Tag: Anne McNulty

Kiss Of the Spider Woman by Manuel Puig, Donmar Warehouse, 20 April 2007

A very powerful play this – a two hander set in a Latin American jail – one prisoner is a political prisoner, the other is in jail for homosexuality.

Very well acted by Will Kean and Rupert Evans in a high-quality Donmar production.

The critics suggested a lack of intimacy and power to this production, but it did the business for us as I recall it.

Click here for a link to reviews and other resources for this production. 

One of those resources is an excellent Donmar “Behind The Scenes/Study Guide” – which I have also scraped to here so you can for sure see it even if the Donmar moves it or closes down!

A rare (perhaps unique) visit to the Donmar Warehouse on a Friday, perhaps because we had arranged to see John and Mandy on the Saturday. I don’t think we quite rated this play as powerful as Death And the Maiden, which we had seen with John and Mandy years earlier…

An Evening With Janie, John & Mandy; Death And The Maiden by Ariel Dorfman, Royal Court Theatre at the Duke of York’s Theatre, 17 October 1992

…but it had echoes of that play with the South American style and the human rights abuses.

Conversations After A Burial by Yasmina Reza, Almeida Theatre, 16 September 2000

I should describe this as “the weekend of the playwright Rezas”, shouldn’t I, having seen Reza de Wet’s play Crossings on the Friday…

Crossing by Reza de Wet, Riverside Studio 3, 15 September 2000

…we ventured to the Almeida for Yazmina Reza’s much anticipated follow up to Art…except it turned out to be an earlier play, not a subsequent one.

I wrote nothing in the log about this one, and sense that we weren’t overly impressed, but nor were we especially disappointed. I remember little about it other than it being a very high-end Almeida cast and production.

Paul Higgins, Amanda Root, Clare Holman, Claire Bloom, Matthew Marsh & David Calder were the cast. Howard Davies directed it. Here is a link to the Theatricalia entry.

Let’s see what the pundits had to say.

Susannah Clapp was not impressed, other than with Claire Bloom:

Burial Clapp Observer Burial Clapp Observer 17 Sept 2000 The Observer (London, Greater London, England) Newspapers.com

On the other hand, John Gross in the Sunday Telegraph really liked it:

Burial Zinc Gross Sunday Telegraph Burial Zinc Gross Sunday Telegraph 17 Sept 2000 Sunday Telegraph (London, Greater London, England) Newspapers.com

Nicholas de Jongh also talks up Claire Bloom while damning the production with faint praise:

Burial de Jongh Standard Burial de Jongh Standard 13 Sept 2000 Evening Standard (London, Greater London, England) Newspapers.com

Casting vote to our friend Michael Billington, who liked its Chekhovian quality:

Burial Billington Guardian Burial Billington Guardian 13 Sept 2000 The Guardian (London, Greater London, England) Newspapers.com

Orpheus Descending by Tennessee Williams, Donmar Warehouse, 17 June 2000

Really good.

That’s what I wrote in my log. And I meant it.

I had previously seen Peter Hall’s excellent 1988 production of Orpheus Descending, with Vanessa Redgrave, Jean-Marc Barr and other fine acting folk:

Orpheus Descending by Tennessee Williams, Theatre Royal Haymarket, With Jilly, Followed By Annalisa’s Party, 10 December 1988

Janie is especially partial to a bit of Tennessee Williams. Although I suspected that I would not be seeing a better production that the one I saw in 1988. the lure of Helen Mirren and Saskia Reeves was enough for me. Also involved, a young Stuart Townsend in the male lead, a yet-to-fall-foul-of-my-displeasure Nick Hytner directing, ably assisted by a young Josie Rourke.

