Tag: Lottie Ward

A Visit To Halifax To See A Revival Of Casablanca The Musical & The Ward Family, 26 September 2018

Your lyrics live on, Ian; we are reviving Casablanca The Musical at The Workshop in the last week of September…

Out of the blue, I received a letter from Mike Ward in early September to the above effect. As it happened, I had a couple of clear days, the Wednesday and Thursday of that week.

I felt very much motivated to see a revival of that show; I had written the lyrics for several songs. Also, to all intents and  purposes, that show brought the house down at the old Actor’s Workshop in Halifax; the place was tragically razed a few weeks after Casablanca The Musical’s first production in 2001:

Casablanca The Musical by Magnolia Thunderpussy, Actor’s Workshop, 18 September 2001

It had been many years since my last visit to The Workshop in Halifax; I think my previous visit was soon after the new place opened, phoenix-like from the ashes of the old place – perhaps 2004.

Anyway, I picked up the phone and called Mike, only to learn that speaking on the telephone doesn’t work very well for Mike any more:

I’m wirtually deaf phonewise, but I think you said you would like to see the wevival of Casabwanca on the Wednesday. Wonderful.

I then remembered why the Rick character is styled, in Mike’s book for Casablanca The Musical, as Wick. I also remembered some only marginally successful attempts at familiarising Mike with the use of e-mail back in the day.

Old style correspondence by post followed, mixed with some e-mails via Richard Kemp, to make the arrangements for my visit.

It was a similar itinerary, I think, to my 2001 visit for the same show, except this time I took an AirBnB apartment in town rather than a night in the Imperial Crown.

I got to the Workshop around 16:00. Mike and Richard (especially the former) looked after me and gave me a guided tour. Whereas on my previous visit the new place looked spanking new but devoid of all the props and costumes that had been lovingly accumulated at the old place…

…now, the new place reminded me of the old place; chock-a-block with stuff that might come in handy for some production or another. Cast-offs from the RSC and some smaller regional theatre companies. All sorts. Ever a theatrical magpie, is Mike Ward.

Then to the house, where Lottie had prepared a most delicious meal of fish soup. Their daughter, Olivia, was there and would join us this evening for the show. I hadn’t seen Olivia since the early days of meeting Mike, through son Adam who briefly wrote for NewsRevue, in the mid 1990s. It was lovely to see Olivia again; of course it was lovely to see all of them again.

Lottie spoke very highly of the revival production, which she had seen when it opened, the night before. In fact, she talked it up so much I think she and Mike were a bit concerned that we might be disappointed after such a build up; but they needn’t have worried.

Mike departed ahead of me and Olivia, enabling us and Lottie to chat, eat and drink some more, before Olivia and I headed off to The Workshop.

I thought the show really was excellent. Better than I remembered it from the first time – perhaps because Mike had edited the book a little – perhaps other elements of the production were just slicker and tighter this time.

Any resemblance purely coincidental?

For sure, I thought the big numbers, such as La Cage Au Wick’s…

The cast performing La Cage Au Wick’s – starting the second half of the show suitably silly

…and the Ouagadougou Choo Choo…

Ouagadougou Choo Choo, Casablanca the Musical, Actor’s Workshop Halifax, 27 July 2001

…worked especially well this time around, with more energy and poise, together with a musicality beyond my rememberings from 2001.

I was genuinely delighted and very impressed. Mike invited me to congratulate the cast backstage, which I gladly did. Several members of cast and crew stuck around to chat for quite some time after the show.

Lots of fun.

The morning after, I read the programme and was much taken with the “dissenting programme note” by Philip Ralph, which I commend to you:

Casablanca the Musical, Actor’s Workshop Halifax, Philip Ralph’s Programme Note: “Dissent – Who Do You Choose To Be?”, 27 September 2018

The Pausanias Affair by Mike Ward, The Actor’s Workshop, Halifax, 14 July 2001

Sandwiched between a short break at The White Swan in Pickering and the first Children’s Society v Tufty Stackpole cricket match, Janie and I spent an evening and night in Halifax seeing this show and then dining with Mike & Lottie Ward.

I had written the programme notes for Mike’s play – click here for said notes – and jolly good were the programme notes too…also the play, of course, also the play.

Actually I also wrote a review of the play/production, which I can reproduce in full below:

I thought this production was very good and an advance on The Elland Affair in several respects. The play itself was very interesting, with lots of character development and (almost too much) plot and intrigue. The casting and performances were good pretty much without exception. It was a most ambitious production in many respects and a great credit to cast and crew that they pulled it all off with such aplomb.

The programme notes were, once again, insurmountable and without question the highlight of the whole production!!?

Seriously, if I have any criticism of the play, it is too long and a little short on modern relevance. I know Mike Ward’s brain is already grappling with these issues for his next one. And I hope his next play arrives soon, because these Actors’ Workshop home-grown play/productions are getting stronger year on year and are a rare achievement in a small theatre such as The Actors’ Workshop.

All involved in this production should be commended and the people of Calderdale should be fighting now to get the hot tickets for the next home-grown production.

Not especially coincidentally, we saw The Elland Affair (Mike’s previous year’s piece) while on a tour which also included The White Swan in Pickering plus my first ever book signing:

My First Ever Book Signing, Clean Business Cuisine (the book), Actors’ Workshop Halifax (the venue), Yet Something Was Missing, 5 July 2000

…but I digress.

We enjoyed our evening in Halifax, not least the ever-warm hospitality of Mike and Lottie after show.

My First Ever Book Signing, Clean Business Cuisine (the book), Actors’ Workshop Halifax (the venue), Yet Something Was Missing, 5 July 2000

Clean Business Cuisine, Released 30 June 2000

Michael Mainelli and I, (through Milet, our publisher and Tanya Aslan whom we assigned to the promotion task), organised an intensive promotion campaign around the book, starting with an opportunistic book signing in Yorkshire 5 July.

I had a long association with Mike Ward and The Actor’s Workshop (as it was then called), mostly through my song lyrics.

Mike had started writing plays by 2000. As coincidence would have it, the first of these; The Elland Affair, was due to launch around the same time as Clean Business Cuisine.

Further, I had written some extensive programme notes for The Elland Affair – click here or below:

Programme Notes For The Elland Affair by Mike Ward, I Wrote The Notes 9 May 2000

So, Mike and I hatched the plan that my first book signing would be on the night of the gala premier of The Elland Affair; 5 July 2000.

This would have been a grand plan, had advance copies the book arrived when expected; a couple of weeks before the big night. But of course…

…anyway, the publishers pulled out all the stops, had a box or two of the first batch of books diverted to me for Halifax purposes and I went off on a mini road trip, most of the details of which are lost in the physical diary scrawl and only limited use of e-mail back then.

I know I went via my alma mater, because this e-mail from Professor Lawrence survives:

Dear Tanya,

Thanks for diverting Ian to Keele – it was good to see him and hear about the book. He left me with copies for colleagues and this email is partly to let you know how to chase me up- this is better than the phone!

Take care,

Peter

Janie must have joined me by train to Halifax, as my diary scribble shows that I booked bed and breakfast for two at the Imperial Crown, Halifax, £95. (The price has barely changed in 18 years, I note, while writing in September 2018). We went on to The White Swan, Pickering afterwards – our first visit there – the following year we made our second visit there ahead of visiting Mike’s next production of his own work.  

Anyway, I am pretty sure I met Janie at the hotel where I changed into my evening suit (Gala Evenings at The Actors’ Workshop were black tie affairs) and Janie changed into her glad rags.

Then off we set to get to the theatre early, for my first ever book signing and the show.

Mike Ward had kindly arranged a small stack of my books on a prominent table for me. I sat at the chair and a small queue of eager locals (is there no word for people from Halifax? Hartlepool folk are known as Monkey Hangers, for example), formed to procure and have their en primeur book signed.

I reached into my jacket pocket and discovered…a vacancy. I had no pen in my pocket.

I had turned up to my first ever book signing, without a pen.

Strangely, just to add to my embarrassment, finding a suitable pen for book signing at a place like the Actors’ Workshop was a non-trivial matter. Plenty of marker pens and thick felt tip pens to be found, but it took a while for someone to find a regular type of pen that would look right for book signing.

Still, once that initial (albeit existential problem in the matter of book signing) had been resolved, the rest of the evening passed very successfully. Not only the signing, but the play was well received and I seem to recall a most excellent meal at Mike and Lottie’s place late in the evening, once all of the theatrical excitement was over.

The Elland Affair by Mike Ward, The Actor’s Workshop, 5 July 2000

I have described the book signing aspect of this event in excruciating detail in a separate piece – click here or below.

My First Ever Book Signing, Clean Business Cuisine (the book), Actors’ Workshop Halifax (the venue), Yet Something Was Missing, 5 July 2000

I have also set out the programme notes I wrote for The Elland Affair – click here.

But what of the show itself?

Well, it seems I gave it a rave review at the time and also assembled some other reviews electronically. I have no idea how or why this information ended up in a “miscellaneous” file on my computer – it looks like a scrape from an on-line something-or-other from back in the mists of time. Anyway, I have just (11 Match 2023) discovered/recovered it, dated 19 July 2000, so here is the contemporaneous reviews of many:

Nicola Sedgefield
Play: The Elland Affair

The Actor’s Workshop Youth Theatre’s latest production, Mike Ward’s ‘The Elland Affair’ is not for the squeamish or sexually repressed.

This orgy of rampant testosterone exposes the physical abilities, acting skills as well as most of the flesh of a group of Yorkshire lads (I presume) who would win hands down in any contest of entertainment against ‘The Chippendales’. With the Workshop lads, what you see is clearly what you get.

Gore as well as sex is plentiful as our fearless heroes plot and ultimately exact revenge on the dastardly Sir John Eland and his thugs. If these lads had been on hand to fight the later Wars of the Roses, Henry VII and all those Tudors would never have made it.

It was a long show, but I wouldn’t have missed it.

Review by: Ian Harris
Play: The Elland Affair

I enjoyed the play immensely. Before taking the world by storm with it, I think Mike Ward would do well to reduce the length by some 30 to 45 minutes. But even in its full length form, there’s enough really good stuff to maintain one’s attention throughout.

The Elland Affair is not for the squeamish or prudish, as other reviewers have no doubt pointed out. But then 1327 probably wasn’t a good time for squeams and prudes to be alive.

A tough but worthwhile assignment this, for a small youth theatre. The broad sword fighting scenes alone must have needed an enormous amount of rehearsal (and muscle building) but were pulled off with great aplomb.

Other youth theatres should take a look at this play and, if suitably ambitious, should do well with it.

Superb programme notes, I thought. (He would say that, wouldn’t he?)

Seriously, well done to author, director, cast and crew.

Review by: Mr G Phillips
Play: The Elland Affair

Yet again the actors workshop has pulled off another excellent performance – ‘The Elland Affair’, superbly written and superbly performed, and it does not cease to amaze me.

Although one or two mistakes were made, and it showed to a certain extent, it was understandable because of all the lines that needed to be learnt.

Kristian Wilkinson played an excellent part as Adam, also Thomas Vickery as Hugh, and they both worked well together showing that they had put a lot of time and effort into the production.

The one character that didn’t really stand out was Harry he could have been played a lot better, Christopher Cockroft did not prove to be much as there was no ‘umph’ behind his lines.

My wife thinks that the the one person that did stand out, even though he did not have a big part, was Aaron. He stood out with his witty humour on how he thought that he was a ‘sex god’ – very well played by Shane Gough. The thing that made him stand out is that he would always turn up at the right moment.’Hope to see him again’ she says.

Which also shows how well the play was written. Even though it was a bit long, there is not a single scene which I can think to leave out, one or two lines maybe, but none of the scenes.

Well done to Mr Ward and I can’t wait for your next one – I assume you are going to write one.

P.S don’t listen to Margaret Woods, you guys are doing a fantastic job and some of you could be the future of television.

Review by: Steve Cattell
Play: The Elland Affair

This was about my fourth outing to an Actor’s Workshop production, and by far the most enjoyable yet.

I had been fore-warned about the length of the play, but felt that the length was justified to contain the full story – a story which has been excellently written by Mike Ward.

Full marks to Kristian for learning so many lines !! What this must have done to his social life over the past two months is anyones guess !! and also a great performance by his right hand man who put in a blinding performance – a natural on the stage.

