Hitler.

Now there is an internet adage known as Godwin’s Law, which states (I paraphrase) that any internet discussion will eventually descend into a Hitler comparison.

Surely Threadmash should be a Hitler-free, safe space; not subject to an immersive equivalent of Godwin’s Law? Normally, yes, but not today.

From my infancy all the way through my childhood in Streatham, we had a wonderful lady doctor, Dr Edwina Green. Edwina was a GP who went way beyond the call of duty.

For example, because I was…how should I put this?…more than a little fearful of my jabs as an infant, she came round to our house to dispense the vaccinations. On one famous occasion, when I was feeling particularly averse to being stabbed, Edwina indicated to mum that my rump might make a better target in the circumstances. I worked out the coded message and tried to bolt. The end result was a chase around the room and eventually a rather undignified bot shot delivered by Edwina under the dining room table. My mum oft-reminded me of this later in my life.

Not even the trike was fast enough for me to escape Edwina’s needle

This extraordinary level of pastoral care and attentiveness went beyond zealously inoculating reluctant Harris miniatures – Edwina and her family were close friends with my immediate family, not least the ones who came “from the old country”. Uncle Manny, whose opinions were so robust and plentiful, that everyone in the family called him Pundit…and Grandma Anne – a traditional Jewish grandmother, who peppered her heavily-accented English with “bissel Yiddish”.

Grandma Anne With Dad (left) & Uncle Michael (right), c1930
Uncle Pundit (centre) with Dad (left) and Uncle Michael (right), c1950

In the early 1970s, at Christmas-time, my parents would go to Edwina’s house for a seasonal party, along with many other local folk. Naturally, my parents plied Edwina and her family with gifts…many of Edwina’s other patients and guests most certainly did the same.

A strange tradition arose, in which Edwina reciprocated our present giving by handing down a generous gift she would always receive from a wealthy Iranian patient; an enormous pot, I think a pound, of Iranian Beluga caviar.

By Mai Le [CC BY 2.0 (http://creativecommons.org/licenses/by/2.0)], via Wikimedia Commons

Edwina and family didn’t like the taste of caviar. Nor did my dad, as it happens. But mum loved it and I acquired a seasonal taste for it too.

Each year, mum and I would eat Beluga caviar on toast for breakfast for the first couple of weeks of the year.

Even back then caviar, especially Beluga caviar, was very expensive. Not equivalent to the “critically endangered, barely legal, hard to get hold of” price levels of today, but still very much a pricey, luxury item.

I remember mum warning me not to tell my friends at school that I was eating caviar on toast for breakfast, because they would surmise that I was a liar or that we were a rich family or (worst of all) both.

There was only one problem with this suburban community idyll; Don Knipe. Edwina’s husband.

Don liked his drink. Specifically Scotch whisky. More specifically, Teacher’s whisky. A bottle of Teacher’s always formed part of our family Christmas gift offering, that bottle forming but a tiny proportion of Don’s annual intake.

By ramkrsna (http://www.flickr.com/photos/ramkrsna/384365364/) [CC BY-SA 2.0 (https://creativecommons.org/licenses/by-sa/2.0)], via Wikimedia Commons

Don I recall always being described as “eccentric”, but, as the years went on, Don’s eccentricities gained focus with increasing unpleasantness. Don joined the National Front, at that time the most prominent far-right, overtly fascist party in the UK.

One year, when I was already in my teens, my parents returned early from Edwina and Don’s party. I learned that Don had acquired a large bust of Hitler, which was being proudly displayed as a centrepiece in the living room. My mother had protested to Don about the bust, asking him to remove it, but to no avail. Mum had taken matters into her own hands by rotating the bust by 180 degrees. When Don insisted on rotating Hitler’s bust back to its forward-facing position, mum and dad left the party in protest.

Mum told Don and Edwina that they remained welcome at our house but that she would not be visiting their house while Hitler remained on show.

