Tag: Astor Piazzolla

Miloš & The Piatti Quartet At The Wigmore Hall, 13 July 2025

Miloš: Foreign, Commonwealth & Development Office, CC BY 2.0

Janie and I were really taken with Miloš Karadaglić when we first saw him, at The Wig, more than 10 years ago:

Miloš Karadaglić, Wigmore Hall, 22 February 2015

I bought some CDs (remember them?) on the back of that concert and we attempted to see him again a year or two later, but he had to cancel that concert due to injury and disappeared off our radar for a while.

I had noticed his name on schedules relatively recently, but this was the first time that the timings worked for us…more or less.

I say “more or less”, because I knew that we would most likely be at Lord’s that day for the fourth day of the test match…

Four Out Of Five Days At The England v India Lord’s Test, 10 to 14 June 2025

…and a day at the test followed by a concert at The Wig was sure to be a rigorous test for Pinky, my brand-new hip.

Still, Lord’s and the Wigmore Hall are the only places left on the planet where some stewards and fellow patrons still occasionally refer to me as “young man”, so it had to be worth a go.

Pinky and I passed the test with flying colours, as did Miloš Karadaglić. But things have also changed for Miloš since we last saw him. For a start, he has become mononymous; “Miloš” is his entire billing name now. Miloš now plays with some strapping on one of his hands and plays accompanied rather than solo, perhaps to help manage his workload.

When I booked the concert the plan was for him to be accompanied by an accordion player, but the concert was changed substantially between booking and concert. Instead we saw him with the Piatti Quartet, which, frankly, was more to our taste than I imagine the accordion would have been.

Here is a link to the Wigmore Hall resources for the concert.

The concert was lovely. Miloš still plays delightfully and with great elegance. You could sense that he had built a great rapport with the quartet for this concert/mini-tour. The Piatti Quartet also played beautifully.

Miloš explained that, in a musical world that is increasingly about playlists that keep individual items short, while mixing and matching styles, this concert was designed like such a playlist. Hence the four movements of the Castelnuovo-Tedesco Guitar Quintet unusually peppered throughout the concert.

In the first half we heard:

  • Mario Castelnuovo-Tedesco – Guitar Quintet Op. 143: I. Allegro, vivo e schietto
  • Benedetto Marcello – Oboe Concerto in D minor: II. Adagio
  • Luigi Boccherini – Guitar Quintet in D G448 ‘Fandango’
  • Mario Castelnuovo-Tedesco – Guitar Quintet Op. 143: II. Andante mesto
  • Malcolm Arnold – Serenade for guitar and strings Op. 50
  • Anon – Spanish Romance
  • Ástor Piazzolla – Libertango

This video clip of him playing the Spanish Romance will give you a sense of his playing:

During the interval, Janie struck up a conversation with the American lady who was sitting, alone, to Janie’s right. The lady told us that she had become a bit of a groupie for Miloš, having seen him several times at various locations in the recent past. She seemed surprised (and perhaps a little envious) that we had seen him as long ago as 2015. She then admitted that she had somewhat of a crush on Miloš and blushed. I asked politely what Miloš has that I haven’t got? I thought I heard a rather complimentary response from the blushing lady, although Janie claims to have heard the response differently. “Young man” was not part of the answer in either of our rememberings.

In the second half we heard:

  • Philip Glass – String Quartet No. 2 ‘Company’
  • Mario Castelnuovo-Tedesco – Guitar Quintet Op. 143: III. Scherzo. Allegro con spirito, alla marcia
  • Pablo Casals – Song of the Birds (arranged by Piatti Quartet)
  • Mario Castelnuovo-Tedesco – Guitar Quintet Op. 143: IV. Finale. Allegro con fuoco
  • Harold Arlen – The Wizard of Oz: Over the Rainbow (arranged by Tōru Takemitsu)
  • The Beatles – Eleanor Rigby
  • The Beatles – Fool on the Hill
  • The Beatles -Here Comes the Sun
  • Encore: Antonio Luca Vivaldi – Concerto in D major for flute, oboe, violin and bassoon RV90: II. Largo

Here is a link to the Programme text.

Anthony Marwood, James Crabb & Graham Mitchell, followed by Patricia Hammond and The Versatility Serenaders, Wigmore Hall, 10 July 2015

After the chaos of the Alexander McQueen at the V&A – click here, the Wigmore Hall felt like a sanctuary.

