This Wigmore Hall lunchtime concert was a bit unusual.
Camerata RCO is the scaled-down chamber orchestra bit of the Royal Concertgebouw Orchestra. They are making a bit of a reputation for themselves playing scaled-down versions of enormous symphonies, such as this sixth one by Anton Bruckner.
A memorable evening at the Proms, just a few days after our previous memorable visit. A rare midweek booking for us, but the promise of Evgeny Kissin, Zubin Mehta and the Bavarian State Orchestra was too tempting to miss.
Again we had The Duchess (Janie’s mum) with us.
The programme was two big pieces:
Frédéric Chopin – Piano Concerto No. 1 in E minor
Anton Bruckner – Symphony No. 8 in C minor (1890 version, ed. Nowak)
I hadn’t seen Evgeny Kissin before but had heard about him. Janie thought he was excessively flamboyant – a complaint she has about many star pianists.
Anyway, here is a video of Mehta conducting Kissin performing an extract from this piece some years later – this time with the Israel Philharmonic rather than the Bavarian State Orchestra:
The Duchess thought Kissin’s cadenzas were absolutely wonderful but she thought him “rude” or “self-centred” doing encores ahead of the interval on a night with such a long programme. Takes one to know one.
The encores were Chopin’s Polonaise in A flat major and Scherzo in B flat minor, seeing as you asked…
…OK, you didn’t ask. But my mum loved that Polonaise and she would have got all excited about the young Evgeny Kissin had she been there and heard him play it a bit like this:
In truth, we did hear some people saying that they would have to leave before the second half, because they otherwise wouldn’t be able to get home, which was a real shame for those people.
While stretching our legs during the interval, we ran into my cousins, Angela and John Kessler, who were very keen on Kissin and also eagerly looking forward to seeing Zubin Mehta and the Bavarians wrestle with Anton Bruckner for 80 minutes or so after the interval.
The Duchess seemed most displeased that we had run into some people that we knew, preventing her from being the centre of attention for five minutes or so.
The Bruckner was certainly worth the wait. I had seen this symphony performed several times before but sense that this evening was the best performance I have seen.
Here is an extract of Mehta conducting the Bruckner Symphony, but on this occasion with the Berlin Philharmonic rather than the Bavarian State Orchestra.
Returning to our memorable evening, here is Erica Jeal’s review of that evening from The Guardian. Good to see Kissin and Mehta getting three stars while Whitney Houston only got two.
While Michael Kennedy in the Sunday Telegraph seemed less sure about Zubin Mehta than we were, comparing him, perhaps unfavourably, with Bernard Haitink and Günter Wand. I’m a lucky fellow, as I have seen all three of them conduct Bruckner 8.
Knowing that the concert would finish late and that we both had an early start the next day, I sense that we did not go out to dinner after this one. Janie had probably prepared some cold compilations for us to munch, with a glass of wine, when we got home.
Janie also very sensibly had arranged for Jill Wooton to come and give us both a massage at home on the Friday evening. Two nights out with The Duchess in five days, with plenty of work in between, we sure both would have needed the massages and sure both had earned them.
Diary says that we went to Andrea’s BBQ party on the Saturday evening (a rather good one at her house in Shepherd’s Bush, if I remember correctly) and then to Mum & Dad’s for tea on the Sunday. We didn’t hang about back then.
Another Sunday evening, another trip to the Barbican to see a cracking concert.
Janie thinks that one of her generous Lebanese clients gave us the tickets to this concert and the one the week before, because she had been called away at short notice. Sounds plausible and also most fortuitous, as I might well have chosen both concerts myself.
Schubert’s Symphony No 8 in B Minor, “Unfinished” followed by Bruckner’s Symphony No 7 in E Major.
Another trip to the Proms with The Duchess (Janie’s mum) to see the European Community Youth Orchestra. The Duchess had a bit of a thing about youth orchestras.
This concert, under the baton of Bernard Haitink, was surely interesting if for no other reason than that. A great opportunity to see the great man.
