Tag: Orange Tree Theatre

Nan, John Masefield, Orange Tree Theatre, 5 May 2007

Very Orange Tree, this one.

Written in the Edwardian era.  Set 100 years or so before that.

Janie is usually unenthusiastic about these period pieces, but we have been supporters of the Orange Tree for a long time and tend to get withdrawal symptoms if we reject all of the period stuff.

Mostly Orange Tree regulars in the cast.  Auriol Smith directing, Sam Walters hovering around like an expectant father (we were there very early in the run).

Here’s the Orange Tree Archive to tell you all about it – click here.  Didn’t realise the archive went back this far – pleasant surprise to find this.  Even some headlines from the reviews – well done Orange Tree.

It was a very good production, this.  One of the better ones there.  Kate McGuiness was especially good in the lead.

Michael Billington was generous with his praise, but he does have a soft spot for the Orange Tree – click here.

 

The Skin Game by John Galsworthy, Orange Tree Theatre, 7 April 2007

Sam Walters really had got himself locked into the early 20th Century by this time. Frankly, we didn’t think this Galsworthy piece had aged very well. Add to that Sam’s strict orthodoxy about not cutting text, it was quite a long evening at the theatre.

Well acted and directed, we stuck it out for both halves although we did consider making a break for it at half time.

Click here for a link to the Orange Tree resource on this play/production.

The critics liked it rather more than we did. Click here for a link that finds reviews and stuff.

The Story of Jude by Geoffrey Beevers, Orange Tree Theatre, The Room, 22 October 1999

This was the last ever production in the Room above The Orange Tree pub itself. The bespoke Orange Tree Theatre had been up and running for a while by then and the decision was made to stop doing some shows above the pub still. A shame in a way, as we loved that small venue. But understandable.

Here is a preview of the show from the Richmond & Twickenham Informer:

Jude Richmond InformerJude Richmond Informer 01 Oct 1999, Fri The Richmond and Twickenham Informer (Richmond upon Thames, London, England) Newspapers.com

Judging by the markings in both of our diaries, we had planned to go away for a couple of weeks that October and then changed our minds. Probably because we didn’t think we could leave Gavin unmanaged doing the works at Clanricarde Gardens. This was one of several things we booked up to replace the holiday. We both did some work but worked light during those weeks.

It wasn’t a great play or production, but the story was interesting and Mairead Carty was always very watchable.

We went to a restaurant named Burnt Chair in Duke Street afterwards. It was loved more for its wine list than its food, according to my 2003 Hardens and also this tombstone piece in The Standard when the place died in 2014.

Lips Together, Teeth Apart by Terrence McNally, Orange Tree Theatre, 12 December 1998

The end of a weird quarter, during which we only went to the theatre five times, all of those visits being in Richmond.

Anyway, we both rather liked this play/production, rating it:

A good one.

Very much an off-Broadway play, Lips Together, Teeth Apart worked really well in the round at The Orange Tree.

Nick Curtis was quite taken with it in The Standard:

Lips Curtis StandardLips Curtis Standard 17 Nov 1998, Tue Evening Standard (London, Greater London, England) Newspapers.com

No doubt we ate at Don Fernando’s afterwards – we pretty much always did, although I seem to recall trying an alternative place (Italian I think) that proved less satisfactory on one of those five autumn 1998 visits to Richmond.

The House Among The Stars by Michel Tremblay, Orange Tree Theatre, 31 October 1998

Our Richmond-fest continued with this Canadian (or should I say Quebecois?) play. My log was pretty clear on our take:

Dreadful, we almost missed it due to bad weather and road condition, but still left at half time.

Nick Curtis in The Standard was kinder than that, although still awarded it a blob:

Tremblay Curtis StandardTremblay Curtis Standard 28 Oct 1998, Wed Evening Standard (London, Greater London, England) Newspapers.com

The local Chronicles spoke highly of it:

Tremblay Starr ChroniclesTremblay Starr Chronicles 05 Nov 1998, Thu The Feltham Chronicle (Hounslow, London, England) Newspapers.com

No doubt Janie and I enjoyed our Don Fernando dinner afterwards, despite the play.

Sperm Wars by David Lewis, Orange Tree Theatre, 3 October 1998

My log is silent on this one. I think we quite liked it but clearly didn’t rave about it. Our diaries add nothing. Not even the fact that, almost certainly, we went to Don Fernando afterwards for a Spanish meal.

