Alligators by Andrew Keatley, Hampstead Theatre Downstairs, 16 July 2016

By gosh this is one powerful play, with this production proving once again that the Hampstead Theatre Downstairs is one of the hottest locations in London at the moment for showcasing modern plays and emerging talent.

This one all-but caused a domestic between me and Janie. Yes, we both agreed what a good play it was. But our take diverged on the moral dilemmas therein and the extent to which the protagonist was to some extent the architect of his own misfortune as well as the subject of great sympathy.

The plot is simple enough; the protagonist, Daniel (played extremely well by Alec Newman) is a teacher, falsely accused of sex offences by a delusional former pupil, years after the alleged offences.

The complexity comes from Daniel’s less-than-exemplary interactions with the troubled schoolgirl at the time, his with-holding of some of the relevant contextual information from the police when first questioned and his troubling interest in internet porn of the kind that bears a creepy resemblance to the alleged offences.

Janie and I debated our divergent takes on this play to some extent during the interval and more vociferously on the way home in the comfort of our own vehicle. Frankly, I think we were both somewhat in shock.

While Janie and I were personally reconciled by the time we got home and started tucking in to our shawarma supper, we only realised the next morning when we rose to prepare for a day at Lord’s, that we had rapidly polished off a tasty bottle of Jip Jip Rocks Shiraz in double-quick time, which left us both a little sore-headed until the fresh air of Lord’s started to weave its magic on our fevered brows.

As well as Alec Newman, Susan Stanley as Daniel’s unquestionably sympathy-deserving wife, Sally, was an absolute standout in a generally very good cast and production. The full works Hampstead production details can be found on the theatre’s archive – here.

We saw the last night of the run at the Hampstead, but this production really deserves a tour and/or transfer so here’s hoping it will return/run elsewhere.

Recommendations: yes, do see this play if you possibly can. No, don’t fall out over it; the dilemmas are meant to leave you feeling confused, cognitively dissonant and angry. No, don’t knock back a whole bottle of strong wine between two of you afterwards in a vain attempt to make your whirling brain feel better; doesn’t work.

 

In The Red And Brown Water by Tarell Alvin McCraney, Young Vic, 4 October 2008

Of course we hadn’t heard of Tarell Alvin McCraney when we booked this. We simply booked it because it sounded like an interesting play, which it was.

But at the time of writing this up (March 2017), Tarell Alvin McCraney is a topical name, because he wrote Moonlight, which won the best picture Oscar a few weeks ago. Go figure. Here is a link to a recent Young Vic blog piece recognising this achievement.

Official London Theatre has an excellent resource on the outline of this play/production from back then, saving me time & trouble – click here.

The Young Vic published an extensive resources document for students/teachers etc. this play/production – you can click it down – here – from this link.

Reviews were mixed:

I must say I concur with this view. I remember the production where the Young Vic was turned into a watery stage, but I couldn’t hand on heart have told you anything about it from memory, until after I flicked through the script just now.

Perhaps Janie’s memory will do better – I’ll test that a bit later but only report back if she surprises me with profound recall.

The Young Vic published a short vid showing how they made the watery stage happen – see below.