We heard:
Ludwig van Beethoven – Piano Concerto No. 4 in G major
Anton Bruckner – Symphony No 7 in E major
Emanual Ax tinkled the ivories in the first piece of the night.
I don’t think this was the best rendition of Bruckner 7 I have ever seen…nor even the best rendition by Haitink, as we returned three years later to see the great man perform the same piece again, with the Berlin Philharmonic that time…but I think the following panning by Rick Jones in the Standard is a bit unfair.
Anton Bruckner – Symphony No. 8 in C minor (1890 version, ed. Nowak)
My log note describes “Brucknergate” as follws:
It was meant to be a different programme, but Gunter changed it.
Well, I suppose Günter was a Bruckner specialist and I quite often booked to see him conduct Bruckner’s works anyway.
Mercifully, The Duchess (Janie’s mum, Pauline) seemed to accept the change with grace at that time. She possibly felt that the change meant that she had dodged a bullet in the matter of procuring interval drinks, as there was no interval given that it was a one piece concert. Pauline’s idea of a fair deal was for me or Janie to buy the tickets, the other of me or Janie to buy the dinner and she would buy the interval drinks…
…unless we were at The Questors Theatre, where she was a member, in which case she would do the theatre tickets, while Janie and I would procure the drinks and meal. (The Duchess received a few free guest tickets each year as part of her membership package, we later discovered.)
But I digress.
Strangely, I have found a recording of this very concert on YouTube, which I can share with you right here:
According to the accompanying verbiage, this concert turned out to be Günter Wand’s last stand…in the matter of conducting BBC Proms.
Rick Jones waxed lyrical about this concert in his trio of Standard Proms reviews:
Martin Kettle in The Guardian compared this Wand performance of Bruckner 8 with previous ones a little unfavourably while still praising the performance. A case of “the Kettle calling the Wand slack” or something like that:
In the end, I suppose I should be glad to have been there for this one. I had been following Günter Wand around the Proms for best part of a decade by then.
Bobbie and I went to a couple of Friday evening concerts at The Royal Festival Hall as part of the BBC Symphony Orchestra’s 60th Anniversary festival.
We were supposed to see the great Günter Wand performing a couple of Beethoven Symphonies, but Günter pulled out at the last minute so Andrew Davis decided to shake a stick at one of Günter’s signature pieces:
Anton Bruckner – Symphony No 8 in C Minor.
Hence, a one piece concert, this.
I did subsequently get to hear and see Günter perform this piece with the BBC Symphony Orchestra at what turned out to be his last BBC Prom hurrah – another occasion when we turned up to hear one set of pieces and got Bruckner 8 instead.
It’s just as well that I like Bruckner 8. I guess I have become mighty familiar with it over the years, collecting four Bruckner 8’s in 10 years between 1989 and 1999.
Malcolm Hayes in The Telegraph was unsure about this brave (but in his view, flawed) 1991 attempt:
Annalisa was due to join me at this concert, but had to pull out at the last minute for some reason. The reason is not captured in my log. It was a Sunday, so I expect it was a health reason rather than a work reason.
Anyway, I hobbled to the Albert Hall alone for this Prom. I think it was the first time I had been to the Proms alone and possibly was the only time I have done so to date (the date of writing this being late 2024).
I say hobbled, because the cursory “traction” approach to my multiple prolapse was obviously not working and I was still in a great deal of pain with my back after my injury in June that year. Indeed, I associate my evening alone at the Proms with Anton & Günter as the point at which I resolved that I would have to try something else, but that I was determined to try something other than major surgery before possibly submitting to that as a last resort.
This was a one piece concert:
Anton Bruckner – Symphony No 5 in B Flat Major, performed by the maestro Günter Wand conducting the BBC Symphony Orchestra.
I suspect that Bruckner 5 is a good number for contemplative thought – it is certainly long enough. I do remember finding this performance especially moving and being really taken with it.
It was filmed and the film has been released on DVD – here is an extract:
If you look very carefully you might spot me sitting in the stalls on my tod.
