Tag: Caroline Quentin

Life After Scandal by Robin Soans, Hampstead Theatre, 21 September 2007

This was a very interesting and entertaining piece of verbatim theatre. Robin Soans is good at this stuff; we’d seen Talking To Terrorists at The Royal Court. It was probably this sole factor which encouraged us to book the play.

We were pretty much out of love with the Hampstead Theatre at this time; during the Anthony Clark era. Clark himself directed this one and did a decent job of it.

It was deservedly pretty well received on the whole by the critics:

 

The Game Of Love And Chance by Pierre Marivaux, Cottesloe Theatre, 20 February 1993

The Theatricalia entry for this production can be found here.

What a cast: Maggie Steed, Trevor Baxter, Caroline Quentin, Peter Wingfield, Stefan Bednarczyk, Marcello Magni. Joint directors Mike Alfreds and Neil Bartlett.

No wonder I was keen to see it.

Still, I don’t think Janie and I were wild about this one. I was fast learning that Janie doesn’t like classics as much as she likes modern pieces, nor does she like farce. Marivaux was never likely to float Janie’s boat.

Yet worse, from a “what Janie does and doesn’t like” point of view, this production had re-located the piece in the 1930’s, adding a Cowardesque flavour to it that didn’t go down well with the reviews that are currently ( as I write in 2019) on-line/clippable.

Despite that, the sheer weight of talent on show carried the day for us, as we both found the production entertaining and could not question its quality of production.

Below is Michael Billington’s review from the Guardian:

Billington Game Of LoveBillington Game Of Love Wed, Jan 13, 1993 – 26 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Coveney’s review from the Observer:

Coveney Game Of Love & ChanceCoveney Game Of Love & Chance Sun, Jan 17, 1993 – 47 · The Observer (London, Greater London, England) · Newspapers.com

Roots by Arnold Wesker, Cottesloe Theatre, 22 April 1989

My log suggests that we thought this production was good. I’m not a huge fan of Wesker’s plays; in fact this one sticks in my memory as probably the most interesting of all those I have seen and read.

Here is the Wikipedia entry for the play.

Here is the Theatricalia entry for the production Bobbie and I saw at the Cottesloe.

Good cast – Maria Miles as Beatie and Caroline Quentin as Jenny.

This sort of play works really well in a small house like the Cottesloe; I remember the production having a very intimate feel.

Bobbie might remember even more about it.

Below is Nicholas de Jongh’s Guardian review:

de Jongh on Rootsde Jongh on Roots Wed, Feb 8, 1989 – 46 · The Guardian (London, Greater London, England) · Newspapers.com