I have long been a fan of Caryl Phillips‘s writing; I discovered his novels in the mid 1980s and have several of his books in hard cover.
So I was excited to see that he had written a play, although, when I booked Strange Fruit at The Bush, I didn’t realise that it was an early work, written in the early 1980s, prior to the first of the novels.
Here is a link to the Bush resource on this play/production.
Below is the trailer:
I think Janie and I saw a preview, although it is hard to tell at The Bush when press night might be without doing deep research.
In any case, we found the production slick and the acting truly excellent.
Written and set in the early 1980s, the play covers some fascinating aspects of African-Caribbean culture and issues from that time, many of which resonate strongly with issues of migration and identity in our current troubled times.
In truth, the play is somewhat unsubtle, starting in a rather tinny, scene-setting style and tending towards melodrama at the end, in ways that Caryl Phillips clearly ironed out as a writer very soon after writing this play.
But there are flashes of brilliance in the writing and the characters, while somewhat stereotypical, are tragic and engaging.
In fact, the whole piece is engaging throughout; although the play is rather long for the simple story it tells, the piece held our attention throughout.
This is not a play that will cheer you up if you seek some light entertainment. It will make you think about the issues and if you like visceral drama then it is most certainly for you.
Formal reviews, if or when they come, should be available through this link – click here.
licensed under the Creative Commons Attribution-Share Alike 4.0 International license.
The Bush does not shy away from producing plays of this kind and that’s one of the reasons we like the place so much.