We had arranged a cold plate supper in advance, which worked fine, then enjoyed this excellent late night concert of violin, accordion and double bass music.

Click here for Wigmore Hall stub that explains it all.

The  main concert was excellent – we particularly liked the Piazzolla but it all worked well, even the Bach. Very relaxing and enjoyable.

I liked the Patricia Hammond & The Versatility Serenaders more than Janie; she finds early and pre-jazz not quite to her taste. Still, we stuck around for a while before heading home.

O/MODƏRNT: Monteverdi to Tango & Monteverdi in Historical Counterpoint, Wigmore Hall, 3 July 2015

Two related concerts in one evening, both of which looked right up our street:

On the first stub, as indeed it read in the Wigmore Hall brochure, it says:

The Wigmore Hall Restaurant will serve dinner after the concert. Please contact the Box Office on 020 7935 2141 to make your table reservations.

This absolutely clinched it for us. The food at The Wig is pretty good these days and we know that they can deal with the sort of meal they can serve between concerts.

But what a palaver we had booking the meal.

“We’re not sure that we’ll be open still at that hour on that evening…”

“…but it says in the brochure that you will be open…”

“…ah, well if it says it in the brochure then we will be open…

“…great, we’d like to book please…”

“…I can’t take bookings yet, because I can’t be sure we’re going to be open…”

It all came right on the night (indeed before the night) of course.

The whole thing was part of a festival project named O/MODƏRNT, which is explained on its website – click here.

The first concert, mostly blending Monteverdi and Piazolla, was an exceptional classical ensemble concert with several ensembles and soloists involved.

Then the relatively simple meal that Wigmore Hall can serve in these circumstances, all done with speed, efficiency and smiles in the end. We know many of the staff there; indeed any who stick around for a while.

The second concert was jazz with the Svante Henryson Quartet. We weren’t quite sure what Monteverdi had to do with it; perhaps some links in the musical themes being extrapolated. Still, it was very good jazz, although Janie, as usual in such circumstances, felt that it fell short of Tord Gustavsen, which is a tough, indeed perhaps unreasonable benchmark to set. But Janie has set that benchmark for all visiting jazz ensembles since Tord graced the Wigmore Hall with his presence some years ago – an event which I shall Ogblog in the fullness of time.

In short, our O/MODƏRNT evening was a great success and well worth the effort.

 

Emmanuel Pahud, Christian Rivet, Wigmore Hall, 22 December 2013

Something a little different just before Christmas that year. A real mixture of musical styles, played on flute and guitar.

Click here for a link to the Wigmore Hall page for this concert.

It wasn’t quite the programme we had subscribed for – the programme was changed between booking and the night – but I cannot for the life of me remember what they were originally proposing to do – some slightly different mixture of wonders I suspect.

Below is the only video footage I could find of the two of them playing together – a delightful little Bach piece – it wasn’t on the programme our night:

Below is Pahud playing a favourite Telemann concerto of mine – so why not embed it here?

Below is a sound YouTube of the two of them playing one of the charming  Bartok Romanian Folk Dances which was on the programme we heard:

I’m not usually wild about Bartok, but this flute and guitar combo makes the Romanian dances sound lovely.

Evelyn Glennie & Philip Smith, Wigmore Hall, 22 June 2012

Twenty years after my first sighting (and sounding) of Evelyn Glennie – click here or below…

Music At Oxford At The Old Royal Naval College, 9 June 1992

…Janie and I booked a fascinating-looking evening at The Wigmore Hall.

Here is a link to the details of this Evelyn Glennie concert – click here.

In truth, not all of the music pleased us, but most of it did and it was fascinating to watch Evelyn Glennie play so many different percussive instruments at such close quarters.

Here is a little vid of her playing the Vivaldi Concerto she played us that night – albeit from a different occasion and with a bit more of an ensemble in the vid:

We also booked the late night concert the same night – I seem to recall we arranged for a rather tasty platter of cold compilations at The Wig between the gigs. Yum.

The late night concert, which was served up in the restaurant, was less to our taste – click here or below – but never mind:

Time At The Bar, Ignite, Wigmore Hall Bar/Restaurant, 22 June 2012

Manuel Barrueco, Wigmore Hall, 24 October 2010

This was an excellent Spanish guitar concert at the Wig, performed by the Cuban guitarist Manuel Barrueco.

The link below is a preview on Hispanic London, which includes the programme:

A celebration of Spanish guitar with Manuel Barrueco

(Preview scraped to here if the above link no longer works).

