Tag: Liz Clark

Conversations After A Burial by Yasmina Reza, Almeida Theatre, 16 September 2000

I should describe this as “the weekend of the playwright Rezas”, shouldn’t I, having seen Reza de Wet’s play Crossings on the Friday…

Crossing by Reza de Wet, Riverside Studio 3, 15 September 2000

…we ventured to the Almeida for Yazmina Reza’s much anticipated follow up to Art…except it turned out to be an earlier play, not a subsequent one.

I wrote nothing in the log about this one, and sense that we weren’t overly impressed, but nor were we especially disappointed. I remember little about it other than it being a very high-end Almeida cast and production.

Paul Higgins, Amanda Root, Clare Holman, Claire Bloom, Matthew Marsh & David Calder were the cast. Howard Davies directed it. Here is a link to the Theatricalia entry.

Let’s see what the pundits had to say.

Susannah Clapp was not impressed, other than with Claire Bloom:

Burial Clapp Observer Burial Clapp Observer 17 Sept 2000 The Observer (London, Greater London, England) Newspapers.com

On the other hand, John Gross in the Sunday Telegraph really liked it:

Burial Zinc Gross Sunday Telegraph Burial Zinc Gross Sunday Telegraph 17 Sept 2000 Sunday Telegraph (London, Greater London, England) Newspapers.com

Nicholas de Jongh also talks up Claire Bloom while damning the production with faint praise:

Burial de Jongh Standard Burial de Jongh Standard 13 Sept 2000 Evening Standard (London, Greater London, England) Newspapers.com

Casting vote to our friend Michael Billington, who liked its Chekhovian quality:

Burial Billington Guardian Burial Billington Guardian 13 Sept 2000 The Guardian (London, Greater London, England) Newspapers.com

Mr Peters’ Connections by Arthur Miller, Almeida Theatre, 22 July 2000

In truth, I remember little detail about this piece. My impressionistic memory of it is that we found the piece impenetrable and sensed that Miller was, sadly, well past his prime when he wrote it. I didn’t write anything positive or negative about it in my log…which is a tad negative.

We leapt in early and saw a preview on 22 July.

Here is a link to the Theatricalia entry for this production. The production toured subsequently.

Susannah Clapp compared it unfavourably with the Steppenwolf production that was touring at the same time.

Peters’ Clapp Observer

Article from 30 Jul 2000 The Observer (London, Greater London, England)

David Benedict slammed the piece directly in the Independent:

Peters Benedict Indy

Article from 27 Jul 2000 The Independent (London, Greater London, England)

While Kete Bassett Telegraphed her antipathy in the ehadline:

Peters’ Bassett Telegraph

Article from 28 Jul 2000 The Daily Telegraph (London, Greater London, England)

Nicholas de Jongh gave it a dreaded Standard blob rating, with words of damnation and occasional faint praise:

Peters’ de Jongh Standard

Article from 27 Jul 2000 Evening Standard (London, Greater London, England)

Would our friend, Michael Billington, rescue this one with his trademark kindness and positivity? The almost unheard of two star review says, “no”.

Peters’ Billington Guardian

Article from 28 Jul 2000 The Guardian (London, Greater London, England)

Even Arthur Miller, even the Almeida (which was terrific back then) could muster the occasional dud and this was one of those.

Janie and I quietly agreed that we’d think twice before again booking to see plays written by great writers once they were quite so deep into their dotage.