Image from Wikipedia with same “fair use” rationale.
The especially cold and icy weather, which had plagued Keele before Christmas, persisted into the early days of the 1982 Spring Term.
Early that term, I recall taking a tumble on the slope that led to the Chancellor’s Building from the Lindsay Hall end, while rushing to get to a lecture or tutorial on time.
A little dazed, I soon realised that someone had hoicked me up and I was being stared at by none other than “ABC” Dick Hemsley, asking me if I was alright. “Yes, I’m fine”, I said, embarrassed to have found myself in such a vulnerable circumstance with one of the better-known right-wing villains of the campus. “No”, said Dick firmly, studying my reactions carefully, “I think you might have bumped your head. Really, are you OK?” Thankfully I hadn’t banged my head and most of the bruises were to my “left ego”. That incident stuck in my mind, because it made me realise that Dick, despite our opposing political views, when it came to the crunch, was instinctively concerned about my welfare.
I sense from my diaries that I was a bit irritable/tetchy after the historic, publicity-attracting protests outside the UGC offices on 6 January:
Possibly term seemed like an anti-climax; possibly the weather got to me – I have never much liked icy-cold weather and this was a proper cold spell.
The diaries – which are shown at the bottom of this piece but upon which I shall not expand this time – suggest a relatively dull phase – at least in my mind…
…until the Ronnie Scott & Friends Jazz Night on 16 January, which was a hugely memorable event in all sorts of ways.
Ronnie Scott co-founded the legendary Ronnie Scott’s Jazz Club in the late 1950’s. It was already an institution by the early 1980s and we were truly blessed that Ronnie liked visiting student venues and especially liked the vibe in the University of Keele Students’ Union Ballroom. I saw him perform there several times while at Keele – this was the first of those times.
Dave Lee’s excellent book The Keele Gigs! has a fine account of this gig.
The following clip, from some time in the early 1980s, is pretty close to what the ensemble looked and sounded like at Keele that night:
For those who know little about Ronnie Scott/Ronnie Scott’s and would like to know more, the following hour-long Omnibus film from 1989 is quite comprehensive and almost of that time:
There is am even more comprehensive 2020 documentary movie, which I have seen and can confirm is a very interesting watch, which you can find out about on IMDb here.
My memories of this particular January 1982 evening at Keele are a strange mixture of clear and blurry. The diary entry only tells a small part of the story:
…went to Jazz Night in the evening. ** got pissed during and after!!
This suggests that only alcohol was imbibed at our table, although in my mind there was also whacky backy involved. Perhaps that was because Ronnie kept saying, “I must stop smoking this stuff” whenever he muffed his jokes/lines, which he did with charming frequency.
We sat at tables in the style of a jazz club like Ronnie Scott’s and I remember it all seeming very grown up and sophisticated at the outset. I think we drank wine and cocktails rather than beer at our table, which is probably why we got pissed unusually quickly.
I was at a table with, I am pretty sure (in reducing order of sureness): Miriam Morgan, Heather Jones, Ashley Fletcher, Helen Ross and one or two others. One person who was certainly at our table was a rather exotic-looking (to me) gay female with whom, for reasons I cannot with hindsight fathom, I started to dance. I’ll guess it was initially her idea, because dancing isn’t something I can imagine myself ever having spontaneously initiated.
Mercifully, this Jazz Night was long before the age of smart phones, pocket video cameras, TikTok and the like, so there are no moving pictures of our “performance” – indeed not even any stills to my knowledge.
It probably looked a little like the following clip at first, except that John Travolta is a very capable dancer trying to look awkward, whereas…
We danced in an increasingly frisky manner as time went on, until a pivotal moment when I suddenly felt drenched. Someone from a nearby “Tory Boy” table tipped a jug of water over us with the entreaty, “you two need to cool down”.
I’m not sure who did the tipping; it might have been Mark Ellicott (who still sat at Tory Boy tables back then) or it might even have been ABC Dick. Whoever it was, the gesture was done without menace and with a witticism thrown in, such that we and everyone at the tables around us found the joke funny, so we joined in the laughter and redoubled our frisky efforts.
Strangely, I ran this story by Simon Jacobs and Jon Gorvett just the other evening – forty years on. Both of them confirmed that they were not there on this evening.
Yet Simon, who usually claims not to be able to remember anything about our Keele days, immediately identified the young woman in question as “Nicola from Crewe and Alsager College”, which of course was the right answer. Respect, Simon, respect.
Nicola ended up going out with Miriam, which I think brought the Miriam and Heather era to a close, although I might be muddling the sequencing and/or duration of that episode. Others might well be able to put the record straight.
My diary states clearly that we all carried on drinking after the Ronnie Scott Jazz Night had concluded, but the frisky dancing with Nicola was definitely merely a “moment in time” thing during the jazz night.
Postscript – Remembering Nicola
Within minutes of me posting this piece, Ashley Fletcher commented on FB, reminding me that, a couple of years later, he shared a place in Newcastle with Miriam & Nicola, who became and were still very much an item after that January 1982 time.
Ashley also recalls that, ironically, Nicola looked like an androgynous new romantic performer named Ronny – indeed she did – click this link or the picture below to see pictures and even a vid of exotic-looking Ronny.
The Rest Of the Diary
Diary pages for the week or so leading up to Ronnie’s below. For the completists. There’s a prize if anyone can work out who or what I went to see on Tuesday 12th!
Postscript – Remembering Nastassja
Following an entreaty from Kay Scorah that she wouldn’t sleep until the 12 January diary entry mystery was solved, I gave the matter some deeper thought. Then I looked at the Rosetta Stone for a while. Then I concluded that the pathetically scrawled four-letter word, which I had thought all along was probably the title of a film, given that Tuesday evening was film night…
…must have been “Tess”. No really.
The 1979 Roman Polanski marathon version of Tess of the d’Urbervilles.
My teenage hormonal head would have been full of Nastassja Kinski for a few days…until Nicola came along. Sorry Nastassja.
You can sleep now, Kay.
Postscript To The Above Postscript – Remembering Tash, Tess & Nastassja
The mention of Tess generated quite a postbag and I realise that I was mistaken in attributing the 12 January scribble to that film. John White writes:
Don’t think that says Tess btw. The word begins with an s and ends with an h. Sure it wasn’t a person?
But I was buoyed by Jon Gorvett’s memory flash, inspired by my mention of Tess:
Anyway, also bizarre that you should mention Heather Jones, Tess, Nastassja Kinski and crushes all in the same post, Ian, as I recall both myself and Heather taking a sudden interest in Thomas Hardy around then, after Kinski had appeared on the cover of the version of Tess of the d’Urbervilles on sale in the Keele bookshop. Noticing this, we both later confessed to a massive crush on the said daughter of the great director (and massive child abuser, I see now), leading ultimately to enormous enthusiasm for Cat People, when that hit the screens later that year.
…so I responded as follows:
100% sure it was Tess. Memory flash corroborated by Jon Gorvett, who said that note brought a flood of memories. Gilted Jon (by Truda) and gilted Heather (by Miriam) both salivated over Ms Kinski at that time. My handwriting was truly appalling at the best of times and I often wrote up diaries when pissed or stoned.
However, I now realise and am 100% sure that the pesky word on 12 January was Tash, not Tess. The Tash reference is explained in the subsequent “Forty Years On” piece.
But I did see Tess around that time – I’m guessing it must have been the film shown 15 January, which I don’t name – I simply describe it in my diary as “boring”. Frankly, I do recall finding the excruciatingly long Tess movie boring in every regard except for the visual charms of Ms Kinski.