Too School For Cool, Edward Alleyn Club Dinner, 12 November 2016

Them Good Old Boys
Them Good Old Boys

Formal school alumni dinners are not really my kind of thing, nor are they Janie’s kind of thing. Indeed, both of us have managed to reach a fairly ripe (if not actually old) age without ever having attended such an event.

Until this event.

This event was going to be different. Why? Because Chris Grant was the President of the alumni club this year and he wanted to make the event different. In any case, you turn up to events like this to support your friends when it is their gig.

The first I heard of the matter was the evening back in January when a gang of us gathered at Z/Yen to experience Rohan Candappa’s wonderful monologue, “How I Said F*** You To The Company…” and have a curry afterwards – click here for the Ogblog piece on that evening.

I explained to Chris that I don’t do weekend stuff without Janie, but that notion only reinforced Chris’s view that this year the dinner should be different and that he would actively encourage people to bring their partners.

To add to the “making it different” motif, Chris engaged Rohan to write and perform a short monologue for the pre-dinner reception. Chris also asked David Wellbrook to act as Master of Ceremonies for this additional feature.

The long and short of it was, I ended up being a bit of a cheerleader for the event amongst our generation – although it was naturally down to John Eltham to act as gang-leader for those of us from our era to book and sit as a gaggle.

We’re On Our Way

Janie (aka Daisy) in frock
Janie (aka Daisy) in frock
Ian (aka Ged) in a state of tux
Ian (aka Ged) in a state of tux

It seemed strange arriving at the school gates with Janie, but we had the good fortune to run into John Eltham and Steven Butterworth as we were walking in. The pre-dinner function was in a new Edward Alleyn Building, which didn’t exist when I last visited the school, many years ago.

Our rabble-rousing had born fruit, so I chatted briefly with several people from our era; David French, Paul Driscoll, Nick Jarmany, Nick James, Tim Moulson, Tim Church and several other people at that reception.

Rohan’s Bit

Rohan’s short monologue was good fun. A meander around the theme “South London, Nah Nah Nah”. The talk included some navel-gazing around the word south itself. Should it be pronounced “sarf” or “sowf” rather than “south”, for example. Is it merely convention that south is shown below north – after all, the world is a globe? Rohan’s conclusions or central theses (I am truly bigging up this talk, aren’t I?) were that:

  • South London is an edgy underdog that deserves our affection and support, even if some of us have long since migrated north,
  • we Alleyn Old Boys (at least the cohort from our era) formed exceptionally strong bonds of friendship which have kept us together and/or brought us back together across many decades and in some cases vast geographical spread.

Rohan teased us throughout his talk about a blue joke that David Wellbrook wanted to tell, much against Chris Grant’s better judgement. Rohan then nearly told the joke through audience participation, but concluded that South Londoners do not need to be told the punchline of the joke; they are edgy enough to work it out for themselves:

What do we want?

A cure for Tourette’s.

When do we want it?

If you want to read Rohan’s wonderful piece in full, he has kindly agreed to its wider circulation and it is therefore Ogblogged as a guest piece in its own right  – click here.

The Dinner Itself

Then across to the school dinning room for the dinner. It seemed strange to be fine dining in that place, all done up to look sprauncy. Chris had chosen a very imaginative meal, based around curry, to symbolise the friendly informal meet ups that invariably end with a curry.

But this was a posh curry-based meal. A starter of slightly spicy scallops, enough to tell you that the meal was posh, that being the first of three interesting courses. Then cheeses, then coffee and petits fours. A well posh curry-based meal.

There were several toasts, speeches and club business in-between, mostly based on the traditional/regular/formal format of the club, I suppose.

Janie and I were honoured and indeed privileged to be seated next to Sir Nigel Godfrey. Sir Nigel, apparently, has recently received a gong for services to the New Zealand beauty pageant industry.

Ged and Sir Nigel Pontificating Nicaragua
Ged and Sir Nigel Pontificating Nicaragua

Sir Nigel was wearing his Broach of Honour with pride that evening, but sadly he seemed to keep it covered up whenever Daisy was nearby with her camera. Perhaps he thought she might swipe the bauble if he left it unguarded even for a moment. How does he know that Daisy is such a scallywag?

