Tag: Paul Thompson

Family Circles by Alan Ayckbourn, Orange Tree Theatre, 30 November 1996

Blooming heck – Janie and I took Pauline with us on this occasion, to see an Ayckbourn play about a family with three daughters…

…and yet our logged verdict on the event was:

Very good.

It must REALLY have been very good.

The play was subtitled “The Story So Far aka Me Times Me Times Me” and is one of those lesser-known Ayckbourn plays. Possibly it is lesser-known precisely because it is less predictable, glib, farce-oriented comedy than many of his works.

My friend, Michael Billington, clearly liked the play and this production:

Family Circles BillingtonFamily Circles Billington 10 Dec 1996, Tue The Guardian (London, Greater London, England) Newspapers.com

After reading that Billington review, I am for some reason (“Dance Of Death played for laughs”, perhaps, or “three sisters in comparison with whom Lear’s daughters look like balanced and beneficent progeny” reminded of one of my favourite Peter Cook quotes:

I go to the theatre to be entertained. I don’t want to see plays about rape, sodomy and drug addiction – I can get all that at home.

Nick Curtis in the evening Standard was less sure about the piece:

Family Circles Nick Curtis StandardFamily Circles Nick Curtis Standard 12 Dec 1996, Thu Evening Standard (London, Greater London, England) Newspapers.com

We would no doubt have dined at Don Fernando’s after the show. Families, eh?

Bodies by James Saunders, Orange Tree Theatre, 24 August 1996

Not especially memorable, this one…

…I noted in my log.

Janie and I were very keen on The Orange Tree at that time and on the whole the plays and the productions were excellent. James Saunders is not the easiest playwright, though.

Here is a link to the Bodies page on the James Saunders website.

We saw a revival of the piece, which had been an early effort at the Orange Tree back in the 1970s. Sam Walters had directed the original version; Dominic Hill directed our revival – no doubt mentored by Sam at that time. Here is a link to the Theatricalia entry for the version we saw.

Here is the review from the Independent.

Bodies Adrian Turpin IndependentBodies Adrian Turpin Independent 25 Sep 1996, Wed The Independent (London, Greater London, England) Newspapers.com

Here is Nick Curtis’s review from The standard:

Bodies Nick Curtis StandardBodies Nick Curtis Standard 03 Sep 1996, Tue Evening Standard (London, Greater London, England) Newspapers.com

The Good Person of Sichuan by Bertolt Brecht, Orange Tree Theatre, 3 February 1996

Janie had never seen this play before and The Orange Tree was on a bit of a roll with us, so we decided to give this a go.

Given the scale of the piece, I thought we’d try sitting upstairs rather than downstairs for once. It was just for once, because we didn’t find upstairs very comfortable – less leg room and peering down didn’t please us.

I had seen a cracking good production of “Good Person” with Bobbie at the National a few years earlier:

The Good Person of Sichuan by Bertolt Brecht, Olivier Theatre, 3 March 1990

In truth. the Orange Tree was probably biting off a bit more than it could chew attempting such a large-scale piece in the round, but Sam Walters obcviously wanted to have a go.

We enjoyed the production. I think Janie got more out of it than I did because she hadn’t seen the play before and didn’t have a big production with which to compare it.

No newspaper reviews to be found but I did find this interview/preview by Carol Woddis on TES. That piece is scraped to here just in case that link disappears.

Each Day Dies with Sleep by José Rivera, Orange Tree Theatre, 8 July 1995

We thought this was a very good production. José Rivera was not a well known writer back then, pre Motorcycle Diaries, but we chose this on the back of interesting sounding subject matter and the quality of stuff we were getting at The Orange Tree, which was on a bit of a roll at that time.

From the bowels of my memory, I recalled it as sort of magical realism…

…so I was delighted to see that Michael Billington used that term in the first sentence of his review. At one point Billington suggests that the production was as if Tennessee Williams had been done over by Pedro Almodovar. No wonder we really liked it.

Billington on RiveraBillington on Rivera Wed, Jul 5, 1995 – 83 · The Guardian (London, Greater London, England) · Newspapers.com

Retreat by James Saunders, Orange Tree Theatre, 3 June 1995

I rated this two-hander with Tim Pigott-Smith & Victoria Hamilton as superb at the time, so it must have been quite special.

I cannot find much about it on the web, but this page from the James Saunders website helps, with a good description of the piece and some nice quotes from the notices. If anything ever happens to that site, I have scraped the page to here.

So this turned out to be James Saunders’ last play and I think the only one of his that was premiered in the new Orange Tree Theatre by Sam Walters (several of the earlier ones had premiered above the pub).

It must have been this play that made me seek out James Saunders’ work subsequently, but in truth his earlier work, especially the absurdist pieces, were far less to my taste than this gripping, psychological two-hander.

Michael Billington reviewed it and really liked it. I say that with some surprise, as for some reason the James Saunders’ website doesn’t have a quote from Billington.

Billington on RetreatBillington on Retreat Wed, May 17, 1995 – 33 · The Guardian (London, Greater London, England) · Newspapers.com

I’m so glad Janie and I saw this. I wonder whether it is due a revival; I’d need to re-read it but I sense it is in many ways timeless.

The Memorandum by Vaclav Havel, Orange Tree Theatre, 8 April 1995

Consternation! Consternation!!

The log says:

I quite liked it, but Janie and The Duchess hated it.

The Duchess is Janie’s mum, Pauline. You don’t mess with Pauline. If she hates a play, it is a hateful play. End of.

What was I thinking?

I recall it was a bit of an absurdist, farcical piece – Havel’s like that.

Not much to find about it on-line. No Theatricalia. No reviews…

…except for this newspaper clipping:


Kate Kellaway’s review, Observer, 9 April 1995 Sun, Apr 9, 1995 – 78 · The Observer (London, Greater London, England) · Newspapers.com

I believe I placated The Duchess by taking her and Janie to Don Fernando for a decent meal afterwards.

Temporary ceasefire, not armistice.