The Herd by Rory Kinnear, Bush Theatre, 21 September 2013

An engaging play at the Bush with an excellent cast, not least Kenneth Cranham and Amanda Root. This must have been Rory Kinnear’s first go as a playwright. Howard Davies directed.

We found it witty as well as moving – basically about a birthday party for a young man with severe learning difficulties.

Click here for the Bush resource on the play/production.

Below is the promotional interview vid:

It subsequently transferred to the Steppenwwolf Theatre in the States, which counts as a big win for a British playwright’s first play, I think.

Click here for links to the reviews, which were mostly, deservedly, very good ones.

Cardiff East by Peter Gill, Cottesloe Theatre, 22 February 1997

My log is quite clear about our opinion of this piece:

It was dreadful. We walked out at half time.

But wait – look at the stellar cast. Here’s the Theatricalia entry for it. Kenneth Cranham, Karl Johnson, Elizabeth Estensen, Windsor Davis…

…and Di Botcher. Di Botcher who directed Newsrevue in 1994 and seemed so keen on my stuff. Where’s the mutual support?

Well, in truth I do think that Di Botcher can act. Her role in this miserablist piece, as far as I could tell, was mostly to stand around looking miserable. Di stood around looking miserable with aplomb.

Here’s what our friend Michael Billington had to say…and you know for sure that when he uses the phrases “important” and “not an easy evening” that misery must be part of it:

Billington On Cardiff EastBillington On Cardiff East Thu, Feb 13, 1997 – 2 · The Guardian (London, Greater London, England) · Newspapers.com

East of Cardiff…

Michael Coveney in the Observer speaks more highly of it…

Michael Coveney on Cardiff EastMichael Coveney on Cardiff East Sun, Feb 16, 1997 – 73 · The Observer (London, Greater London, England) · Newspapers.com

…perhaps we should have stuck it out to the second half after all. But we were about to fly off to Lebanon & Syria just over a week later, so time was at a premium…and they really know how to play for sympathy over there.

We didn’t learn our lesson about Peter Gill’s miserablist Welsh plays, because just over 10 years later we went to see a revival of Small Change at the Donmar and got precious little out of that one either:

Some folk never learn, mark you.

The Production We Didn’t See – Entertaining Mr Sloane by Joe Orton, Duke of York Theatre, Possibly 7 July 1975

Michael Lempriere had arranged for our drama class to go and see Entertaining Mr Sloane by Joe Orton. It would have been the mid 1970s Royal Court revival production (probably the West End transfer thereof), with Beryl Reid as Kath, Malcolm McDowell as Sloane, James Ottaway as Kemp and Ronald Fraser as Eddie.

Here is a link to some good resources and reviews of that production.  Good reviews from that source, naturally.  It seems that the Spectator hated it though; a harsh paragraph at the end of a lot of stuff about other productions here.

Anyway, when my mum got wind of it that we were going to see THAT play, she went into high horse mode, for reasons I cannot quite work out. I think she just felt that we were far too young for…whatever it was…not that she really knew anything about it, other than the fact that she probably mentioned it to a friend and that friend looked horrified at the thought. perhaps a sample of two priggish friends.

Mum was probably in a grumpy mood generally at that time – she was in and out of hospital for the first half of that year, culminating in a hip replacement in May. Anyway, she decided not merely to ground me from this one – I might have got away with just minor embarrassment for that. She got on to the school and got the outing cancelled. How un-hip was that?

Several of my drama pals were mightily unimpressed with this, as was I. We were all very disappointed as much as anything else. Michael Lempriere handled the matter with great dignity I’m sure, but that couldn’t prevent the ribbing. In particular, I recall Bob Kelly giving me a hard time; not least suggesting my mother’s physical as well as behavioural similarities with Mary Whitehouse. As my mother had chosen to go down the cruel spectacles line during the mid 1970s (illustrated with a 1977 picture below) this was a difficult charge to deny.

Mum 1977

I’m not entirely sure when the theatre trip that never was should have happened. My diary is silent on the whole matter.  I am guessing it was supposed to be an after exams jolly at the end of my second year, but it might just have been a start of the next academic year jolly for our drama group. If the latter, we didn’t miss out on Ottaway and McDowell, we missed out on  Harry H. Corbett as Ed and Kenneth Cranham as Sloane.

I did eventually get to see a production of this play, but not until January 2001 at the Arts Theatre. My moral compass was not adversely affected by witnessing the play, as far as I can tell, nor was Daisy’s, although we were to be seen sunning ourselves in South-East Asia only a few weeks later…