Hangmen by Martin McDonagh, Royal Court Theatre, 10 October 2015

We were really looking forward to this. While we were unsure about McDonagh’s earlier work, such as The Cripple of Inishman, we absolutely loved The Pillowman and had been hoping to see another new play by him.

We certainly were not disappointed by this play/production. It had us gripped from the start. It is a shocking, at times hilariously funny black comedy about the last hangmen in the UK. The mixture of cunning plot twists and traditional comedic devices works brilliantly. Great cast, great production, what’s not to like?

The Royal Court stub – here – covers more or less all you need to know, including links to the myriad of rave reviews this production justifiably received. 

The production earned a major west end transfer, deservedly.

 

The Nether by Jennifer Haley, Royal Court Theatre, 2 August 2014

Just occasionally we see a play/production that really sticks in our minds, so much so that we are talking about it and/or referring to it for years afterwards,

The Nether was such a piece.

Here is a link to the Royal Court resource on The Nether.

It is set in a dystopian future in which many of the real things we cherish (such as trees) have gone but humans spend much of their time in virtual reality worlds.

The play grapples with some of the ethical issues we need to think through in this context; not least moral injury.

But this is no mere preachy issues play – it is a gripping drama too and you end up really grappling with many moral dilemmas in 80 minutes.

Stanley Townsend led a tip-top cast.

The production deservedly got excellent reviews – click here for a search term link to those – and it got a west end transfer.

Below is a vid of a Royal Court debate with the playwright and Professor Anthony Beech:

Port by Simon Stephens, Lyttelton Theatre, RNT, 26 January 2013

This was an excellent play/production.

We’re really keen on Simon Stephens work and had high hopes for this play – high hopes that were indeed met.

The play is basically about Simon Stephen’s home town – Stockport.

This was a revival of one of Simon Stephen’s early works – we didn’t realise that when we booked it, bit never mind.

Years later, when Janie and I went to Southport, I had terrible trouble convincing Janie that they are very different places in the North-West with vaguely similar names.

Unfamiliar names in the cast but all did a cracking job. Superb design too. Marianne Elliott is such a good director.

Below is a trailer vid:

The piece had very good reviews – here is a link to a search term that finds them.

Below is a vox pop audience feedback vid:

Our vox pop – both Janie and I really liked it.

We went to see Marianne Elliott & Simon Stephens talk about the play 10 days later, which was interesting and good too:

Marianne Elliott And Simon Stephens On Port, 7 February 2013

This House by James Graham, Cottesloe Theatre, 22 September 2012

This was a bit unfortunate for us, as we were there for a preview and Phil Daniels had just been forced to pull out of the leading role, so we saw the understudy (Andrew Frame I think, although we might have had a temporary understudy our night) reading from the script.

Even so, I don’t think this was really our type of play.

The Cottesloe had been laid out like the House of Commons, with the audience on both sides forming the back benches.

The play is basically about the chaotic era of the hung parliament in the mid-to-late 1970s; not least the scheming of the whips to try to get some semblance of business done in trying times.

At the time of writing (March 2018) this seems like a hark back to halcyon days, but in 2012 I think we were supposed to be thinking, “thank goodness our 2012 coalition is so much saner and more stable – politics is just more mature now, isn’t it?”

Below is the trailer:

There were some amusing lines, but it was all a bit obvious and of course, as the case with all dramatisation of historical events, there was no suspense for us in the “what happens next” department because we lived through it all as youngsters.

As a play, it all felt a bit “tell” rather than “show”.

I have a lot of time for John Graham as a playwright but this one didn’t really do the business for us and I don’t think it was just the unfortunate understudy business – we’ve seen enough theatre to be able to adjust and allow for that.

We saw Beth (from downstairs) and her dad across the political divide; I discovered afterwards that they got more out of it than we did…

…as did most of the critics, who hailed the piece and the production – click here for a link to the reviews – so don’t listen to us.