The local gazette papers had a rave review for this piece:

Sperm Harrison GazettesSperm Harrison Gazettes 16 Oct 1998, Fri Ealing and Acton Gazette (Ealing, London, England) Newspapers.com

Nick Curtis in The Standard was less sure:

Sperm Curtis StandardSperm Curtis Standard 23 Sep 1998, Wed Evening Standard (London, Greater London, England) Newspapers.com

Overboard by Michael Vinaver, Orange Tree Theatre, 1 November 1997

Just me and Daisy this time at The Orange Tree – The Duchess was away on some sort of a bridge holiday IIRC.

Still, this play/production still seemed to last for ever. There is a seven hour version of the play – this just felt a bit like seven hours.

My log reads:

Somewhat rambling but has its moments.

The play is potentially enormously long (7 hours) – unsure of exact length of this production, but it seemed long although it was the short version.

Paul Taylor in The Independent independently reached a similar conclusion:

Overboard Taylor IndependentOverboard Taylor Independent 10 Oct 1997, Fri The Independent (London, Greater London, England) Newspapers.com

Charles Spencer in The Telegraph truly hated it:

Overboard Spencer TelegraphOverboard Spencer Telegraph 08 Oct 1997, Wed The Daily Telegraph (London, Greater London, England) Newspapers.com

Our friend, Michael Billington, who is usually extremely kind to orange Tree stuff, seems to have omitted to review it. Speaks volumes.

Janie and I no doubt consoled ourselves with some Don Fernando grub afterwards.

Family Circles by Alan Ayckbourn, Orange Tree Theatre, 30 November 1996

Blooming heck – Janie and I took Pauline with us on this occasion, to see an Ayckbourn play about a family with three daughters…

…and yet our logged verdict on the event was:

Very good.

It must REALLY have been very good.

The play was subtitled “The Story So Far aka Me Times Me Times Me” and is one of those lesser-known Ayckbourn plays. Possibly it is lesser-known precisely because it is less predictable, glib, farce-oriented comedy than many of his works.

My friend, Michael Billington, clearly liked the play and this production:

Family Circles BillingtonFamily Circles Billington 10 Dec 1996, Tue The Guardian (London, Greater London, England) Newspapers.com

After reading that Billington review, I am for some reason (“Dance Of Death played for laughs”, perhaps, or “three sisters in comparison with whom Lear’s daughters look like balanced and beneficent progeny” reminded of one of my favourite Peter Cook quotes:

I go to the theatre to be entertained. I don’t want to see plays about rape, sodomy and drug addiction – I can get all that at home.

Nick Curtis in the evening Standard was less sure about the piece:

Family Circles Nick Curtis StandardFamily Circles Nick Curtis Standard 12 Dec 1996, Thu Evening Standard (London, Greater London, England) Newspapers.com

We would no doubt have dined at Don Fernando’s after the show. Families, eh?

What The Heart Feels by Stephen Bill, Orange Tree Theatre, 11 October 1996

The programme for this one went missing, so we have to reconstruct cast and creatives as best we can from on-line archives reviews and stuff.

Stephen Bill wrote it. The Doolee description reads:

“…a group of friends attempt to build an arts centre in the Midlands.”

The production was previewed in The Evening Standard:

What The Heart Feels, Standard PreviewWhat The Heart Feels, Standard Preview 11 Oct 1996, Fri Evening Standard (London, Greater London, England) Newspapers.com

Kim Bunce wrote it up thus in The Independent:

What The Heart Feels Kim Bunce ObserverWhat The Heart Feels Kim Bunce Observer 10 Nov 1996, Sun The Observer (London, Greater London, England) Newspapers.com

While Michael Billington, an Orange Tree fan, wrote the following:

What The Heart Feels Billington GuardianWhat The Heart Feels Billington Guardian 19 Oct 1996, Sat The Guardian (London, Greater London, England) Newspapers.com

I think we quite liked this play/production. In truth I only vaguely remember it from the descriptions.

Bodies by James Saunders, Orange Tree Theatre, 24 August 1996

Not especially memorable, this one…

…I noted in my log.

Janie and I were very keen on The Orange Tree at that time and on the whole the plays and the productions were excellent. James Saunders is not the easiest playwright, though.

Here is a link to the Bodies page on the James Saunders website.

We saw a revival of the piece, which had been an early effort at the Orange Tree back in the 1970s. Sam Walters had directed the original version; Dominic Hill directed our revival – no doubt mentored by Sam at that time. Here is a link to the Theatricalia entry for the version we saw.

Here is the review from the Independent.

Bodies Adrian Turpin IndependentBodies Adrian Turpin Independent 25 Sep 1996, Wed The Independent (London, Greater London, England) Newspapers.com

Here is Nick Curtis’s review from The standard:

Bodies Nick Curtis StandardBodies Nick Curtis Standard 03 Sep 1996, Tue Evening Standard (London, Greater London, England) Newspapers.com