Tag: Douglas Kuhrt

Corpus Christi by Terrence McNally, Pleasance Theatre, 29 October 1999

An unprecedented hat trick of evenings at the theatre concluded with this piece. Little did we know when we booked it that this to be a highly controversial play.

Here’s a newspaper clipping from the following day:

Corpus Christi FatwaCorpus Christi Fatwa 30 Oct 1999, Sat The Daily Telegraph (London, Greater London, England) Newspapers.com

Perhaps we should have known, as apparently it had been hugely controversial when first produced in the USA a couple of years earlier.

In truth, we didn’t think all that much of the play and production.

Nicholas de Jongh in The Standard liked it:

corpus de Jongh Standardcorpus de Jongh Standard 29 Oct 1999, Fri Evening Standard (London, Greater London, England) Newspapers.com

No-one else seems to have reviewed it. The other papers seemed obsessed with news of the play’s controversy rather than the play itself, which is a a shame.

I recall that we rather liked the Pleasance Theatre but not its location.

We had been traipsing around that day, having been to the City for a do (neither of us can remember) and then a stop off to see some oriental art at the British Museum before The Pleasance. Would we have the energy for all that 25 years later? Would we have the energy for a hat-trick of evenings at the theatre?

A “Works Outing” To Remember, From Detroit To Fung Shing Via Scissor Happy At The Duchess Theatre, 12 December 1997

One of the more memorable Z/Yen Christmas outings, this one.

In an attempt to start to big-up the event, we tried a west end evening, with bar drinks, theatre visit and dinner in a private room.

Perhaps the bar bit was not a great idea ahead of a silly play, Scissor Happy, that was relying on audience participation for laughs.

Anyway, we started in Detroit – by which I mean the bar in Seven Dials, long since defunct as I write 25 years later – not the City in Michigan, obviously.

Then we went to see Scissor Happy at The Duchess Theatre. I wrote the following in my theatre log:

Works outing for Z/Yen – went very well.

Michael Moore’s drunken interventions were especially memorable.

Michael was the husband of one of our employees – Rachel. He was significantly older than her, indeed older than the rest of us. At first his audience interventions went down well with cast and audience, but he got carried away and for a while seemed to think that he WAS the show.

I remember several of our number being embarrassed about this – not least Rachel – although I also recall hearing on exit other audience members debating whether that funny old geezer was a plant from the show or really a member of the audience.

The Fung Shing meal was excellent in out private room. At that time Fung Shing was, in my opinion, the best restaurant in Chinatown. Writing 25 years later, it is another long-since defunct place, sadly.

Returning to Scissor Happy, though – I wonder what made us chose that play? Some sort of lowest common denominator thinking? Or perhaps it came recommended by someone…certainly not me! Not my sort of play at all.

Nor Nicholas de Jongh’s, who described it as “piffle” in the Standard:

23 Oct 1997, Thu Evening Standard (London, Greater London, England) Newspapers.com

Strangely, Charles Spencer in The Telegraph rather liked it, while admitting “it depends who is in the audience”. Too right!

24 Oct 1997, Fri The Daily Telegraph (London, Greater London, England) Newspapers.com