Another day, another play, another “aftermath of Sykes-Picot” imaginative piece of theatre. Hot on the heels of our thoroughly entertaining evening at The Swan on Monday…
…this hugely entertaining and thought-provoking piece about the Middle East.
Here is a link to the Royal Court Theatre resources on A History Of Water In The Middle East.
Writer and performer Sabrina Mahfouz pulls no punches in blaming colonial powers past and present for many of the Middle East’s woes. While taking care to avoid attacking particular Middle-Eastern peoples, her lens does therefore focus almost exclusively on colonial interests without considering the intra-Middle-Eastern proxy wars and conflicts that surely also play a major part in the multifarious problems in that region.
But it would be impossible to be historically comprehensive and profoundly nuanced in a 70 minute piece that also seeks to entertain as well as inform. This piece does both with aplomb.
Along with Sabrina Mahfouz, highly talented multi-instrumentalist musician/composer Kareem Samara, plus excellent performers Laura Hanna (who sings magnificently) and David Mumeni (who doesn’t), have pulled off a superb performance piece.
At one point Mumeni sings, karaoke-style, a Suez Canal version of Sweet Caroline that would have worked in NewsRevue had that show started in 1956 rather than 1979. Personally I’d have tidied up some of the scansion, but we’ll let that pass; I suspect the scansion deficiencies were deliberate, for effect. Laura Hanna’s operatic-style aria for an heroic female plumber in Jordan 30 years hence was also an absolute highlight for me.
But despite the fun aspects, the piece is also about that troubled region and impending crises. While campaigners of the Extinction Rebellion kind might be accused of exaggerating for effect, this piece points out, accurately, that Yemen is already one of the most profound humanitarian crises the world has ever seen and that is before that sorry nation runs out of water; an imminent disaster with little sign of any redress.
There was so much going on in this piece, Janie and I were both grateful for the playtext-style programme so we could/can read bits of the text on reflection and in discussion.
At the time of writing (the day after we saw the show), there are still some tickets available for the Royal Court run. Here is a link that finds reviews and the like. We hope this piece gets a transfer and thus a wider audience. It is intelligent, informative, entertaining and witty. We’d recommend this piece/production highly.