The New Real by David Edgar, The Other Place, 14 October 2024

Not to be confused with The Other Palace, in Westminster, which I visited with my old school pals a few days earlier…

…this visit to The Other Place, in Stratford-Upon-Avon, was the excuse for me and Janie to take a short break in that wonderful town this autumn.

We’re big fans of David Edgar’s plays. Indeed, this was our second David Edgar premier in the past few weeks – his plays seem to come along with the regularity of London buses these days (nothing for ages, then two together):

But in truth I cannot rave about The New Real the way I raved about Here In America.

There was a lot to like about The New Real. Terrific cast who all acted superbly well. Excellent production using the traverse stage and screen effects well. But the overall effect of this rather long play was a sense of over-stimulation by the end of it. So many ideas about politics. So many screen and stage effects. And relatively little human drama to illustrate rather than declaim the points David Edgar wanted to make.

Anyway, despite both coming out of the experience with headaches of over-stimulation, we’re both glad that we have seen this play.

Here is a link to the RSC resources on this one, which will tell you all about the cast and creatives and that sort of thing.

Here is a Google search which should find reviews for this play/production. I believe many/most reviews express a similar view on this play/production to ours…but perhaps with a bit more critical heft than I choose to muster.

Really Old, Like Forty Five by Tamsin Oglesby, Cottesloe Theatre, 30 January 2010

We were very keen on the idea of this one and booked a preview.

We are glad we did; the play was enjoyable, agonising and thought-provoking in equal measure.

Partly about the domestic and interpersonal aspects of ageing, the play also takes on questions of government policy around ageing, including social care and the potential for robots to provide same.

A summary of cast and some interesting links on Wikipedia – here.

I make it sound a bit “everything but the kitchen sink” on the topic, because in a way it was, but in a good way. The themes do more or less come together into a coherent whole and there is an element of comedic romp about the play which allows room for some forgiveness.

It was pretty well received on the whole – a rummage through the reviews and materials yielded by this search term should satisfy your curiosity if you remain curious.

Excellent cast, well directed, well produced…

…what do you expect from the Cottesloe?