Our table rapt with attention as Sir Nigel orates. Mr Wellbrook taking electronic notes, presumably
Our table rapt with attention as Sir Nigel orates. Mr Wellbrook taking electronic notes, presumably

Daisy was also sitting next to Mr Wellbrook, who had been Master of Ceremonies earlier. I asked Chris Grant, “what did Daisy and I do to deserve the honour of sitting next to Sir Nigel and Mr Wellbrook?”, but I think Chris must have misheard my question, because he merely said, “there’s always one short straw”, which seemed to me to be an answer to an entirely different question.

Then Chris Grant made a short but touching and excellent speech, continuing the themes of edginess and especially the theme of enduring friendship.

The audience was then subjected to the Headmaster’s Savage response…

…correction…I never was much good with grammar, I should have paid more attention in English lessons…

The audience was then subjected to the Headmaster, Dr Savage’s, response. Dr Savage seemed keener on the friendship theme than the edgy theme. That is understandable really. Can you imagine the mischief that might kick off in the school and end up with pupils sent to the Headmaster’s Study, only to get the phrase thrown back by the miscreant, “but Sir, you told us that it is a good thing for us to be edgy”?

Dr Savage spoke very well and quite wittily, although I did think he missed a golden opportunity to pun on the pronunciation of Suffolk (from whence he hails) and Southwark, the borough in which he now heads a school. After all, the two place names, at least when pronounced by a native of the latter, are indistinguishable. (I think he might have been trying to make such a joke, but he got a bit confused and mentioned Norfolk, for seemingly no reason.)

In short, Savage is a talented speaker who prepares diligently, but he lets himself down at times through hurried delivery and under-rehearsal of the humorous lines. A-, could do better than this.

There is an official report and deck of photos for this event on the Alleyn’s School site – click here.

And Then Home

We thoroughly enjoyed our evening. Janie found the company delightful, both the old boys and their wives/companions, such as Lenneke (Chris’s partner) and Emma Jane Moulson. Similarly, I enjoyed chatting briefly with those two and at greater length with Victoria (Oliver Goodwin’s partner) as well as chatting with old school friends.

My only regret is that I barely got a chance to chat with some people I would have very much enjoyed catching up with properly, such as David French, Paul Spence and Nick Jarmany. Perhaps next time, although I hope our next time is a less formal gathering.

Next morning, there was no respite. Daisy and I got up to play tennis in our usual Sunday morning slot. Half way through the game, I realised that I had subconsciously donned a purple top and a purple bandanna. Purple. The Cribb’s House colour. Steeled by my renewed sense of tribal purpose, I naturally went on to win the set.

You can take the boy out of Cribbs House, but you cannot take Cribbs House out of the boy.
You can take the boy out of Cribb’s House, but you cannot take Cribb’s House out of the boy.

A Most Unusual, Multi-Media, Transatlantic, Partially On-Air, Pop-Up Gathering by Part of the Old School Clan, 7 May 2016

I had been corresponding with my old school friend Paul Deacon on Facebook for the previous couple of days, sparked by:

As an aside, Paul asked me if Janie and I had listened to his weekly broadcast on The Grand At 101 lately. I had to admit we hadn’t. The show is on Saturday afternoons in Ontario, therefore Saturday evening here. Janie and I are almost always out on a Saturday evening – Ogblog postings passim attest to this fact. It must be more than a year; perhaps even a couple of years since we last tuned in.

However, our Saturday evening plans – feeding friends Kim, Michel and David – had, for practical reasons, been switched to Sunday lunch instead. As it turns out, Sunday 8 May is scheduled to be “sunny, hot, sit in the garden” weather, so the switch was fortuitous in many ways.

In short, we would be around, so I told Paul we’d tune in at least to some of the show. In the course of this correspondence, Paul Hamer (another old school friend) said that he would also tune in “while cooking his risotto”. At the start of the show, Paul Hamer evidenced the fact that he was listening and cooking risotto with this picture:

Paul Hamer Risotto Evidence
Photo courtesy of Paul Hamer

Indeed, Paul Deacon’s posting about his show and all the ensuing Facebook correspondence can be found here.

Once we were listening in, I mischievously sent Paul the following private message, which relates closely to the rag, tag and bobtail records we procured at the Slipped Disc all those years ago:

Ian and Janie messaging in from warm and sunny London. Would you be able to spin a 45 for us today? Ideally a Melodisc classic, such as Jolie La Ville Curepipe by the Alain Permal Mauritius Police Band, Agbogun G’Boro by Tunde Nightingale and his HighLife Boys, Bulgarian Betrothal by the Bulgarian Variety Orchestra or the classic Stop For The Music by The Nutrons. We and your listeners deserve nothing less.