The Curious Incident of the Dog in the Night-Time, Mark Haddon adapted by Simon Stephens, Cottesloe Theatre, 11 August 2012

I don’t normally go for adaptations of my favourite novels, but something told me this would be well worth seeing and also that Janie would like it. I was right on both counts. It was probably down to the fact that Simon Stephens was adapting it and also the stellar-looking cast and creatives boasted.

It was a fabulous evening of theatre. This adaptation deserved the plaudits it received in the press and the many transfers and re-runs that have followed.

There is even a Wikipedia entry to document the play’s progress – click here.

…and so on.

From our point of view, this was a cracking night at the theatre. It was also darned close to the 20th anniversary of our very first date, in August 1992, which happened to be at the Cottesloe. There’s cute for you.

Children’s Children by Matthew Dunster, Almeida Theatre, 26 May 2012

I recall us both rather liking this play, without being bowled over by it.

Some very clever writing and lots of issues to chew over afterwards. A good blend of family comedy/drama and global issues. Very Islington.

Here is a link to the Almeida resource for the play/production.

The trailer below is quite good:

The reviews were, deservedly, good but not great – click here for a search term link. As Woody Allen might have said, “it was a good play, not a great play…”

Haunted Child by Joe Penhall, Royal Court Theatre, 3 December 2011

We thought this was an excellent play and production.

We booked it on the back of Joe Penhall’s superb play Blue/Orange. We also got a fantastic cast, not least Ben Daniels and Sophie Okonedo.

Here is the Royal Court resource for this play/production.

The Ben Daniels character, the father, is basically being sucked in by a cult. On reflection at the time of writing (January 2018) it has a fair bit in common with My Mum’s A Twat – click here, which we saw recently, except the cult-ista in the more recent case is the mum and the storyteller is the affected child later in life.

Anyway, Haunted Child mostly got very good reviews – click here for a link term that should find them.

Below is the trailer:

A Delicate Balance by Edward Albee, Almeida Theatre, 7 May 2011

A stellar cast for this Edward Albee revival.

Here is a link to the Almeida resource for this production.

Of course it was wonderfully well acted and the production was excellent, but I recall not being too enamoured of the play. It was quite long and wordy. I think you are supposed to feel trapped by the play, much as the characters are trapped in their circumstances.

On the whole the critics loved it – here is a search term that finds reviews and stuff.

I have also found an interesting vid that shows how the Almeida team transformed the place from The Knot Of The Heart into A Delicate Balance:

Spur Of The Moment by Anya Reiss, Royal Court Theatre Upstairs, 3 August 2010

A rare visit to the theatre on a Tuesday evening.

We were invited, as friends of the Royal Court, to a pre theatre reception and a chance to see this play by a young writer coming through the young writers’ programme.

In truth, we don’t need much encouragement to support the young writers; we go to a lot of the young writers stuff upstairs anyway.

But it was nice to be asked.

We enjoyed the drinks. Got tapped up by the development people just a little and then enjoyed the play.

Not the most sophisticated play ever to come out of the programme, but the piece has some real punch and is most impressive when you consider that Anya Reiss was only 17 when she wrote the play.

Here is a link to the Royal Court resource on this play/production.

The critics were almost universal in their praise for Anya Reiss – here is a link to a search on relevant reviews and stuff.

Mrs Klein by Nicholas Wright, Almeida Theatre, 24 October 2009

We both really enjoyed this play/production about he psychoanalyst Melanie Klein.

I had seen the original production of this play at The Cottesloe back in 1988 and really liked it.

Janie and I are keen Almeida-istas;  I guessed that this would be yet another really good Almeida production and that the play would be to Janie’s taste. Add to that a superb cast – Clare Higgins and Nicola Walker are two of our favourites, plus Thea Sharrock (formerly at The Gate) directing…

…what could go wrong? Nothing. This was a great production and Janie did really like it.

As usual, there is an excellent Almeida resource about the play/production – click here – with information, pictures and reviews.

The reviews were nearly all very good and the very good ones are accessible in full from the above resource.