Tag: Anders Jormin

A Quantum Of Lunchtime Solace With Trio Mediæval At the Wigmore Hall, 4 July 2022

Picture by Tore Sætre, CC BY-SA 4.0

Blooming heck this was a great lunchtime concert. It is well described on the Wigmore Hall site – click here.

The above picture is somewhat deceptive, as only two members of the Trio are permanent members, the singer in the centre of the picture, wonderful though she might be, is Torunn Østrem Ossum, not Jorunn Lovise Husan.

We have seen the former perform with the Trio – click here for my article on that concert.

The latter is, it seems, a singer who lunches, in that she was also the third singer when we last saw Trio Mediæval do a lunchtime concert at Wigmore Hall, some four years ago:

Trio Mediaeval, Wigmore Hall Lunchtime Concert, 17 September 2018

They are supremely talented singers who fill that hall with a wonderful sound and a charming vibe. They sing with smiles on their faces. They make supremely difficult singing look almost effortless. It really was a joy to see them again.

This concert was based on their latest album, Solacium, which is centred around traditional Norwegian and Estonian-Swedish lullabies and hymns. It includes some modern works by Anders Jormin, Andrew Smith and Marianne Reidarsdatter Eriksen, all of which felt very much in keeping with the early music nature of the programme.

It was a BBC Radio 3 lunchtime concert, so if you are reading this article reasonably fresh (i.e. during July 2022) you can hear the whole concert on BBC Sounds – click here.

Beyond that date, I believe you can watch (and hear) the concert from the Wigmore Hall live library. I’m not sure if you need to be a registrant, a member or if it is just available to all-comers. (We are members). Here is the link to the Wigmore Hall vid, where you can spot the back of my head (and Janie’s) in the front row without too much difficulty.

It’s just a shame there were not more people in the hall to enjoy this wonderful music live.

Aquilonis, Trio Mediæval, Wigmore Hall Lates, 24 July 2015

Trio Mediæval are the Norwegian early music answer to Bananarama. Need I say more?

We’d seen them at the Wigmore Hall before, bought one of their albums and everything.

Now they were back for one of those midsummer Wigmore Lates, to perform Aquilonis: a musical journey from Iceland to the Mediterranean via the coasts of Scandinavia and England.

Click here for the Wigmore Hall Stub for the concert.

They were also to be followed in the bar by live music (unspecified on the site). I have a funny feeling none emerged that evening, although there might have been a combo who played without handing out any notes.

We arranged to go and see the Sonia Delaunay at the Tate Modern earlier – click here for that piece – then eat at the Tate Modern, then leg it back across town.

What could possibly go wrong?

Nothing. That’s the simple answer. The logistics and timings worked perfectly.

The Trio Mediæval concert was delightful. Not as jaw-droppingly wonderful as the “Words of the Angel” concert we saw some years ago; that album – click here – we still listen to a lot. But still delightful.

 

O/MODƏRNT: Monteverdi to Tango & Monteverdi in Historical Counterpoint, Wigmore Hall, 3 July 2015

Two related concerts in one evening, both of which looked right up our street:

On the first stub, as indeed it read in the Wigmore Hall brochure, it says:

The Wigmore Hall Restaurant will serve dinner after the concert. Please contact the Box Office on 020 7935 2141 to make your table reservations.

This absolutely clinched it for us. The food at The Wig is pretty good these days and we know that they can deal with the sort of meal they can serve between concerts.

But what a palaver we had booking the meal.

“We’re not sure that we’ll be open still at that hour on that evening…”

“…but it says in the brochure that you will be open…”

“…ah, well if it says it in the brochure then we will be open…

“…great, we’d like to book please…”

“…I can’t take bookings yet, because I can’t be sure we’re going to be open…”

It all came right on the night (indeed before the night) of course.

The whole thing was part of a festival project named O/MODƏRNT, which is explained on its website – click here.

The first concert, mostly blending Monteverdi and Piazolla, was an exceptional classical ensemble concert with several ensembles and soloists involved.

Then the relatively simple meal that Wigmore Hall can serve in these circumstances, all done with speed, efficiency and smiles in the end. We know many of the staff there; indeed any who stick around for a while.

The second concert was jazz with the Svante Henryson Quartet. We weren’t quite sure what Monteverdi had to do with it; perhaps some links in the musical themes being extrapolated. Still, it was very good jazz, although Janie, as usual in such circumstances, felt that it fell short of Tord Gustavsen, which is a tough, indeed perhaps unreasonable benchmark to set. But Janie has set that benchmark for all visiting jazz ensembles since Tord graced the Wigmore Hall with his presence some years ago – an event which I shall Ogblog in the fullness of time.

In short, our O/MODƏRNT evening was a great success and well worth the effort.