The Company Of Heaven, The Cardinall’s Musick, Wigmore Hall, 30 January 2019

A rare Wednesday evening at The Wig with Daisy – she rarely ventures into town Wednesdays, but this concert seemed too interesting to miss.

Here is a link to the Wigmore Hall stub for this concert.

It was being recorded for broadcast 31 January and will be available on-line – click here – shortly after broadcast for some while.

Highly recommended – we always enjoy Cardinall’s Musick concerts. We love their sound and we like the way that Andrew Carwood talks to the audience with a likeable mix of deep scholarship and folksy delivery.

Lots of unfamiliar pieces and even unfamiliar composers in there.

Here is a little vid of this group rehearsing and talking Byrd a few years ago:

https://youtu.be/8bMiYnzkZx4

I’m starting to get a bit fussy in my old age – perhaps because I am learning more about early music.

For example, it seemed to me that the Gregorian Chants interspersed in the Guerrero in the first half, were delivered (at least by the bass and tenor voices) in a staccato style when changing note within a word, quite contrary to the “smoothing” technique Ian Pittaway suggested to me. Patrick Craig, the countertenor, sang with that smoothing technique and it sounded cleaner to my ears. Janie thought the staccato was deliberate and fine.

I also found myself comedically irritated by a spelling mistake in the words for the Agnus Dei in the programme lyrics for that Guerrero mass…spelling that phrase Angus Dei at one point. It made me wonder whether there is a beef of God as well as a lamb of God.

But these are tiny points. The concert was a feast for the ears and just the calming experience I needed after a long day.

I particularly enjoyed the second half of the concert, with shorter pieces by Peter Philips, Philippe Verdelot, Adrian Willaert, Francisco Guerrero, Luca Marenzio, Daniel Torquet (“who he?” I hear you cry – Andrew Carwood is struggling to trace him too) and William Byrd taking the first 40-45 minutes of that second half.

There was a Christmassy encore by Hieronymus Praetorius – we were horrified to learn that, liturgically/technically speaking, we only reach the end of Christmas this weekend.

Still, we loved the concert and thoroughly recommend the broadcast to lovers of this type of music.

Il Siglo D’Oro, The Cardinall’s Musick, Wigmore Hall, 12 July 2010

Wigmore Hall on-line rubric doesn’t go back quite this far, but I have lifted the following text, which is also in the programme, from www.concert-diary.com – click here:

Il siglo d’oro – the Golden Age – was the name that Spaniards gave to their great flowering of music in the 16th century. Spain brought forth some of the finest writers of the age and the Virgin Mary was a popular subject with all of them. Francisco Guerrero was known as el cantor de Maria. Much of his highly characterful music was dedicated to the Virgin, from well-crafted four-part pieces to the more splendid double-choir numbers.

This fascinating exploration of music from 16th-century Spain sets Guerrero alongside his contemporaries and colleagues Morales, Esquivel, Vivanco, Alonso Lobo and the brightest star of all, Tomas Luis da Victoria.

The idea of this concert sounded great to me but not so great to Janie (or at least not for a Monday night in those days), so I made a rare trip to the Wig on my own that Monday night.

I was glad I did. This was a lovely concert.

Here is the programme:

The Cardinall’s Musick have preserved a review of the concert – click here.