Melodisc was a most unusual label – probably the first truly “Indie” label around – read more about it here.

Of course, I should have known better than to challenge Paul to play an unbelievably obscure 1960s record.

Soon after 20:00 our time, Paul Deacon broadcast a shout-out to Paul Hamer and played some rather unappetising sound effects in honour of Paul Hamer’s jumbo prawn risotto. Paul Hamer’s retort; a photo of said risotto in all its glory – makes better Facebook/Ogblog than it does radio…but it does look very appetising:

Paul Hamer Risotto Full Glory
Photo courtesy of Paul Hamer

I showed Janie the jumbo prawn risotto picture; she suggested I take a picture of the remains of our dinner and upload it. I made an executive decision not to do that. Even if people could imagine that fine meal from the messy carnage of (what had only recently been) a most impressive-looking roast duck…I wouldn’t have wanted to upstage Paul Hamer.

Then a few minutes later Paul Deacon broadcast a shout-out to me and Janie. Much to my embarrassment, he actually played Stop For The Music by The Nutrons as a request for us. “Truly terrible”, was Janie’s verdict on that obscure musical masterpiece.

When Paul (wisely) interrupted the track before the full 125 seconds of noise had completed, he played The Grand at 101 jingle. “Oh, so Paul also has a Room 101 for crappy records then?”, asked Janie. “No”, I replied, “101 is the FM broadcasting frequency of Paul’s radio station”.

To explain, if I put something on a music playlist that Janie really doesn’t like, it doesn’t simply get deleted from that playlist, it gets moved to a playlist named “Janie’s Room 101 Playlist”. The latter playlist would, in extremis, be played continuously on a loop if Janie ever were so badly behaved as to require sending to Room 101 for re-education.

Readers will, I’m sure, be unsurprised to learn that Janie’s Room 101 is more a theoretical construct or “empty threat” than anything approaching reality. She’s stronger than me for a start. Paul Deacon would be a little disappointed by some of the tracks that have ended up in Janie’s Room 101, but there’s no accounting for taste.

Meanwhile, Paul’s radio show. While simultaneously joking with several of us on Facebook, digging out obscure 1960’s Melodisc records…oh, and of course actually broadcasting a show an hour longer than his usual slot to cover for someone…

…Paul Deacon also told us that John Eltham (another old school friend of ours) would be joining him at the studio “any minute”, along with Rich Davies – yet another old school friend, who lives in Ontario near the Deacons.

I was aware that John Eltham was due to visit Paul and Rich this month, as John had mentioned the visit in correspondence with me a couple of weeks ago. I hadn’t twigged that the visit was so imminent. Indeed, while the broadcast was still going on, Paul wrote:

He’s here now! Just telling us about Rohan…

…the Rohan reference is to Rohan Candappa. I suppose in particular the “telling” was about a gathering we had a few months ago to see Rohan’s wonderful one-man show, which we now learn will be going to Edinburgh this summer – click here to read about it.

So, I woke up this morning to see these wonderful postings on Paul’s Facebook Area:

Johnny & Pauly On The Grand
Johnny & Pauly On The Grand – Photo courtesy of Christine Deacon (I think) via Paul Deacon
A Grand Quartet
A Grand Quartet – Photo courtesy of the waiter via Paul Deacon

I reflect that this connected world of ours is truly marvellous. We can banter with old friends and listen to radio broadcasts across continents. Face-to-face visits across such distances are now affordable, practical realities also. But by gosh it helps if you can multi-task like Paul Deacon!

 

How I Said ‘F*** You’ To The Company When They Tried to Make Me Redundant by Rohan Candappa, Z/Yen Offices, 28 January 2016

Moncada Barracks or the old Z/Yen offices? One or the other.

Back in December, Rohan Candappa wrote to me asking if he could by any chance use the big Z/Yen meeting room on 28 January to try out his latest piece of performance writing early evening on the motley bunch of Alleyn’s alumni (I include myself in that epithet) who gather occasionally in the City for beer, curry and old times’ sake.

Strangely, Z/Yen’s big meeting room is not much used at 19:00 in the evening, so it would have seemed churlish to say no, especially when Rohan agreed to sponsor some beer and nibbles. Linda Cook, our Z/Yen practice manager, was hurriedly elected an honorary Alleyn’s alum for the evening, so the organisation of the event was practically resolved, even with John Eltham out of the country for much of January.

