Tag: Hampstead Theatre Downstairs

The Wasp by Morgan Lloyd Malcolm, Hampstead Theatre Downstairs, 20 February 2015

Janie and I thought this was a really excellent play/production; once again the tiny Hampstead Theatre Downstairs proving to be one of the hottest tickets in town.

Sinéad Matthews is a very special up and coming actress. We first spotted her more than 10 years ago, in The Wild Duck at the Donmar, when she was but a nipper. I don’t think she only does plays named after species of fauna. We have subsequently seen her in Giving, again at the Hampstead Downstairs – click here.

Mercifully the Hampstead now has a good resource for each play/production – click here for The Wasp – as that downstairs space eschews formal reviews and I somehow mislaid the little leaflet thing they give out by way of a programme.

In a way this play is a classic revenge tragedy played out in modern terms in the present day. Perhaps some aspects of the coincidence seemed unlikely when you think deeply about the plot afterwards, but as the story plays out the evening was captivating.

Janie and I like these short plays – 90 minutes or so without an interval – when they are done well such plays/productions keep us gripped from start to finish and we feel thoroughly satisfied afterwards…sans bum ache.

The Wasp deservedly got a West End transfer later that year, but Sinéad Matthews didn’t transfer with it. Nevertheless:

I am pretty sure that Janie and I preceded our Friday evening trip to the Hampstead with a meal at Harry Morgans, so we got home early and thoroughly satisfied that evening.

In the Vale Of Health: Missing Dates by Simon Gray, Hampstead Theatre Downstairs, 16 May 2014

Janie and I both really like Simon Gray’s plays and we really like the Hampstead Downstairs.

So this project; taking all four of Simon Gray’s attempts to write about a quirky pair of brothers in The Vale of Health, seemed like something we should do in full.

We saw them in this sequence/timing:

  • 21 March 2014 – Japes;
  • 18 April 2014 – Japes Too;
  • 2 May 2014 – Michael;
  • 16 May 2014 – Missing Dates.

We’d often see the same faces in the audience again. One gentleman who sat next to us on the last night, we’d seen at least once before. I said to him that it would be like saying goodbye to close friends when this little season ended and he said, “that’s exactly what I was thinking”.

Very intimate plays, beautifully written (it’s Simon Gray after all) and very well acted/directed.

I’m cutting and pasting this same piece for all four evenings; the above and the links below basically apply to all four.

Here is a link to a search term that will find you Hampstead resources and (unusually for downstairs) reviews, as they transferred this little season upstairs afterwards, because it had done so well downstairs.

Here is a YouTube interview and stuff:

In the Vale Of Health: Michael by Simon Gray, Hampstead Theatre Downstairs, 2 May 2014

Janie and I both really like Simon Gray’s plays and we really like the Hampstead Downstairs.

So this project; taking all four of Simon Gray’s attempts to write about a quirky pair of brothers in The Vale of Health, seemed like something we should do in full.

We saw them in this sequence/timing:

  • 21 March 2014 – Japes;
  • 18 April 2014 – Japes Too;
  • 2 May 2014 – Michael;
  • 16 May 2014 – Missing Dates.

We’d often see the same faces in the audience again. One gentleman who sat next to us on the last night, we’d seen at least once before. I said to him that it would be like saying goodbye to close friends when this little season ended and he said, “that’s exactly what I was thinking”.

Very intimate plays, beautifully written (it’s Simon Gray after all) and very well acted/directed.

I’m cutting and pasting this same piece for all four evenings; the above and the links below basically apply to all four.

Here is a link to a search term that will find you Hampstead resources and (unusually for downstairs) reviews, as they transferred this little season upstairs afterwards, because it had done so well downstairs.

Here is a YouTube interview and stuff:

In the Vale Of Health: Japes Too by Simon Gray, Hampstead Theatre Downstairs, 18 April 2014

Janie and I both really like Simon Gray’s plays and we really like the Hampstead Downstairs.

So this project; taking all four of Simon Gray’s attempts to write about a quirky pair of brothers in The Vale of Health, seemed like something we should do in full.

We saw them in this sequence/timing:

  • 21 March 2014 – Japes;
  • 18 April 2014 – Japes Too;
  • 2 May 2014 – Michael;
  • 16 May 2014 – Missing Dates.

We’d often see the same faces in the audience again. One gentleman who sat next to us on the last night, we’d seen at least once before. I said to him that it would be like saying goodbye to close friends when this little season ended and he said, “that’s exactly what I was thinking”.

