Janie and I binged on The RSC/ The Barbican at the start of 1994 – this is the first of a hat trick of productions we saw there within the space of a few weeks.
We thought this one was very good. I tend to like Michael Hastings’s plays and what a line up for us to see. Emerging names such as Toby Stephens, Jasper Britton & Monica Dolan alongside established stars such as Gemma Jones, Philip Voss & John Carlisle, directed by Steven Pimlott.
The play is basically about Nazi sympathisers in the UK during the war. It was chilling although it did have its moments of humour, as is Michael hastings’s wont.
I’ve long been partial to a bit of Michael Hastings; I think he is under-rated as a playwright and novelist. So I no doubt chose this one on the back of its authorship.
It’s quite an odd play; sort-of about the welfare state ideal in the hands of a quirky civil service idealogue. Typical Hastings in its untypicality.
Peter McEnery played the lead and Janet Suzman directed the piece. The Theatricalia entry for the production can be found here. Not yet ever revived (he says in January 2021), I imagine a re-read would quickly determine whether it is now due for a revival or explain why it has not yet been revived.
Michael Billington in The Guardian clearly liked it while peppering his piece with a bit of Billingtonian faint praise.