Our friend, Michael Billington, was quite impressed:

Orpheus Billington Guardian

Article from 28 Jun 2000 The Guardian (London, Greater London, England)

Paul Taylor described Hytner’s production as “powerful, if over-emphatic”:

Orpheus Taylor Independent

Article from 28 Jun 2000 The Independent (London, Greater London, England)

Kate Bassett wrote well of it in the Telegraph:

Orpheus Bassett Telegraph

Article from 29 Jun 2000 The Daily Telegraph (London, Greater London, England)

Nicholas de Jongh described Hytner’s production as “staid”, but still rated the experience “very good”:

Orpheus de Jongh Standard

Article from 28 Jun 2000 Evening Standard (London, Greater London, England)

I wrote “really good”, not “very good”. I wonder whether the LLMs detect a difference between those two ratings?

Passion Play by Peter Nichols, Donmar Warehouse, 13 May 2000

I was partial to a bit of Peter Nichols.

This cast and crew looked too good to miss as well. Gillian Barge, Cherie Lunghi, James Laurenson, Nicky Henson, Nicola Walker & Cheryl Campbell, directed by Michael Grandage. Here’s the Theatricalia entry for it.

In those days, the Donmar was one of our favourites – it didn’t feel quite so corporate/touristic back then. We were able to get decent seats for a Saturday night through a sensible type of membership scheme.

I remember this as a fine production but I also remember us finding it a little underwhelming.

John Gross in The Sunday Telegraph liked it, while finding it a lesser play than Pinter’s Betrayal or Stoppard’s The Real Thing:

Passion Gross TelegraphPassion Gross Telegraph 23 Apr 2000, Sun Sunday Telegraph (London, Greater London, England) Newspapers.com

I sense that the Donmar showings in April/May were actually all deemed to be a preview run ahead of a lengthy West End run with this cast throughout the summer – an experiment that clearly worked and which was part of the Donmar’s journey towards a more commercial/corporate style. Hence few reviews but several preview pieces in the press.

Nick Curtis’s Standard interview with Nichols is interesting:

Nichols Curtis StandardNichols Curtis Standard 17 Apr 2000, Mon Evening Standard (London, Greater London, England) Newspapers.com

Good by CP Taylor, Donmar Warehouse, Followed By Dinner At Zafferano, 20 March 1999

By gosh, we seemed to be specialising in previews of Nazi stuff that month, having been to see Speer at the Almeida a couple of weeks earlier:

Speer by Esther Vilar, Almeida Theatre, 6 March 1999

My log comment for Good was less complimentary than that for Speer:

Didn’t quite do the business for us.

Great cast, with Charles Dance, Emelia Fox, Ian Gelder, John Ramm and several other stalwarts under the direction of Michael Grandage.

It might not have done the business for us, but it sure did for Nicholas de Jongh in The Standard:

Good Standard de JonghGood Standard de Jongh 24 Mar 1999, Wed Evening Standard (London, Greater London, England) Newspapers.com

Charles Spencer in The Telegraph shared our sentiments:

Good Spencer TelegraphGood Spencer Telegraph 25 Mar 1999, Thu The Daily Telegraph (London, Greater London, England) Newspapers.com

Anthony Holden in teh Observer also seemed equivocal in his praise:

Goood Holden ObserverGoood Holden Observer 28 Mar 1999, Sun The Observer (London, Greater London, England) Newspapers.com

We ate at Zafferano after Good. Zaffs was very good indeed.

Electra by Sophocles, Adapted By Frank McGuinness, Richmond Theatre, 9 October 1997

Blooming heck we were culture-vulturing that autumn. This was our third theatre visit in a week – on a Thursday evening, ahead of going to a food and wine fair the next day.

Worth it though. As I put it in my log:

Electric – excellent production. Worth moving ass on a Thursday for.

Fine cast and crew – captured on Theatricalia here.

Nick Curtis wrote very highly of it in the Standard, reviewing it at Chichester. (We saw it at Richmond, on its way from the West Country to the Donmar.)

Electra Curtis StandardElectra Curtis Standard 23 Sep 1997, Tue Evening Standard (London, Greater London, England) Newspapers.com

Whereas Paul Taylor, while rating it, compared it less favourably with the Shaw/Warner version a decade or more earlier:

Electra Taylor IndyElectra Taylor Indy 24 Sep 1997, Wed The Independent (London, Greater London, England) Newspapers.com