Tag: Opera

Baby Doll by Andrew Poppy & Tennessee Williams, Cottesloe Theatre, 8 May 1993

This piece was billed as:

a new chamber opera based on the original screenplay…

…perhaps we should have paid heed to that billing.

It was not to our taste.

It was part of the Springboards season, of which we saw three productions at the Cottesloe in two weeks. This was the second of the three we saw.

Below is a review from The Guardian – opera review rather than theatre review please note:

Baby Doll May 1993Baby Doll May 1993 Tue, May 11, 1993 – 28 · The Guardian (London, Greater London, England) · Newspapers.com

The Observer review can be seen as part of the article (including the picture) below:

Observer May 1993 CottesloeObserver May 1993 Cottesloe Sun, May 9, 1993 – 55 · The Observer (London, Greater London, England) · Newspapers.com

We stayed at mine that weekend. Whether I cooked or we got a takeway on the way home is lost in the mists of time.

I do recall Janie trying to sound like the atonal operatic voices in this misguided Baby Doll production for some while after the show.

Oh dear.

Don Giovanni, English National Opera, London Coliseum, 10 June 1989

I don’t have great memories of seeing this opera, but I think my memories of it are more closely linked to my general mood that weekend than to any intrinsic issue with the opera/production…

…other than to say that this experience probably helped to kick off the view, which has become a prevailing one, that opera ain’t me.

Bobbie was there for this one, as was Ashley Fletcher – yes, my memory definitely serves me correctly for this one, as the diary makes clear that Ashley was down for the weekend and stayed in the tower – i.e. the annex to my flat in Clanricarde Gardens – so named, by Ashley, as he felt that the place would be suitable for the detention of a mad and/or elderly relative. That annex now serves as my office – renamed the ivory tower – a more liberal purpose and name.

But I digress.

Not much about it on the net, given its antiquity, but here’s some stuff from the translator, Amanda Holden.

While here is a rather cute link to a fan’s piece:

I'm off to ENO's Don Giovanni tonight. Here's the programme for the version I saw there last. In 1989

Below is Tom Sutcliffe’s Guardian review:

Sutcliffe on GiovanniSutcliffe on Giovanni Fri, Mar 24, 1989 – 31 · The Guardian (London, Greater London, England) · Newspapers.com

I’ll write more about other aspects of the weekend after I have had a chance to liaise with Ashley on’t matter. Bobbie and I had a rather entertaining conversation about in 28 February 2019…

Dinner At Spring Restaurant With Bobbie Scully, 28 February 2019

…a few days before I wrote up this piece, about Don Giovanni.

Postscript after seeing Ashley in April 2019: Ashley has no recollection of that weekend. So we must rely on Bobbie’s memory that I was tripping out on tiredness and rather freaked at the thought of going out to get some additional soap, as there was none for Ashley in the shower of the tower. If I really did say words to the effect:

I did not envisage this weekend as a soap buying weekend…

…that would have to be up there amongst my most autistic utterances ever. I have a dreadful feeling that Bobbie’e memory is going to be bang on regarding that point.

Aida, Earls Court Arena, 29 June 1988

Within a few weeks of Bobbie’s and my first visit to the opera together, to see The Magic Flute…

The Magic Flute, English National Opera, London Coliseum, 7 June 1988

…we went to see the opera spectacular that everyone was talking about that summer; Harvey Goldsmith’s Aida at the Earls Court Arena.

It was only running for a few nights with massive crowds. It was big news:

We went the night after Chuck & Di attended the Royal Gala evening – by all accounts an iconic event.

In truth, by the time we got there – indeed by the time Chuck and Di got there – the production had been hailed as somewhat disaster-prone:

This clip dated the day we went – 29 June 1988

…Verdi’s Aida at Earls Court, with a cast of some 600 performers was bedevilled by mishap: Miss Grace Bumbry in the title role could only manage one act of her first performance due to a throat infection and a sun god fell through a trap door on stage…

from The Spectator 2 July 1988 – subscribers can click through to the archive and read the whole article.

I don’t recall it seeming like a disaster. I do recall it feeling more like being at a rock concert than at a theatrical production. I think we had good seats but were still at some distance from the action. It was big, bold and in truth not really me.

I don’t think this one was really Bobbie either – she might remember how she felt about it.

Below is Tom Sutcliffe’s Guardian review:

Tom Sutcliffe on AidaTom Sutcliffe on Aida Tue, Jun 28, 1988 – 17 · The Guardian (London, Greater London, England) · Newspapers.com

Here is an entertaining clipping from the Observer Arts Diary a few days later:

Arts Diary AidaArts Diary Aida Sun, Jul 3, 1988 – 39 · The Observer (London, Greater London, England) · Newspapers.com

The Magic Flute, English National Opera, London Coliseum, 7 June 1988

Now I’m not one to point the finger or anything like that, but my guess is that it was primarily Bobbie’s idea to give opera a go, not least because so many of her law reporting pals were into opera.

I’m pretty sure my previous experience of opera would have been Carmen in the early 1970s; a semi-professional production by the Putney Operatic Society who chose to typecast me and several of my primary school mates as urchins.

But I digress.

Roll the clock forward some 15 years and, like buses, it’s not one but two that come along at more or less the same time – i.e. two opera visits during June 1988. That’s quite a lot of opera just a few week’s before my Accountancy finals. The Magic Flute was the first of them.

Jeremy Sams directed it – I have seen a great deal of his work in the theatre of course. Nicholas Hytner produced it – I’ve seen a lot of his theatre stuff too. The production was sort-of revived many years later and the trailer for the revival is embedded below, so that should give you a feel for it.

The Magic Flute from English National Opera on Vimeo.

We went midweek – on a Tuesday – which will have been quite a late night. I was on study leave by then I think, so I suppose I felt that I was master of my own time management.

In truth I don’t remember all that much about this production, other than lots going on and rather liking the music because it’s Mozart and I rather like Mozart.

Bobbie might have more profound memories of it than me. I’ll ask her.

Below is Tom Sutcliffe’s Guardian review:

Tom Sutcliffe on Magic FluteTom Sutcliffe on Magic Flute Fri, Apr 1, 1988 – 30 · The Guardian (London, Greater London, England) · Newspapers.com

Below is BOGOF (buy one get one free) review by Nicholas Kenyon – two productions of Flute (including our one) reviewed together:

Nicholas Kenyon reviews two flutesNicholas Kenyon reviews two flutes Sun, Apr 3, 1988 – 39 · The Observer (London, Greater London, England) · Newspapers.com