To some extent I was still basking in the glory of last night’s real tennis match, in which I had played a small but decisive part in the MCC’s recovery from near defeat to eventual victory against Middlesex University by three rubbers to two. In truth it was the incredibly exciting fourth rubber which turned the contest – our pair had some five match points against them in their rubber before turning it around. I played in the deciding fifth rubber.
The match isn’t up on the web yet (at the time of writing – I do hope it does go up eventually) – here’s one I featured in a few months ago – also a final rubber – see 6:30 to 7:20 on this vid.
But I digress.
The original plan for this SJSS lunchtime concert had been to go with John Random, but he had to pull out of this one. So I even considered missing out myself.
But when I re-read the SJSS stub about the concert…
…scraped to here if the SJSS link no longer makes sense…
…I decided that:
Wild Gypsy fiddling, Jewish and Greek music, and tango, alongside interpretations of Japanese, Polish and Sephardic songs…
…was just what I needed before going to the office on a Thursday afternoon. Not least because we have just returned from Japan, where we came across very little actual Japanese music…
…unless you consider eki-melo to be quintessential Japanese music:
But I digress again.
Anyway, I’m very glad I made the decision to go to SJSS that lunchtime and see the Kosmos Ensemble perform.
They are three very talented young musicians who met while studying at the Royal Academy of Music and formed this ensemble as a vehicle for their shared interest in world music.
Actually I don’t think we got any “Sephardic Songs” as promised, but we did instead get a Serbian lament and some Scandinavian music, plus even some Scottish and English themed music.
Some pieces worked better to my ears than others – one or two of the pieces inserted phrases from well-known works at a level of subtlety that might even make PDQ Bach blush. I sense that all three of them are most at home with Eastern-European melodies and rhythms – but their virtuosity and curiosity help compensate for those elements of the programme that were not quite to my taste – I pretty much enjoyed the whole set.
For me the highlights were:
- the Japanese-style piece Sakura (Cherry Blossom):
- a version of Piazolla’s Libertango with a sort-of Klezmer cadenza at the end, which they have nicknamed “Liberklezmango”:
All three of the musicians: Harriet Mackenzie, Meg-Rosaleen Hamilton and Miloš Milivojević are clearly embarking on highly successful careers and I wish them well individually and as an ensemble.