This concert was just the sort of thing we needed at the time – I think we had spent most of that weekend in Oxfordshire with Tony and Phillie.

One or two of the pieces were quite challenging but mostly it was relaxing classical guitar music of the highest order.

Here’s a short vid of the fella:

 

Scottish Ensemble, Wigmore Hall Coffee Concert, 17 October 2010

We fancied this concert, which melded Vivaldi’s Four Seasons with Piazolla’s Four Seasons Of Buenos Aires.

So despite its scheduling in the Sunday coffee morning slot, which throws our tennis plans awry, we gave it a try.

A different, wrinkly audience on a Sunday morning. Some perhaps as keen on the gratis coffee (or a glass of sherry if you prefer) as the music.

The music was performed serviceably (I think we’ve heard the Piazolla Seasons done with more flare since) and we were glad to have experienced the Wiggy Coffee morning thing…but it isn’t really our type of gig.

Joanna MacGregor and Britten Sinfonia, Reverb: Roundhouse, 23 January 2010

We went to two classical concerts with early music leanings at the Roundhouse in the space of three days as part of the Reverb series; we loved both.

This was the first of the two, on the Saturday.

We hadn’t seen Joanna MacGregor before, although we had heard of her. I was aware that she had been a Gresham professor of music.

There was real flare and excitement to this concert; a really interesting blend of early music, south american music and contemporary and jazz themes.

In the moment, I bought a couple of Joanna MacGregor albums on the night:

We’ve listened to these albums a lot and had a lot of enjoyment from them, although they bear little resemblance to the music we heard that night.

Subsequently I bought another one, Play, which reflected at least a couple of the items we heard in the concert.

Here is an interesting video interview with MacGregor on the Telegraph website, made just before this concert.

Anyway, the concert was lovely and left us very excited ahead of the next one, a mere two days away.

Middlesex v Essex T20, Lord’s, Followed By Artemis Quartet, Wigmore Hall Lates, 26 June 2009

I often say that there are only two places remaining on earth where staff and stewards still call me “young man”: Lord’s and the Wigmore Hall.

So what better places to celebrate Janie’s birthday than both of those august institutions?

We’d probably booked the Wigmore Hall late night concert before we knew/realised that Middlesex were to play Essex in the T20 tournament at Lord’s that evening. Low marks to the cricket authorities for demographic matching for scheduling that fixture at that venue that night, but they probably won’t make that mistake again in a hurry.

Anyway, Charley “The Gent” Malloy was keen to see that fixture and suggested (once he knew it was Janie’s birthday and that we had a later evening engagement at “The Wig”), that we make that match a couples outing,  with Dot (Mrs Malloy) up for the idea of a T20 game and a picnic at Lord’s. So that’s what we did.

Cricket

Chas and Dot were able to get to Lord’s early, so they established a good spot at the front of the Tavern Stand for us. Their hopes and expectations for the match (as Essex supporters) were much higher than ours as Middlesex supporters. Essex had been doing well in the tournament that year, whereas Middlesex, despite being champions, had been consistently poor. So much so, I had written a scathing “futurology” MTWD match report of the Hampshire away match earlier in the week, before that match even took place.

But of course, as fate would have it, Middlesex played a rare decent match and spoiled Chas and Dot’s fun a bit:

Here is a link to the scorecard.

But it clearly only spoiled their fun a bit, as Chas said in a note the following Monday:

That was a super evening last Friday at Lords with all of us there; it was an absolute delight, although I suspect that the loss by Essex cost them dearly!

Music

The Wigmore Late concert was a real treat for Janie; she loves a bit of Piazzolla and this was a concert full of the stuff.

Here is a link to an interesting article from The Telegraph explaining why this quartet likes playing Piazzolla.

Dying for a Piazzolla?

It was a lovely concert.

It had been a long evening; I recall us going back to the flat feeling very tired but also very happy.

Tom Kerstens, Wigmore Hall, 27 May 2007

We were supposed to see someone else.  Was it Paco Pena?  Juan Martin? Yet another well-known guitarist?

Anyway, we weren’t supposed to see Tom Kerstens.

Had we known his relative quality, we’d have accepted the offer of our money back rather than persevered with a Sunday evening concert substitute.  But we thought, heck, give the fellow a try.  Oh dear.

Still, we’d had a corker of a month in the theatre and music department until this point.  Here’s the programme (yes, really) – let’s draw a veil.

Tom Kerstens