Geoffrey Beevers – Ian Louis Harris

Mountain Hotel & Audience by Vaclav Havel, Orange Tree Theatre, 15 November 2008

It seemed like a good idea when we booked it. Here ‘s a link to the rubric that enticed us, along with the cast and creatives information.

We’d had previous experience of Vaclav Havel’s plays, so shouldn’t have been surprised to find the absurdity a bit lame and the drama weak.

In particular, I thought Audience (about a playwright stacking beer barrels in a warehouse) tame.

So what do we know?

Still, we enjoyed our Don Fernando dinner afterwards and never feel completely let down after an evening at the Orange Tree.

Mountain Hotel and Audience by Vaclav Havel, Orange Tree Theatre, 15 November 2008

This double bill was part of a Vaclav Havel Season that autumn at the Orange Tree. We only attended this one evening.

Vaclav Havel is one of those writers that you really want to like and there are always some very clever lines and some interestingly weird scenes in his plays. Yet somehow Havel never quite seems to work for me or for Janie.

Still, we enjoyed the evening. The Mountain Hotel one was a typically Havel peculiar mix of people thrown together in a hotel garden being absurd together. I think we even considered sneaking away a half time, but stayed to see what the second play was like. Audience is a short quasi-autobiographical piece about Vanek, who works in an absurd beer factory. It did not motivate us to return and see the other short Vanek plays later in the season.

It was all very well acted and well directed; David Antrobus is an Orange Tree regular and is reliably good.

You can read all about it, including who played whom and stuff, here. Someone at the Orange Tree is doing an amazing archiving job; I am grateful to them.

Michael Billington, a long term Orange Tree fan, is polite but clearly didn’t much like the evening either.

Philip Fisher in the British Theatre Guide is more upbeat about the evening.

Ian Shuttleworth’s FT piece can still be seen archived here.

The Skin Game by John Galsworthy, Orange Tree Theatre, 7 April 2007

Sam Walters really had got himself locked into the early 20th Century by this time. Frankly, we didn’t think this Galsworthy piece had aged very well. Add to that Sam’s strict orthodoxy about not cutting text, it was quite a long evening at the theatre.

Well acted and directed, we stuck it out for both halves although we did consider making a break for it at half time.

Click here for a link to the Orange Tree resource on this play/production.

The critics liked it rather more than we did. Click here for a link that finds reviews and stuff.

The Story of Jude by Geoffrey Beevers, Orange Tree Theatre, The Room, 22 October 1999

This was the last ever production in the Room above The Orange Tree pub itself. The bespoke Orange Tree Theatre had been up and running for a while by then and the decision was made to stop doing some shows above the pub still. A shame in a way, as we loved that small venue. But understandable.

Here is a preview of the show from the Richmond & Twickenham Informer:

Jude Richmond Informer 01 Oct 1999, Fri The Richmond and Twickenham Informer (Richmond upon Thames, London, England) Newspapers.com

Judging by the markings in both of our diaries, we had planned to go away for a couple of weeks that October and then changed our minds. Probably because we didn’t think we could leave Gavin unmanaged doing the works at Clanricarde Gardens. This was one of several things we booked up to replace the holiday. We both did some work but worked light during those weeks.

It wasn’t a great play or production, but the story was interesting and Mairead Carty was always very watchable.

We went to a restaurant named Burnt Chair in Duke Street afterwards. It was loved more for its wine list than its food, according to my 2003 Hardens and also this tombstone piece in The Standard when the place died in 2014.

Eurydice by Jean Anouilh, Whitehall Theatre, 24 July 1999

In truth, I don’t remember all that much about this production. I’ve long been partial to a bit of Anouilh, which would have been the main reason we booked it.

Excellent cast, including Orlando Seale, Edward de Souza, Desmond Barrit, Ray Llewellyn, Roz McCutcheon, Amy Marston, Susan Tracy & Geoffrey Beevers.

Here is a link to the Theatricalia entry for this one.

Charles Spencer suggests that he unexpectedly liked it: