The Milk Train Doesn’t Stop Here Anymore by Tennessee Williams, Lyric Hammersmith, 29 November 1997

I wrote the following in my log around the time:

Unusual production; worked in many but not all respects.

Originally done at Citizens Theatre, Glasgow in October 1994.

This play is not, in my view, top notch Tennessee Williams, so there was possibly only so much that could be done with it. Philip Prowse did his best as director. Rupert Everett flamboyantly and memorably played the role of Flora Goforth.

Like us, Nicholas de Jongh was impressed by the performances but not 100% sure about the play in The Standard:

28 Oct 1997, Tue Evening Standard (London, Greater London, England) Newspapers.com

Susannah Clapp in the Observer observed the performance as uber-camp

02 Nov 1997, Sun The Observer (London, Greater London, England) Newspapers.com

Charles Spencer in The Telegraph didn’t like it much:

29 Oct 1997, Wed The Daily Telegraph (London, Greater London, England) Newspapers.com

Salome by Oscar Wilde, Phoenix Theatre, 10 February 1990

Oh my goodness we did not like this one. My note in the log:

Dreadful – performed in slow motion. Probably would have left at half time had there been an interval.

That’s not good.

Super cast. Steven Berkoff as Herod and directing it. Katharine Schlesinger as Salome. Rory Edwards as John…

…just didn’t work as a production. Frankly it’s not much of a play in my view.

Kate Kellaway seemed to like it:

Kellaway on SalomeKellaway on Salome Sun, Nov 12, 1989 – 42 · The Observer (London, Greater London, England) · Newspapers.com

Michael Billington seems to share my doubts about the play but praised the production.

Billington on SalomeBillington on Salome Thu, Nov 9, 1989 – 27 · The Guardian (London, Greater London, England) · Newspapers.com