Very intimate plays, beautifully written (it’s Simon Gray after all) and very well acted/directed.

I’m cutting and pasting this same piece for all four evenings; the above and the links below basically apply to all four.

Here is a link to a search term that will find you Hampstead resources and (unusually for downstairs) reviews, as they transferred this little season upstairs afterwards, because it had done so well downstairs.

Here is a YouTube interview and stuff:

In the Vale Of Health: Japes by Simon Gray, Hampstead Theatre Downstairs, 21 March 2014

Janie and I both really like Simon Gray’s plays and we really like the Hampstead Downstairs.

So this project; taking all four of Simon Gray’s attempts to write about a quirky pair of brothers in The Vale of Health, seemed like something we should do in full.

We saw them in this sequence/timing:

  • 21 March 2014 – Japes;
  • 18 April 2014 – Japes Too;
  • 2 May 2014 – Michael;
  • 16 May 2014 – Missing Dates.

We’d often see the same faces in the audience again. One gentleman who sat next to us on the last night, we’d seen at least once before. I said to him that it would be like saying goodbye to close friends when this little season ended and he said, “that’s exactly what I was thinking”.

Very intimate plays, beautifully written (it’s Simon Gray after all) and very well acted/directed.

I’m cutting and pasting this same piece for all four evenings; the above and the links below basically apply to all four.

Here is a link to a search term that will find you Hampstead resources and (unusually for downstairs) reviews, as they transferred this little season upstairs afterwards, because it had done so well downstairs.

Here is a YouTube interview and stuff:

The Mystae by Nick Whitby, Hampstead Theatre Downstairs, 21 February 2014

I’ve written down 9.00 beside this one, so I think it was a short play that they ran twice an evening.

Looks as though we ate beforehand (Harry’s I’d suggest) and I vaguely remember us both wondering why we’d taken on a late gig on a Friday evening.

But I also recall it was a very lively play that held our attention throughout.

One of those coming of age/rite of passage plays, but very well done.

Here is a link to the Hampstead resource on this production.

Here is a link to other stuff you might find (no formal reviews downstairs of course).

Below is the explanatory vid with director Tim Carroll:

The Blackest Black by Jeremy Brock, Hampstead Theatre Downstairs, 10 January 2014

Janie and I really liked this play/production. Another “Hampstead Downstairs special” in our book.

A three-hander about an uber-male astronomer whose space is invaded by an arty female.

Funny and thought-provoking. We thoroughly enjoyed it. The piece deserves a bigger audience.

Here is a link to the Hampstead’s resource on the production.

The author explains some of his thinking in the vid below.

Diary suggests we ate at Harry Morgans before the show. I think we were coming towards the end of the Harry’s pre show era at that time.

Fault Lines by Ali Taylor, Hampstead Theatre Downstairs, 6 December 2013

This was not the most sophisticated or interesting play we have seen at the Hampstead Downstairs, but still it was good.

It was about a charity responding to a developing world emergency rather ineptly in the aftermath of a staff Christmas party.

We needed to suspend a fair bit of belief but there were some good fun elements and some juicy moral dilemmas thrown in.

Click here for a link to the Hampstead resource on this play/production.

Below is the trailer:

Click here for a search term that finds whatever else there might be out there – no formal reviews downstairs in those days.

Godchild by Deborah Bruce, Hampstead Theatre Downstairs, 15 November 2013

This was a fun play with enough drama in it to keep us thoughtfully entertained.

Tracy-Ann Oberman (formerly of our NewsRevue parish – or at least the SportsRevue version is always superb value, as is Michael Attenborough, having a go in an even smaller house than the Almeida for once.

Click here for a link to the Hampstead resource on this play/production.

No formal reviews downstairs in those days, but this search term should find whatever there is out there on this production.

The Empty Quarter by Alexandra Wood, Hampstead Theatre Downstairs, 25 October 2013

A strangely sinister play this one, about a young couple of expats in Dubai who get themselves into difficulties and fall foul of some older, exploitative expats.

The story seemed somewhat extreme, although apparently it is possible to get into extreme difficulties in Dubai and similar places and some young people do thus get exploited.

Click here for a link to the Hampstead resource on this play/production.

It had its moments but was not the best thing we’ve seen downstairs at the Hampstead – mind you we have seen some absolute crackers down there.

We didn’t regret our visit, but we were a little disappointed given the high hopes we now always take with us to the Hampstead Downstairs.

Below is the (very short) trailer:

No formal reviews downstairs, but what there is to be seen should be found through this search term – click here.