And of course, I have to mention the star of the show (although I am slightly biased !!!), Grace Siddall – who proved once more that a career in acting is definately looking promising…..

Keep writing Mike, it keeps us entertained…..

Review by: Mr F Smith
Play: The Elland Affair

I must say that my evening at the Actors Workshop was superb whilst seeing the ‘Elland affair’.

I thought that everyone took on the challenge of being 13th century teenagers very well and it was obvious that they had all completly focused on the task.

My only fault was that occasionally the play was disrupted by loud backstage noise.

I also thought that the role of Harry De’lacey slightly lacked confidence.

Review by: A. Ward
Play: The Elland Affair

A great world premiere.

A highly enjoyable swashbuckling tale of revenge, treachery, and humanity – one that will surely see future stagings throughout the country.

A trifle long – particularly the second Act – but this was a mere flesh wound to the body of work as a whole.

Some fine performances and some intriguingly insightful writing touches.

I suggest a sequel – ‘Confessions of a Miller’s Wife’…….

Review by: J.B.W.Summerskill
Play: The Elland Affair

I sat in awe last week as I watched the Mike Ward work ‘The Elland Affair’. I thought it was the best show the company performed that I have seen.

With its carefully woven themes of loyalty, love, friendship and hatred thumping into the audience with welcome regularity, I was kept on my toes laughing and gasping throughout. Many congratulations to all on an exciting and provocative story which could be adapted into a blockbusting production on stage or screen were it to fall into the “wrong” hands.

No doubt Janie and I also enjoyed lavish hospitality at the hands of Mike and Lottie Ward after the show that night…

…after I had returned the pen(s) to their rightful owner(s).

New Year Revels 1997, Actor’s Workshop, Halifax, 2 January 1997

This was my first visit to The Actor’s Workshop in Halifax.

It was an unusual start to the new year, that year, in several ways. Janie’s and my diaries both suggest that we had planned to attend a party at Anthea’s for New Year’s Eve, but we are pretty sure that party didn’t happen in the end.

After new year’s day, Janie had a diary full of work for the rest of the week, while I got in the motor to do a round trip taking in Halifax for the New Year revels show and then, the next day, a visit to a soft drinks factory in Nelson, Lancashire, across the Pennines.

Naturally I chose a freezing cold, snow and ice early January for that trip.

The journey to Halifax I recall being problem free (motorway more or less all the way) and of course I received warm hospitality from Mike and Lottie Ward when I got there.

I had met Mike in London two or three years earlier and had submitted material to the New Year Revels show for a couple of previous years, but this was my first (of several) visits to The Actor’s Workshop.

I was clearly impressed by the show. My log reads:

Much better than I expected. Did justice to most material and more than did justice to mine.

There were lots of in-jokes in the show and programme about The Ridings School, Halifax, which, in 1996, had:

…received nationwide attention when staff said 60 of its pupils were “unteachable” and school operations were temporarily suspended while the headmaster and other leading staff were replaced.

I don’t think the entire cast and crew were really alums of The Ridings School…but perhaps they were.

I stayed at The Imperial Crown Hotel in Halifax on that occasion. I think we ate a fine meal pre show at the Ward’s House. That must have been the first occasion I met Lottie and I have a funny feeling that Adam (whom I met at NewsRevue and through whom I had met Mike) was there on that occasion – perhaps also Olivia.

Janie (who was not with me, remember) wrote more details and contact numbers into her diary for that trip than I did into mine – including the local Halifax police and the AA – I suspect she scribbled down the latter two after seeing the weather forecast!

The drive across the Pennines from Halifax to Nelson early the next morning (3rd January) was truly nerve-wracking but I got there and did whatever I had scheduled to do at that factory for most of the day before setting off in the still treacherous driving conditions back to London.

In those days I was still driving “Red Noddy” the Honda Civic, which, although air conditioned, was still a late 1980s vehicle not ideally suited to freezing conditions. I struggled to stay warm throughout the journey and started to itch terribly before arriving at Janie’s place…

…covered in Hives.

I itched through Robert Lepage’s Elsinore the next (Saturday) evening, but that, as we say, is another story.