One evening, a few weeks or months later, my parents had Edwina, Don and some other people around our house. The topic of Hitler and Nazi atrocities came up. Don started sounding off about the Holocaust not really having been as bad as people made out.

Edwina And Don At My Bar Mitzvah, Natch.

My father stood up and quietly told me to go upstairs to my bedroom. I scampered up the stairs but hovered on the landing out of view to get a sense of what was happening.

My father was a very gentle man. I only remember him being angry twice in my whole life; this was one of those occasions.

“You f***ing c***!”, I heard my dad exclaim.

I learned afterwards that my father, not a big man but a colossus beside the scrawny form of Don Knipe, had pinned Don to the wall and gone very red in the face while delivering his brace of expletives.

I heard the sound of a kerfuffle, a few more angry exchanges, ending with “get out of my house”. Then I heard Don and Edwina leave the house. Edwina was weeping, apologising and trying to explain that Don doesn’t know or mean what he says.

Dad – a supremely gentle fellow…usually

The story gets weirder. Edwina remained our family doctor, although social visits were now at an end. Don and Edwina remained extremely attentive to Uncle Manny’s branch of the family and Grandma Anne.

And the seasonal exchange of gifts remained sacrosanct.

For reasons I now find hard to fathom, I became the conduit for the seasonal gift exchange. Why my mother, who organised the errand, felt that I would be less defiled than my parents by visiting a household that displays a bust of Hitler, I have no idea.

Anyway, for several years I would go to Edwina and Don’s house to deliver our presents and collect the fishy swag. I didn’t go into the large living room which contained Hitler’s bust; I would usually be received in a smaller front drawing room.

As I got a bit older, Don would ask me to join him for a whisky and a cigarette; offers which I accepted.

I can’t recall what Don and I normally talked about; not politics. We probably just chatted vaguely about my family and the weather.

But I do recall what we talked about in 1981, my last visit in this ritual.

Uncle Manny had passed away suddenly and rather dramatically in May that year. Grandma Anne never really recovered from the shock of Uncle Manny’s demise and died in the autumn that same year.

By late December 1981 I had completed four terms at Keele; I was far more politically aware than I had been in earlier years.

Don greeted me at the front door, as usual, but this time said, “come through to the living room and have a whisky with me.”

“Not if Hitler is still in there,” I said.

“Oh don’t start all that”, blustered Don, who I think must have made a start on the whisky before I got to the house that morning. “I really want to chat to you about your late uncle and your grandma.” Don started to cry.

I relented and entered the forbidden chamber.

And there he was, in the sitting room, glaring in my direction.

Hitler.

The bust of Hitler, I mean. I said the story was genuine and strange, not deranged.

Hitler’s bust, resplendently positioned with Nazi flags and books about the Third Reich on display around it.

I accepted a generous slug of Teacher’s and a Rothmans; then I reluctantly sat down.

Don was crying. “I miss your Uncle Manny and your Grandma Anne so much”, he said, “you have no idea how fond of them I was. I love your family.”

I remember saying words to this effect, “Don, I understand that you sincerely love my family, but I cannot reconcile that love with Hitler, Nazi memorabilia, your membership of the National Front and you keeping company with those who hold such views. Those are antisemitic, out-and-out racist organisations and people. It makes no sense to me.”

“It’s not about Jewish people like your family. I love your family.”

“So what sort of people is it about?” I asked.

“Other people. You don’t understand”, said Don.

Don was right. I didn’t understand. I still don’t understand. It isn’t as if our family was so secular and Westernised. Uncle Manny and Grandma Anne were like Jewish stereotype characters from central casting.

“Godwin’s Law, Godwin’s Schmo, Don Was Always A Mensch Towards Me”

I think I was polite in making my excuses and leaving fairly quickly. The visit certainly didn’t end in any acrimony or hostility. For sure I got the caviar. But I resolved not to run that errand again and (as far as I recall) didn’t ever visit that house again.

Strange. And I found that memory simply as a result of sampling a small pot of caviar with Janie.

