Nothing But The Truth by John Kani, Hampstead Theatre, 9 February 2007

We really wanted to like this piece a lot.

John Kani is a bit of a legend of South African theatre, having been so influential in Athol Fugard’s plays and the like.

The subject matter – Truth and Reconciliation and all that – was right up our street. It was great to see John Kani performing in his own play.

In truth, this piece did less for us than we’d hoped.

It was well produced and well acted. Perhaps it had been built up so much as a modern classic that it was bound to disappoint us a bit.

It had some good moments and we were pleased to have seen the piece, but it didn’t really grab us the way we had hoped.

By way of contrast, the play we saw downstairs a few years later, A Human Being Died That Night – click here or below…

A Human Being Died That Night by Nicholas Wright, Hampstead Theatre Downstairs, 10 May 2013

…really did grab us. Coincidentally, our next visit to the theatre was to see a Nicholas Wright – The Reporter.

Click here for a link to reviews and stuff – mostly very good – on Nothing But The Truth.

Below is a clip from a Cape Town production of the piece, but without John Kani himself performing:

Below is an interview with John Kani:

Hello And Goodbye by Athol Fugard, Almeida Theatre, 6 September 1988

My log says that this play/production was superb and I certainly remember it as so.

The play is one of Fugard’s earliest – a two-hander about a brother and sister in the Eastern Cape; somewhat down-at-heel Afrikaners. Here is a link to a Jhu article about this lesser-known Fugard play.

This might have been my first sight of Tony Sher performing live and it was, I think, my first ever visit to the Almeida Theatre. Those things were oft-repeated after this night.

I don’t think I have ever seen Estelle Kohler perform since, but I recall thinking that her performance, as well as Tony Sher’s, was acting from the very top drawer.

But then what did I know? Or indeed what do I know? Except that, on Googling this production, it seems that both performers picked up Olivier Award nominations for their performances in this one that year – click here.

I saw this production with Bobbie midweek – on a Tuesday – whatever next?

I wonder whether Ivan Shakespeare sold us the programme or ushered us to our seats – I didn’t know him back then, but I believe he was volunteering at the Almeida for many years before I met him through NewsRevue.

The production was actually an RSC thing – a brief exile from the Barbican at the Almeida.

Here is a link to the Theatricalia entry on this production.

Below is Nicholas de Jongh’s Guardian review:

Nicholas de Jongh on Hello & GoodbyeNicholas de Jongh on Hello & Goodbye Tue, Aug 9, 1988 – 17 · The Guardian (London, Greater London, England) · Newspapers.com

Below in Michael Ratcliffe’s Observer review:

Ratclliffe on Hello & GoodbyeRatclliffe on Hello & Goodbye Sun, Aug 7, 1988 – 39 · The Observer (London, Greater London, England) · Newspapers.com

This was a really memorable night at the theatre – more than 30 years later, I can still visualise the Johnny and Hester characters hollering at each other – I can still almost feel their pain.