Tag: Patrick Godfrey

Collaborators by John Hodge, Cottesloe Theatre, 7 January 2012

I think I liked this play more than Janie did.

It was a fictionalised…somewhat fantasised account of encounters (which did occur to some extent in real life) between the writer Mikhail Bulgakov and Joseph Stalin.

We were blessed with Alex Jennings as Bulgakov and Simon Russell Beale as Stalin, with Nicholas Hytner in the director’s chair.

In truth, I don’t think it was a great play. It was a very good idea for a play with some very good scenes within it, but as a whole it didn’t quite work for me as an entire play.

But there was enough really good stuff going on to please me plenty, on  balance. Whereas I think Janie found it a little drawn out and confused/confusing.

The reviewers were more with me (on the plus side) than with Janie (on the “a bit muddled) side – click here for a search term that finds the reviews.

Below is a link to the trailer:

https://www.youtube.com/watch?v=972WDOQNMS0

…and the following vid is an interview with John Hodge, the playwright:

https://www.youtube.com/watch?v=zjNmXug2D4k

The Master Builder by Henrik Ibsen, Almeida Theatre, 13 November 2010

We don’t book many classic revivals, but we tend to make an exception for Ibsen if it is a play one or both of us hasn’t seen before. Plus, if it is the Almeida, we tend to trust the place to deliver a classic well and with a modern enough feel.

As was the case with this superb production.

We were a little concerned that it might be a luvvie-fest for Gemma Arterton. But she proved well up to her task and the universally high-quality cast worked extremely well as an ensemble.

It was a well-pacey production; an-hour-and–three-quarters straight through, the extra pace worked well with this play. An object lesson for some of the ponderously long, drawn-out productions of early 20th century plays.

Here is a link to the Almeida resource for The Master Builder.

The reviews were pretty much universally good and most are linked through the above resource, but this search term – click here – should find reviews independently for you.

The Iceman Cometh by Eugene O’Neill, Almeida Theatre, 18 April 1998

It had to be good for Janie to stay awake for best part of 4 hours

Thus spake my log.

It was very good. Kevin Spacey in the lead role. Excellent supporting cast, including Tim Pigott-Smith and Rupert Graves. Howard Davies directing.

Here’s a link to the Theatricalia entry.

Nicholas de Jongh liked it a lot in The Standard:

Iceman Standard de JonghIceman Standard de Jongh 15 Apr 1998, Wed Evening Standard (London, Greater London, England) Newspapers.com

Paul Taylor in The Independent, though positive, was less sure:

Iceman Independent TaylorIceman Independent Taylor 16 Apr 1998, Thu The Independent (London, Greater London, England) Newspapers.com

Our friend, Michael Billington, in The Guardian, was very keen on it:

Iceman Guardian BillingtonIceman Guardian Billington 16 Apr 1998, Thu The Guardian (London, Greater London, England) Newspapers.com

Mary Stuart by Friedrich von Schiller, Lyttelton Theatre, 20 April 1996

Frankly, Janie and I were not too much taken with this one. And how were we to know that, 10 years later, Anna Massey would become one of Janie’s regular clients? And that more than 20 years later both of us would have a go on Mary Stuart’s tennis court at Falkland Palace, which remarkably still plays?

Edinburgh Day Five: Falkland Palace Gardens And Tennis, 21 August 2018

But I digress.

A fine cast, not only Anna Massey but Isabelle Huppert, Tim Pigott-Smith and a fine collection of RNT regulars, directed by Howard Davies. The Theatricalia entry for this production can be found here.

It just didn’t really float our boat.

What did the critics make of it, I hear you cry?

Michael Billington described it as “far from perfect” but commendable. I’d go with that:

Billington on Mary StuartBillington on Mary Stuart Fri, Mar 22, 1996 – 2 · The Guardian (London, Greater London, England) · Newspapers.com

Paul Taylor in The Independent described it as a “far from unrewarding evening” – I can go with that too.

Michael Coveney, on the other hand, was absolutely taken with it:

Coveney on Mary StuartCoveney on Mary Stuart Sun, Mar 24, 1996 – 71 · The Observer (London, Greater London, England) · Newspapers.com

The Life Of Galileo by Bertolt Brecht, Adapted by David Hare, Almeida Theatre, 12 March 1994

Janie and I see a lot of theatre and on the whole go to see productions that we find good or very good. But just occasionally we see something that is a cut above and is truly memorable as one of the best productions we have ever seen.

That is how my memory (25 years later) recalls this adaptation/production of The Life Of Galileo and my log from the time registers the simple phrase, “excellent production”.

Here is the Theatricalia record for this production.

Contemporaneous reviews only through the following clippings of Michael Billington’s review:

Billington On GalileoBillington On Galileo Fri, Feb 18, 1994 – 34 · The Guardian (London, Greater London, England) · Newspapers.com Billington On Galileo Part TwoBillington On Galileo Part Two Fri, Feb 18, 1994 – 35 · The Guardian (London, Greater London, England) · Newspapers.com

My take is that Richard Griffiths was superb as Galileo, ably supported by a top notch cast dirtected by Jonanathan Kent.

This a David Hare adaptation was revived at The National some 12 years later; there are on-line reviews of that production – e.g. this one, which mentions the 1994 production.

The Wikipedia entry for the play provides a good synopsis.

An exceptionally good night at the theatre, I remember it well.