Olly Goodwin having received his Olly-Vier Theatre Award from Rohan Candappa
The above quote comes from Germaine Greer. It is apposite to both elements of the enjoyable evening I am about to describe.
“It was Candappa’s fault, Sir”. That non-quote is nevertheless true – this evening would not have happened, had it not been for Rohan Candappa doing his thing, both in terms of keeping us ’73-’80 Alleyn’s alums together and in helping to promote writing and theatrical talent.
Kat Kleve first came into my orbit when she worked with Rohan on One Starts in a Barber’s, One Starts in a Bar, which several of us Alleyn’s alums first saw at the Gladstone Arms in the autumn of 2018, after which it went to Edinburgh the next year and ultimately Kat’s bit ended up being Rohan’s first Lockdown Theatre production, And You Are? You can read all about it by clicking here or the link below.
At the time, I gave that piece the wildest praise I could conjure at the time:
Better than watching Boris Johnson telling you what to do and what not to do – Ian Harris, Ogblog.
Strangely, neither Kat nor Rohan latched on to that quote for promotional purposes at the time. Pearls…
…anyway, this time around Kat is performing her own show, written with Lizzy Connelly, named Tink. The play did famously well at Edinburgh in 2023 and now has a London run at The Other Palace. Book early to avoid disappointment.
Hence Rohan’s idea for us alums to meet up there for a bite, a drink and a show.
As coincidence would have it, Olly Goodwin was a Trustee of The Theatres Trust back when The Other Palace was just an idea. Olly was instrumental in helping that project get its planning permission. If you have ever wondered why that building has a glorious but perhaps incongruous-looking marble staircase…
…ask Olly. And if you have ever wondered why Rohan thought fit to award Olly Goodwin with an Olly-Vier Theatre Award…see headline photo…the answer is intrinsically connected to the above coincidence.
The food was pretty good and the serving staff delightful at The Other Palace, even when Olly exclaimed:
Hey, why have you served Ben with his drink before serving mine, which I ordered earlier?…
…ignoring the large glass of wine that the waitress had placed in front of him a few moments before serving Ben. That wine glass is also commemorated in the headline picture.
Here is the whole scene just before we went into the theatre…except that my lens isn’t wide enough to have captured all the group and I have cruelly left out our ringleader, Rohan.
You’ll just have to take my word for it that Rohan is like a kid in the proximity of a candy store on such occasions.
Actually, we all tend to display our inner overgrown schoolboy modes when we get together, which is at least some of the point behind getting together. As Germaine Greer said:
You’re Only Young Once But You Can Be Immature Forever.
Anyway, recollecting our youth over dinner will have helped prepare us for the coming of age musical, Tink, which we then went down the Olly Goodwin Memorial Marble Staircase to see.
Tink by Lizzy Connolly & Kat Kleve
Here is a link to the Other Place information and resources on this show.
Here’s the trailer:
The conceit of the piece is that the central character – this is a one person show – is a modern Tinkerbell, growing up in the early 21st century rather than the early 20th century character in Peter Pan.
Not in truth my type of show, but Kat Kleve is a very talented and versatile performer, so there was plenty to enjoy in the performance.
It’s basically a coming of age story set in a fairies and elves context, which seemed startlingly like a human context to me. I liked the agonies Tink goes through around trying too hard to be the best at everything (which, it seems, is not guaranteed to make you popular – who knew?) and the social mores around how to dress and behave at teenage parties.
Especially interesting, to me, was the business around social media, which hadn’t been invented when we were kids. I’d long suspected that it is probably even harder to bee a teenager now than it was back in our day – this play illustrated some of the reasons why.
The songs are not really my type of songs either. They reminded me a little of Ed Sheeran and Meghan Trainor style singer-songwriter songs. Very well delivered, though. Here is an example of one of the songs:
That style of song might be spot on for the intended audience for this show, which I imagine to be a bit younger than me. We were there for the opening night and didn’t feel out of place, but I suspect that the average age of the audience will come down a decade or two on most other nights…
…apart from the nights for which Rohan is taking a posse of his friends.
The show runs until 20 October, so if you are reading this in time you might well want to click this link and grab some tickets, before dynamic pricing takes Kat Kleve out of your price range.
