The White House Murder Case by Jules Feiffer, Orange Tree Theatre, 20 October 2012

My weekend pages are a blank at this time, but by a process of elimination Janie and I must have seen this play on 13 October or 20 October 2012. Janie’s diaries (currently in the attic) might help solve that tiny element of the case.

At the time, in 2012, this cartoon-like 1970s play about some bizarre future White House regime, set about 40 years hence…i.e. about now…seemed crazy beyond belief.

Writing in 2018, I realise that the playwright, Jules Feiffer, merely lacked the imagination to envisage a Trump-like character in all his grotesqueness.

Here is a link to the Orange Tree resource on this play/production.

I don’t think Janie and I were overly smitten with this piece. It had its moments and some good acting – Bruce Alexander as the President I recall was a bit of a standout – but on the whole it seemed a bit silly and superficial to us.

I think the critics quite liked it on the whole – here is a link to a search on the reviews.

The Company Man by Torben Betts, Orange Tree Theatre, 9 October 2010

I don’t remember a great deal about this one.

Here is the Orange Tree stub on the play/production.

I think it might have been a bit much for us at that time, with Phillie so poorly by then, so perhaps we didn’t even stick it out to the second half.

This search term suggests that the few reviews it got were quite good ones.

Waste by Harley Granville Barker, Almeida Theatre, 18 October 2008

This one turned out to be a bit of an Alleyn’s alum-fest, with Sam West directing and Nancy Carroll performing. But that won’t be the reason we booked it.

Janie and I have been Almeida members for donkeys yonks – indeed I have been going there fairly regularly since the late 1980s.

This looked like a cracking production on paper, so we’d have had no hesitation in booking it.

The Almeida is great on archiving its productions, so details of the production, some good pictures and extracts from the reviews are all there to be seen – saving me the trouble – click here.

We agree with all of that lot. It was a cracking production of a rather wordy play – Harley Granville Barker was a decent playwright but Ibsen or Strindberg he ain’t.

We were very glad to have picked this production. Seeing a lesser production of this play would have been a bit of a waste.

Life After Scandal by Robin Soans, Hampstead Theatre, 21 September 2007

This was a very interesting and entertaining piece of verbatim theatre. Robin Soans is good at this stuff; we’d seen Talking To Terrorists at The Royal Court. It was probably this sole factor which encouraged us to book the play.

We were pretty much out of love with the Hampstead Theatre at this time; during the Anthony Clark era. Clark himself directed this one and did a decent job of it.

It was deservedly pretty well received on the whole by the critics:

 

The Reporter by Nicholas Wright, Cottesloe Theatre, 17 March 2007

I remember us both finding this piece about low-level BBC shenanigans interesting and enjoyable – despite a suicide forming the denouement (that is not a spoiler). I suspect, given subsequent events at the BBC, it would seem tame and much beside the point today.

I think I picked up the terms “cruel spectacles” and “waning powers”, both of which I use a fair bit, from this particular show.

Great cast, with Ben Chaplin, Paul Ritter, Bruce Alexander, Angela Thorne and Leo Bill really standing out.

Well directed by Richard Eyre and produced of course to RNT standards.

Reasonably well received by the critics – click here for a search term to find reviews.

It was worth seeing at the time for sure.