Bird Grove by Alexi Kaye Campbell, Hampstead Theatre, 14 February 2026

We saw the second preview of this wonderful new play at The Hampstead. We’d recommend booking early for this one, before it is too late. Here’s the link to The Hampstead’s page for this play/production.

Below is a charming little promotional vid, not that we were enticed by the vid. We were enticed because I am a bit of a George Eliot nut and this play is about an intensely difficult “coming of age” stage in the life of Mary Ann Evans, subsequently known as George Eliot.

It is the sort of story that could easily become mawkish and/or melodramatic, but we were in the safe hands of Alexi Kaye Campbell (playwright), Anna Ledwich (director) and a top quality cast.

The evening was hugely entertaining, with a beautifully blended mixture of comedy, tragedy and tragi-comedy. Owen Teale is no doubt the big name draw for this production, but the big name to be is surely Elizabeth Dulau – remember where you heard the name first – whose performance as the young Mary Ann Evans is simply masterful.

The supporting cast all played their parts well too, even those who were written, I’m sure deliberately, as caricatures of characters that Mary Ann Evans subsequently slipped into her great novels. Keeping most of the characters on stage much of the time, bringing them to life when needed, was a lovely directorial touch; I imagine a nod to the same “character forming in more ways than one” nature of this Mary Ann Evans story.

You don’t have to be mad on George to be mad on Bird Grove

Janie is not a George-Eliot-ista but still thoroughly enjoyed her evening – even after the nail-biting race we had to get to the theatre on time – having allowed 75 minutes for the North Circular Roadwork, which was only JUST enough time. They didn’t have such problems in the mid 19th century…

…but they did have their own issues back then.

I’m rambling. If you are reading this in time, grab yourself some tickets before it is too late. A great night of theatre. Well done, Hampstead, once again.

Summer And Smoke by Tennessee Williams, Almeida Theatre, 31 March 2018

Bloomin’ ‘eck this was good.

Janie and I both really love Tennessee Williams but neither of us are very keen to see revivals of plays if we have seen a decent production before.

So this production of Summer And Smoke, a play that neither of us had seen before, at one of our favourite places, The Almeida, sounded like the hottest of hot tickets to our taste.

So much so, it would have been understandable had our massively high expectations not been met…but we needn’t have worried – this production most certainly did the business for us.

Here is a link to the Almeida’s resource on this one.

Below is the trailer:

I’m not too sure why this play is so rarely performed, other than the fact that I think it does need some sort of imaginative staging to come alive – achieved wonderfully by Rebecca Frecknall and her team in Rebecca’s first major gig as a Director.

Frecknall is a star director in the making and Patsy Ferran is similarly a star performer breaking through just now.

We saw Patsy Ferran only a few week’s ago and were hugely impressed with her at the Royal Court in My Mum’s A Twat – click here or below:

My Mum’s A Twat by Anoushka Warden, Royal Court Theatre Upstairs, 13 January 2018

Below is a slightly longer vid with opening night reflections from the cast and crew:

This production has had absolutely rave reviews on the whole – click here for a link that finds most of them if the headlines on the Almeida site aren’t enough for you.

Doubtless we’ll remember this as one of the highlights of our theatre-going year.

The Rose Tattoo by Tennessee Williams, Olivier Theatre, 9 April 2007

A rare visit to the theatre on a Monday – this was Easter Monday.

Janie and I both love a bit of Tennessee Williams and we had only seen an amateur production of the Rose Tattoo before – at the Questors some 10 years earlier.

This was a top notch production at the National – no holds barred.

Zoe Wannamaker was exceptional.

Critics seemed to think the production and performances masked a less than brilliant play – I think I probably agree with that analysis – click here for a link to reviews.

Below is the trailer from the 1955 movie – very different style: