The Promise by Ben Brown, Orange Tree Theatre, 27 February 2010

I don’t think this one really floated our boat. We liked the idea of it but it had a rather laboured feel as a piece of drama.

We were not having a good run at the theatre in the first part of 2010 and this one was part of that poor run for us.

Here is a link to the Orange Tree resource on the production.

I remember guessing at the time that Michael Billington would like it; he did – click here.

This search term – click here – will find you the other main reviews, most of which were luke warm.

We went for our traditional dinner at Don Fernando afterwards; I have a feeling we even skived the second half of this one.

The Old Neighbourhood by David Mamet, Royal Court Theatre at the Duke Of York’s Theatre, 11 July 1998

All I wrote in my log was:

No interval.

That suggests that we didn’t get a great deal out of this one, unusually for Mamet. Possibly we just felt that we’d seen a lot of material like this before.

Was it three short plays or one play with three somewhat disconnected scene?. I wrote down

The Disappearance of the Jews, Jolly and Deeny.

Splendid cast: Linal Haft, Colin Stinton, Zoe Wanamaker, Vincent Marzello and Diana Quick, directed by Patrick Marber.

Nicholas de Jongh really liked it:

de Jongh, Standard, Mametde Jongh, Standard, Mamet 24 Jun 1998, Wed Evening Standard (London, Greater London, England) Newspapers.com

Our friend, Michael Billington also liked it a lot:

Billington Guardian MametBillington Guardian Mamet 24 Jun 1998, Wed The Guardian (London, Greater London, England) Newspapers.com

Charles Spencer in the Telegraph was less sure:

Spencer Telegraph MametSpencer Telegraph Mamet 25 Jun 1998, Thu The Daily Telegraph (London, Greater London, England) Newspapers.com

Kate Kellaway’s interview with Patrick Marber is very interesting:

Kellaway Observer Marber InterviewKellaway Observer Marber Interview 14 Jun 1998, Sun The Observer (London, Greater London, England) Newspapers.com

Reading these reviews and the interview, I think I should, 25 years later, re-read the play(s) and see what I think of them now.

“Clubbing” Up West, 13 March 1992, The Night Of The Iguana by Tennessee Williams, Lyttelton Theatre, 14 March 1992

Excellent

I wrote in my log and I remember this production as such too. In 1992 I was still going to this sort of production with Bobbie as long as she was available, which most often she was, despite her protests that mebooking stuff so far ahead meant she couldn’t/wouldn’t guarantee her availability.

Bobbie was there for this one.

I’m pretty sure I had seen Bobbie the night before as well. The diary simply says “clubbing” which, as I recall it, meant a West End evening with Bobbie and several of her law reporter friends.

I remember the evening of Friday 13 March 1992 clearly, because I almost lost my life earlier that day on the M11, driving out to see Schering, when a lorry shed its load of timber on the two-lane motorway ahead of me and I had nowhere to go (other than into a central reservation barrier to the right or into the vehicles to my left) so I slowed down as much as I could through the timber and then vehicularly limped to the hard shoulder to have my broken car and shaken me rescued.

I must have bored everyone shitless with my Friday 13th story that previous evening and for sure the events of the day and evening of 13th were small beer compared with the drama that unfolded at The Lyttelton on the Saturday Night.

Here is the Theatricalia entry for this production.

I’ve always been partial to a bit of Tennessee Williams and this play/production is a good example of why Williams is worth watching.

There’s a good synopsis of the play on Wikipedia – here.

Frances Barber as Maxine, Alfred Molina as The Reverend Shannon, Eileen Atkins as Hannah…top cast. Richard Eyre in the director’s chair.

Richard Burton, Ava Gardner & Deborah Kerr starred in the Hollywood film version – films are different, but here is a clip:

Returning to the 1992 production, here is Kate Kellaway’s preview piece from the Observer:

Kate Kellaway Preview IguanaKate Kellaway Preview Iguana Sun, Feb 2, 1992 – 59 · The Observer (London, Greater London, England) · Newspapers.com

Below is Michael Coveney’s Observer review:

Michael Coveney on IguanaMichael Coveney on Iguana Sun, Feb 9, 1992 – 60 · The Observer (London, Greater London, England) · Newspapers.com

Below is Michael Billington’s Guardian review:

Billington on IguanaBillington on Iguana Sat, Feb 8, 1992 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

It really was a cracking night of theatre.

Speed-the-Plow by David Mamet, Lyttelton Theatre, 4 March 1989

I liked this play/production a lot. I don’t think I’d seen Alfred Molina before and was very taken with his acting. Colin Stinton was excellent too, as was Rebecca Pidgeon.

It’s a play about the movie business. As is often the case with Mamet plays about the world of work, Mamet captures the pressure-cooker atmosphere of the work place extremely well – an aspect that is often lacking in plays – perhaps because playwrights haven’t spent much of their lives in the actual hard-nosed world of work.

Theatricalia has an entry for this one – click here.

Wikipedia explains the play’s synopsis and it’s run history. Madonna played the female lead in the original Broadway production just a few months before this National production – who knew?

There are some #MeToo elements to this play that, obviously, weren’t perceived as #MeToo at the time because #MeToo hadn’t been invented – although movie business males belittling movie business females had been invented.

Below is Michael Ratcliffe’s Observer review:

Ratcliffe on PlowRatcliffe on Plow Sun, Jan 29, 1989 – 45 · The Observer (London, Greater London, England) · Newspapers.com

Below is Michael Billington’s Guardian review:

Billington on PlowBillington on Plow Thu, Jan 26, 1989 – 24 · The Guardian (London, Greater London, England) · Newspapers.com

Anyway, point is, this was an excellent Saturday evening of theatre with Bobbie…

…by which I mean Bobbie Scully, not Bobby Gould, the lead character in the play…

…well, actually an excellent Saturday evening with both Bobbies, now I come to think of it.

The Father by August Strindberg, Cottesloe Theatre, 15 October 1988

Oh I do love a bit of Strindberg and this was an especially memorable production of one of Strindberg’s best plays. Not familiar with the play? – Wikipedia can help – click here.

A Saturday evening with Bobbie at the National.

I rated this one “very good indeed” in my log.

We saw a preview of this one. The press night is listed some 10 days after our preview, so we must have seen one of the first previews.

A fine cast – set out in Theatricalia.com if you click here. Alun Armstrong as The Captain. The late lamented Susan Fleetwood as Laura.

At the time of writing, strangely, I have recently seen Alun Armstrong again, I think for the first time in those 30 years, in The Cane at the Royal Court:

But returning to the Father I remember the production and Armstrong’s performance clearly – both really were memorably good.

Below is Michael Billington’s Guardian review:

Billington on The FatherBillington on The Father Fri, Oct 28, 1988 – 35 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Ratcliffe’s Observer review:

Michael ratcliffe on The FatherMichael ratcliffe on The Father Sun, Nov 6, 1988 – 43 · The Observer (London, Greater London, England) · Newspapers.com