Tag: Andrew Carwood

Christ On This Cross: A Meditation On The Crucifixion, The Cardinall’s Musick, Wigmore Hall, 11 April 2022

This was our first concert experience of live music since before the start of the Covid pandemic.

There’s nothing like a bit of “Lamentations of Jeremiah” and “Stabat Mater” to cheer us up in a time of pandemic and war.

Actually Janie and I are big fans of The Cardinall’s Musick. Also, we thought that one hour concerts would be a good way of getting back on the bike in terms of concert going – this is the first of a few we are going to see this spring season.

Here is a link to the programme we saw, which was a delicious mixture of Renaissance music suitable for the start of Holy Week.

Mostly familiar stuff, such as Byrd, Victoria, Tallis and Palestrina, plus some rarer material such as the Lamentations of Jeremiah by Gerónimo Gonzales – a composer so obscure that even Andrew Carwood couldn’t find him in the Grove or on Wikipedia.

But that just means that Andrew didn’t look hard enough – there are about 100 listings for Gerónimo Gonzales on Facebook. Our 17th century composer geezer is bound to be one of those – no?

The concert was broadcast on Radio 3 as a lunchtime concert and also was streamed, so you can watch it all on Vimeo if you wish – embedded below.

https://vimeo.com/696602289

You can even, if you look very closely indeed, grab a glimpse of Ged & Daisy at the very front on the right hand side – my bald patch glistening next to Daisy’s mop of reddish hair.

We enjoyed a snack lunch at Euphorium in St Christopher’s Place, then went back to the flat for a while before venturing into Piccadilly/St James’s to Boodle’s.

Last year I gave an on-line talk for that club, under the auspices of Oliver Wise…

Playing The Odds: A Real Tennis History, Yours Truly In Conversation With Oliver Wise, Boodle’s On-Line Event, 21 April 2021

…who told me at that time that he would like to host us for dinner at Boodle’s. As with so many things in this time of Covid, it took quite a while to find a suitable and allowable date.

It was worth the wait – we had a delightful evening with Oliver, Sarah, Julian Dent (another fellow realist and distant cousin to Oliver) and Julian’s wife Kelly. Great grub too.

A fine end to a really lovely day off, with live concert music again, at last!

The Company Of Heaven, The Cardinall’s Musick, Wigmore Hall, 30 January 2019

A rare Wednesday evening at The Wig with Daisy – she rarely ventures into town Wednesdays, but this concert seemed too interesting to miss.

Here is a link to the Wigmore Hall stub for this concert.

It was being recorded for broadcast 31 January and will be available on-line – click here – shortly after broadcast for some while.

Highly recommended – we always enjoy Cardinall’s Musick concerts. We love their sound and we like the way that Andrew Carwood talks to the audience with a likeable mix of deep scholarship and folksy delivery.

Lots of unfamiliar pieces and even unfamiliar composers in there.

Here is a little vid of this group rehearsing and talking Byrd a few years ago:

https://youtu.be/8bMiYnzkZx4

I’m starting to get a bit fussy in my old age – perhaps because I am learning more about early music.

For example, it seemed to me that the Gregorian Chants interspersed in the Guerrero in the first half, were delivered (at least by the bass and tenor voices) in a staccato style when changing note within a word, quite contrary to the “smoothing” technique Ian Pittaway suggested to me. Patrick Craig, the countertenor, sang with that smoothing technique and it sounded cleaner to my ears. Janie thought the staccato was deliberate and fine.

I also found myself comedically irritated by a spelling mistake in the words for the Agnus Dei in the programme lyrics for that Guerrero mass…spelling that phrase Angus Dei at one point. It made me wonder whether there is a beef of God as well as a lamb of God.

But these are tiny points. The concert was a feast for the ears and just the calming experience I needed after a long day.

I particularly enjoyed the second half of the concert, with shorter pieces by Peter Philips, Philippe Verdelot, Adrian Willaert, Francisco Guerrero, Luca Marenzio, Daniel Torquet (“who he?” I hear you cry – Andrew Carwood is struggling to trace him too) and William Byrd taking the first 40-45 minutes of that second half.

There was a Christmassy encore by Hieronymus Praetorius – we were horrified to learn that, liturgically/technically speaking, we only reach the end of Christmas this weekend.

Still, we loved the concert and thoroughly recommend the broadcast to lovers of this type of music.

Out of the Deep, The Cardinall’s Musick, Wigmore Hall, 18 July 2017

The Boy (Morales) From Seville

Janie and I really like this sort of 16th century music and here was a rare chance to listen to Cristóbal de Morales’s requiem, along with a swathe of English stuff from a similar period.

Morales was from Seville although his sound is heavily influenced by his years in Rome too.

Here is a link to the Wigmore Hall’s information on the gig.

Jolly it wasn’t, but then what do you expect when you choose to hear requiem masses, Jeremiah’s lamentations and that sort of thing?

But very beautiful it was.

I especially enjoyed the Morales, which was the main reason I booked the concert. We hear quite a lot of the 16th century English stuff, whereas the Morales felt like a rare treat.

This type of music (mostly 10 voices in five parts) works so well in the Wigmore Hall and The Cardinall’s Musick are really superb at delivering this stuff. Andrew Carwood always explains the context in detail, but not painful detail.

The audience lapped it all up and managed to coax the team back onto the pitch for an encore – I think it was the first two verses from Tallis’s Psalm 1 setting.

It was a Tuesday evening and Janie had early patients etc. the next day, so we didn’t dine together – I think Janie got home just before the heavens opened. Good job I was in the flat when the rains came – it was torrential and I had left windows open. There’d have been Jeremiah-style lamentations from me if my computer and/or baroq-ulele had got wet.

Byrd: The Popish Organist, The Cardinall’s Musick, Wigmore Hall, 7 October 2011

Oy! Are You Looking At My Byrd?…

…was not the title of this concert by The Cardinall’s Musick…

…although Andrew Carwood does always give his concerts a title. Perhaps he’ll use my suggestion some time soon.

Still, this exceptional group of singers tends to fill the Wigmore Hall whenever it appears, for good reason.

Here is a link to the on-line programme of music for the evening.

We’d seen them perform before and had even previously seen one of their concerts at which Andrew Carwood explained the sectarian political backdrop to the music in those Tudor times…

…it must have been like the politics of Brexit but with capital punishment in place of the earhole bashing.

No wonder these Tudor composers took solus in lamentations and such Jeremiad material.

As usual with such concerts, it was fascinating to hear the contrast between the lesser and the better known composers; Tallis and especially Byrd being the better known and better represented composers on the night. The better known fellows deserve their status in my view; certainly for this type of music.

Here (click through for more details) and below is a vid taster of The Cardinalls Musick singing Tallis Lamentations and other such sacred works:

A wonderfully relaxing concert at the end of a busy week at work.

Il Siglo D’Oro, The Cardinall’s Musick, Wigmore Hall, 12 July 2010

Wigmore Hall on-line rubric doesn’t go back quite this far, but I have lifted the following text, which is also in the programme, from www.concert-diary.com – click here:

Il siglo d’oro – the Golden Age – was the name that Spaniards gave to their great flowering of music in the 16th century. Spain brought forth some of the finest writers of the age and the Virgin Mary was a popular subject with all of them. Francisco Guerrero was known as el cantor de Maria. Much of his highly characterful music was dedicated to the Virgin, from well-crafted four-part pieces to the more splendid double-choir numbers.

This fascinating exploration of music from 16th-century Spain sets Guerrero alongside his contemporaries and colleagues Morales, Esquivel, Vivanco, Alonso Lobo and the brightest star of all, Tomas Luis da Victoria.

The idea of this concert sounded great to me but not so great to Janie (or at least not for a Monday night in those days), so I made a rare trip to the Wig on my own that Monday night.

I was glad I did. This was a lovely concert.

Here is the programme:

The Cardinall’s Musick have preserved a review of the concert – click here.

 

Keeping Up Appearances: William Byrd: The Man, His Music and His Faith, The Cardinall’s Musick, Wigmore Hall, 4 April 2008

There is a good preview of this concert in The Cardinall’s Musick’s newsletter of February 2008 – click here. Apparently this concert was their first appearance at The Wig for quite a while. If I recall correctly, we had seen them before at St John’s Smith Square.

They really are a superb early music outfit. Andrew Carwood tries hard to explain the context of the work – perhaps he over-explains at times for our taste, but the music always sounds divine and the scholarship that underpins their work is evident for all to hear.

This type of concert is always a wonderful way to end the working week and I’m sure this occasion was  no exception.

This is exactly what we heard – lovely.

keeping-up-appearances-yet-smaller

We bought three CDs of The Cardinall’s Musick delivering their wonderful stuff. While I’m not 100% sure that we bought them on this occasion, I have a strong hunch that I did:

Very beautiful recordings, I still (writing in 2016) listen to this music quite a lot.