Now, as an experiment this evening, I thought it would be fascinating for all of us here at Threadmash to see if we can find lost memories in this way.

So, at my own cost…

…with absolutely no expense spared…

…I have bought each of you a small pot…

[TURN PAGE IN SEARCH OF THE PUNCHLINE]

…I have bought each of you a small, pot-entially Proustian…

…madeleine.

[HAND OUT WRAPPED MADELEINES FROM BAG]

Postscript – Brief Review Of the Evening, Written The Morning After

We gathered excitedly at the Gladstone Arms for this second Threadmash. Ten of us with stories to tell and just a couple of people this time observing only.

People listening intently to Rohan’s intro

As last time, Rohan was the arranger and compere for the evening. He stitched me up to go first – which explains why I was in a good position to photograph some of the group from the side during Rohan’s intro.

Eight of us were having a second go; two new people joined us in telling a story.

The stories tended to be darker and more visceral this time. Perhaps the topic, “Lost and Found” was asking for that. Two of the stories were about experiences with drugs and/or addiction. Two were about nearly losing a loved one, together with the intense emotions that arise from such events. One was about nearly losing a cherished artefact – in this case a violin; a personal story, interestingly, nevertheless, told in the third person.

Several of the pieces this time were experimental in their written style. One was in blank verse. Two were fabulist, in one case making it intriguingly hard to tell the extent to which it was based on personal experience. One story spanned over fifty years and ended with a fascinating revelation.

All of the stories and performances were very good indeed; delivered and received with great warmth.

To continue the thread for next time, Rohan brought a pile of single records, from which we each picked two at random, so we shall each have a different title next time and some element of choice from the records we picked.

Not a bad random choice to trigger story-telling

One story teller, earlier in the evening, had said that we don’t always find stories to tell; sometimes a story finds us. I was pondering this fascinating idea, after parting company with the last of my companions, as I switched to the Central Line at Bank. There, on the train, as I sat down in the almost empty carriage, on the seat opposite me, a story found me:

There simply has to be a story behind that crumpled Ann Summers bag. It won’t be my next Threadmash story, but it is a story that should be told. If you want to tell it; please do so – it might not be for me to tell that story.

It had been a wonderful evening.

As I write, the next morning, my head is full of all of those stories and the warm, friendly feeling that pervaded the evening. Strangely, I cannot find a single word to describe that feeling in English, whereas there is a suitably descriptive word for it in German: Gemütlichkeit.

Once again Rohan, many thanks for making Threadmash happen. Here’s to the next one.

The Sound Of Home Counties, Performed By “Ged Waitrose”, 4 March 2019

About eight weeks ago, when I published a couple of modern songs in a slightly Renaissance manner…

…Rohan Candappa implored me to attempt Sound Of The Suburbs by The Members in a similar style.

My problem with Sound Of the Suburbs, though, is that I never found it convincing as a new wave or punk anthem. On that track, The Members always felt like a “me too” act, performing in a style that wasn’t authentically them.

Indeed, my research uncovered a few uncomfortable facts about The Members. Firstly, they were from Camberley, which is not what I’d describe as a suburb; I’d call Camberley “home counties”.

I also discovered that the lead man in The Members took Nicky Tesco as his “nom de punk”. Not very punk in my view, next to names like Sid Vicious and Rat Scabies.

Hence my adaptation being, “The Sound Of Home Counties” – a mash up of Sound Of the Suburbs with Tell me Daphne by William Byrd.

My nom de punk is Ged Waitrose

Rohan Candappa said, “never explain”, but then I don’t listen to everything Rohan says.

Rohan also said, “Ian, you’re a Rock God”. I’m rolling with that idea; Rohan talks a lot of sense sometimes.

Here’s The Sound Of The Suburbs by The Members:

While here, believe it or not, is the version of Tell Me Daphne with the highest number of YouTube hits in the whole of the webosphere:

Perhaps Rohan is right about me being a Rock God.

Try “The Sound Of Home Counties” again…go on!