The New Real by David Edgar, The Other Place, 14 October 2024

Not to be confused with The Other Palace, in Westminster, which I visited with my old school pals a few days earlier…

…this visit to The Other Place, in Stratford-Upon-Avon, was the excuse for me and Janie to take a short break in that wonderful town this autumn.

We’re big fans of David Edgar’s plays. Indeed, this was our second David Edgar premier in the past few weeks – his plays seem to come along with the regularity of London buses these days (nothing for ages, then two together):

But in truth I cannot rave about The New Real the way I raved about Here In America.

There was a lot to like about The New Real. Terrific cast who all acted superbly well. Excellent production using the traverse stage and screen effects well. But the overall effect of this rather long play was a sense of over-stimulation by the end of it. So many ideas about politics. So many screen and stage effects. And relatively little human drama to illustrate rather than declaim the points David Edgar wanted to make.

Anyway, despite both coming out of the experience with headaches of over-stimulation, we’re both glad that we have seen this play.

Here is a link to the RSC resources on this one, which will tell you all about the cast and creatives and that sort of thing.

Here is a Google search which should find reviews for this play/production. I believe many/most reviews express a similar view on this play/production to ours…but perhaps with a bit more critical heft than I choose to muster.

The Five Wives of Maurice Pinder by Matt Charman, Cottesloe Theatre, 7 July 2007

We quite liked this play, although I think we were more taken by the excellent production and cast than the play itself.

I think that means that we basically agreed with Michael Billington’s take on it – click here.

British Theatre Guide was luke warm – here.

Ditto  the Stage – click here.

London Theatre summarises the other, mixed reviews.

 

Hyacinth Blue by Kara Miller, Lyric Hammersmith Studio, 16 October 1999

I don’t remember a great deal about this one. I don’t think we were particularly impressed, although we wanted to be, because the idea of former prisoners making drama feels like a wonderful idea to us.

Our friend, Michael Billington, took the trouble to go and review it for The Guardian. We’ll take his word for it.

Hyacinth, Guardian, BillingtonHyacinth, Guardian, Billington 21 Oct 1999, Thu The Guardian (London, Greater London, England) Newspapers.com