It felt incongruous (in a pleasant way) to have the Alleyn’s gang at the Z/Yen office for the evening. For one thing, I didn’t realise how well behaved we could be when gathered together in the right environment. There weren’t even any teachers to keep us in check.

But to Rohan’s extraordinary piece. The title basically divulges the plot. Rohan expresses in poignant terms the emotions he experienced when told that he was being made redundant. There is nothing funny about the way being made redundant makes someone feel, but the circumstances of this attempted redundancy are quite ludicrous. In the hands of Rohan Candappa, who is highly skilled at bitter-sweet humour as well as the more standard comedy variety, this sad story generated a remarkable amount of laughter. It is a very funny piece.

The humour builds once Rohan reaches the point in the story where, having had time to reflect on his seemingly hopeless situation, he decides to try and win against the odds. He initiates this twist brilliantly by telling the story of the Cuban rebels attacking the Moncada Barracks in 1953 – click here if you want to see the Wikipedia version of the story – although Rohan’s version is more pertinent to his story and far more fun.

Click here if you want to see the pictures Janie and I took of the Moncada Barracks in 2007.  Indeed feel free to hang around in Flickr looking at our Cuba pictures generally.  It’s one heck of a photogenic place.  As long as you promise to come back here afterwards and finish reading this blog piece.

Once the “fight back” part of Rohan’s story starts to unfold, the piece becomes even funnier and has terrific momentum to it. I almost felt sorry for [Insert name here] (the boss behind the attempted redundancy) and his human resources hench-woman…

…I said ALMOST felt sorry for them. Cut me some slack guys. Or say how you felt about it with your own words in the comments section. Don’t just yell at the screen.

There are precious few pieces of theatre about the workplace and even fewer good ones. With all due respect to Vaclav Havel, who wrote several absurdist pieces about work places, I have seen more than one but never got much out of those Havel plays. Indeed, the only really good play about the workplace that comes to my mind is David Mamet’s Pulitzer Prize-winning play Glengarry Glen Ross.  In an intriguing echo of Rohan’s title, btw, the film version of Glengarry Glen Ross (which is a very good movie) has the phrase “F*** You” articulated in an infeasible number of different ways for a two-syllable phrase. But I digress. My point is that the workplace is a big part of our lives but is wicked hard to turn into good drama. Rohan has succeeded in producing some very good drama indeed in this piece, which is a commendable achievement.

In short, the piece is a triumph and I really hope that Rohan progresses with it and gets it a wider audience. It is really thought-provoking as well as entertaining.

We sat in the meeting room chatting for ages after the performance; some of the group are people who have been made redundant, others of us people who have been in a position where we have dismissed staff ourselves. Everyone had experiences, thoughts and points to make. Eventually we realised that we were late for our meal and that our restaurant booking might go south unless we quickly headed south to the Rajasthan. So we migrated and continued our conversations there. A very special evening.

Alleyn’s Alum Gathering, The Fine Line & The Rajasthan, 4 March 2010

With thanks to Paul Deacon for this and the following photos.

In truth, until this event, I had been pretty rubbish at keeping in touch with people from school.

I’d certainly avoided formal gatherings over the years, relenting just once for a Saddlers’ Hall do a few moons/years before this event, which I shall write up for  Ogblog in the fullness of time.

But this one grabbed my attention, not least because one of the ringleaders was John Eltham (with whom I had already re-established contact through quasi-business stuff).

Also because it was billed as an informal gathering of the “Class of 1980”; a rehearsal for some formal thing that was coming up that summer (which I resolved not to attend).

Also because Paul Deacon (one of the few people with whom I had kept in touch over the years) pipped me an e-mail letting me know that he’d be there and hoping that I’d be there too.

I have “borrowed” the photos from Paul’s Facebook postings – which can be seen in their original splendour by clicking here if you are a Facebooker – ahead of asking Paul’s permission to replicate them.

Please my I borrow your photos Paul?

So, if all the photos have disappeared from this Ogblog piece before you read it, that means that Paul has said no to my request and I have zapped his photos. But if the photos are still here, thanks Paul, for the photos.

Now where was I?

The Fine Line in Monument Street, that’s where. At the time of writing (and linking) I believe it has been renamed The Hydrant.

I remember taking along a couple of pieces of memorabilia which caused some mirth; namely my slide rule and a pair of sports socks into which my mum had sewn little patches with my name on them. The slide rule is no longer much use to man or beast (apart from explaining to youngsters how lucky they are to have computers doing all that stuff for them). The socks might come in handy as I approach the other end of my life – e.g. if I start to forget my own name.

