The Erlkings, Wigmore Hall, 25 May 2018

I hadn’t planned to go to Lord’s on the day of this concert, but as I explained in the piece about my three days at Lord’s…

Three Days On The Trot At Lord’s For England v Pakistan, 24 to 26 May 2018

…things don’t always pan out as planned.

Still, that Friday I had an abstemious day at Lord’s, with a view to having dinner with Daisy and then going to the concert. Daisy indeed came over to my place for a Four Seasons dinner, but then decided that the whole idea of going to a late night concert and then rising for a crack of dawn picnic preparation was too much, so she returned to Noddyland and let me go to this concert on my own.

Probably just as well – she’d have absolutely hated it.

The rubric had inferred a folk/jazz interpretation of Schubert’s songs…which in a sense it was, but it felt a bit gimmicky, at times verging on naff. The tuba/trombone giving the music an Oom-pah-pah band sound…

…if I mention the song where the leader, Bryan Benner, got us to yodel along with him…

…you’re probably getting the gist.

There was a small claque of Erlkings fans sitting behind, but the front row mafia, comprising Wigmore Hall regulars, seemed a little stunned by the style.

The idea is laudable and I even enjoyed some of the tracks. The song which Bryan Benner sang unplugged on the guitar, for example, had a lovely sound to it transposed from piano to guitar. His translations of lyrics generally worked well and he has an outstanding baritone voice. The voice was somewhat wasted with most of the louder arrangements.

Here is a link to the Wigmore Hall resource for that concert.

Below is one of the songs they performed on the night, with a relatively minimal arrangement:

Below is their signature song, the arrangement of which I thought overpowered Bryan Benner’s powerful voice:

…and here is one from their latest album/project:

At the end of the gig Bryan said an emotional goodbye to Gabriel, the brass instrumentalist, who is leaving the band and for whom the Wigmore Hall was a final gig.

It all felt a bit “ego project” to me, but perhaps I just wasn’t in the mood.

Goodbye and thanks for all the trout

 

 

CSFI 21st Anniversary Reception, Nouriel Roubini Speech and City of London Sinfonia Recital, Old Library Guildhall, 11 November 2014

A very unusual and pleasant evening in the City, at the Old Library, Guildhall.

The Old Library and Print Room, Guildhall, London (1)

It was the Centre For The Study Of Financial Innovation (CSFI)‘s 21st birthday party.

We were treated to a drinks reception, a talk by New York economist Nouriel Roubini who had many interesting insights into the post 2008 crisis world.

Then a delightful recital performed by the City Of London Sinfonia with Dame Felicity Lott. Writing this up more than three years later (February 2018), I nevertheless can report on all the pieces we heard…

…because my memory is so superb…

…especially when supported by some scribbled notes on my programme:

  • Elgar – Serenade For Strings;
  • R Strauss – Morgen!;
  • Vaughan Williams – The Lark Ascending;
  • Schubert – The Shepherd On The Rock.

No video from the actual evening, of course, but below is a short video of the City of London Sinfonia performing something else (a charming Mozart presto) somewhere else…

…and here is a live performance of Felicity Lott (with a different lot in a different grand setting) performing Strauss’s Morgen! which will give you a reasonable idea of the sounds we actually heard:

Thanks CSFI – a truly memorable evening.

Laudamus Te, English Baroque Choir, Brandenburg Sinfonia, St John’s Smith Square, 16 March 2013

I’d never heard the Bach Magnificat in D played live but had always loved my recording of it (by The Sixteen – click here or image below):

I thought SJSS would be a magnificent setting to hear the piece live – after all that is where my lovely recording of the piece had been recorded. I was right.

In the first half, we heard the Schubert Mass in G, which I enjoyed more than Janie did, although she quite liked it. It was followed by a world premier of a JohnMcCabe piece named Psalm-Cantata, which frankly did little for either of us.

But we did both really enjoy the Magnificat.

Below is a video of Nikolaus Harnoncourt with an unidentified choir and orchestra playing the Magnificat magnificently:

Unfinished Business With Schubert & Bruckner, London Symphony Orchestra Under Lorin Maazel, Barbican Hall, 28 February 1999

Another Sunday evening, another trip to the Barbican to see a cracking concert.

Janie thinks that one of her generous Lebanese clients gave us the tickets to this concert and the one the week before, because she had been called away at short notice. Sounds plausible and also most fortuitous, as I might well have chosen both concerts myself.

Schubert’s Symphony No 8 in B Minor, “Unfinished” followed by Bruckner’s Symphony No 7 in E Major.

London Symphony Orchestra under Lorin Maazel.

This was a terrific concert.

The Schubert would have sounded a little like this – a live recording of Lorin Maazel conducting Sonorum Concentus:

The Bruckner would have sounded a bit like this – a live recording of Maazel with the Bavarian Radio Symphony Orchestra:

Thanks again to the lovely lady who kindly gave us her tickets.