Bird Grove by Alexi Kaye Campbell, Hampstead Theatre, 14 February 2026

We saw the second preview of this wonderful new play at The Hampstead. We’d recommend booking early for this one, before it is too late. Here’s the link to The Hampstead’s page for this play/production.

Below is a charming little promotional vid, not that we were enticed by the vid. We were enticed because I am a bit of a George Eliot nut and this play is about an intensely difficult “coming of age” stage in the life of Mary Ann Evans, subsequently known as George Eliot.

It is the sort of story that could easily become mawkish and/or melodramatic, but we were in the safe hands of Alexi Kaye Campbell (playwright), Anna Ledwich (director) and a top quality cast.

The evening was hugely entertaining, with a beautifully blended mixture of comedy, tragedy and tragi-comedy. Owen Teale is no doubt the big name draw for this production, but the big name to be is surely Elizabeth Dulau – remember where you heard the name first – whose performance as the young Mary Ann Evans is simply masterful.

The supporting cast all played their parts well too, even those who were written, I’m sure deliberately, as caricatures of characters that Mary Ann Evans subsequently slipped into her great novels. Keeping most of the characters on stage much of the time, bringing them to life when needed, was a lovely directorial touch; I imagine a nod to the same “character forming in more ways than one” nature of this Mary Ann Evans story.

You don’t have to be mad on George to be mad on Bird Grove

Janie is not a George-Eliot-ista but still thoroughly enjoyed her evening – even after the nail-biting race we had to get to the theatre on time – having allowed 75 minutes for the North Circular Roadwork, which was only JUST enough time. They didn’t have such problems in the mid 19th century…

…but they did have their own issues back then.

I’m rambling. If you are reading this in time, grab yourself some tickets before it is too late. A great night of theatre. Well done, Hampstead, once again.

To Have And To Hold by Richard Bean, Hampstead Theatre, 18 November 2023

Since lockdown, we’ve not been going to the theatre anything like as much as we did before. Partly, I suppose, because we got out of the habit. Partly, we think, because there is not so much to our taste on offer, as theatres tend to play it safe, with many more revivals and musicals on offer than we remember in the past.

Indeed this was our first visit to the Hampstead Theatre since lockdown, although we have kept our membership going throughout. Our previous visit to Hampstead theatre was to see The Haystack, just before lockdown.

In these difficult times, Janie and I wanted to see something light-hearted and yet with some serious aspects to it. This looked like it would fit that bill and indeed it did.

Janie and I tend to enjoy Richard Bean’s plays – we have seen several. To Have And To Hold was an enjoyable evening at the theatre.

The play avoided the worst excesses of drama about elderly parents, which can easily fall victim to tired cliché and, in our case, a sense that “we can get all that at home”!

In the event, I read a bit more into the play than Janie did, until we discussed it afterwards. Janie sensed that she had gone with the comedic flow of the play without reading as much into it as I had. In particular, I thought there was interesting irony and pathos in a nonagenarian, sharp-sensed former policeman being scammed, at least in part because of his digital exclusion as well as his physical frailty.

Great cast for this one: Alun Armstrong, Marion Bailey, Rachel Dale, Hermione Gulliford, Christopher Fulford and Adrian Hood. All played their parts well, under the joint directorship of Richard Wilson and Terry Johnson.

Here is a vid of the two Richards (Wilson & Bean) discussing this play/production:

The reviews, as is often the case with Richard Bean plays, seems to have divided the critics. Click here to find many/most of the reviews if you wish.