I remember meeting Susie Schofield, who was then the new alumni person, chatting with her for some time. I’m not sure I let on that I wasn’t really the most alumni-amiable person at the event…in fact I think I got away with it.

Milk, Peanut, the nicknames all came flooding back…

It was a very convivial gathering and I got to chat with lots of people. Lots of people got to chat with lots of people. Convivial gatherings tend to be a bit like that.

Why I cultivated the most pompous face on earth for this photo is anyone’s guess…perhaps because I appear to be balancing a speaker precariously on my head, to the amusement of Paul Deacon, David Wellbrook and Facebook commentators at the time

I know this next bit sounds almost unbelievable to the uninitiated, but after the drinks, many of us ended up a few doors away in The Rajasthan for a curry. Yes, really.

You want evidence?

The Rajasthan…evidently.

I tried to settle my account with a fifty-billion dollar financial instrument. Yes, really.

You want evidence?

50 Billion here and 50 Billion there soon adds up to real money.

I look a bit tired and emotional in that last photo; parting company with money sometimes has that effect on me. But in truth I had very much enjoyed that evening, which in many ways kicked off my rejoining of the fold and joining in many subsequent convivial evenings with the old school clan.

An Uneventful Day Playing Fives, 9 June 1975

Phil Bishop & Dave Fox playing Rugby Fives, RFA Website, GPL

Without doubt my favourite game in the early days at Alleyn’s was fives. Specifically at Alleyn’s we played Rugby Fives.

It was the only sport at which I was good enough to represent the school and no doubt that selection only came through my comparative ability with the left-hand as well as the right. Let’s not call this ambidextrous, in my case more like ambiclumsy. In any case, my doubles partner was Alan Cooke and he was good. I probably got my team berth more on the back of Alan’s skills than my own.

Still, I wasn’t bad and there are lots of references to my successes and failures throughout my diaries, especially 1974 & the first half of 1975.

But looking back today, early February 2016, I thought I should write a short piece about this simple entry I found for 9 June 1975.

Uneventful day.  Beat Eltham 11-5, 11-5 in Q-Finals.

Now in my book, John Eltham was good at sport. Really good at sport. I’m not sure John played fives much, but he was generally good at sport.

I was not good at sport. Really, really, really not good at sport. There was the occasional success, of course, not least one goalkeeping tale of derring-do that I have promised not to blog about…

…for the time being…

…until I can find the reference and/or unless the promised hush money proves not to be forthcoming…

…but my point is, looking back, I don’t see how the two sentences in the above quote could possibly be talking about the same day. Beating John Eltham at any sport made it an eventful day. Heck, just having got to the Q-Finals of any sport made it an eventful day for me.

But perhaps my young mind, turned by some fleeting success, was by then looking beyond a semi-final appearance to greater glory than that achieved.

The diary is silent on fives for the rest of the term apart from a fleeting mention of my semi-final loss a week-or-so later, with no mention of the score or the opponent – click here or below – clearly I couldn’t even bear to write down that particular losing result.

A Truly Thrice Awful Day In My School/Sporting Life, 18 June 1975

Anyone care/dare to own up to ruining this poor kid’s day by destroying his one chance at glory in the internal fives competition? I fancy a rematch.

Postscript One

John Eltham, on seeing this posting, e-mailed me the next day to say:

You modestly left out the fact that we had at least two national Rugby Fives champions in our year ! Hodson & Stendall.

Indeed we did, John. And indeed Jumbo Jennings latterly. I’d forgotten about Neil Hodson in that context.

I have a strange feeling that it might well have been Hodson who beat me in the semis – I have always had a sense of unfinished business with him and I probably would have been too gutted to report the loss. Whereas Chris Stendall was, like Alan Cooke, an old mate from primary school; I took my (more often than not) losses against them on the chin and regularly recorded those in the diary.

Postscript Two

After writing the above line “I fancy a rematch” and posting this piece, I then knelt down to put the 1975 diary back in the box under the bed and then…felt my left hammy twinge when I got up again. Perhaps a fives rematch at the age of 53 is not such a good idea after all.

Postscript Three

For reasons of his own, Rohan Candappa presented me with a trophy commemorating this historic fives victory, in December 2018, described here:

From left to right: John Eltham (just in picture), Rohan Candappa, Paul Driscoll & Ollie Goodwin