Academy Of Young Singers Of The Mariinsky Theatre, Residence Of The Ambassador Of The Russian Federation To The UK, 3 April 2013

I don’t often get invited to high-falutin’ functions. Indeed, I wasn’t originally, personally invited to this one. But Michael Mainelli was invited and realised that the venue was just around the corner from my flat and would probably be music to my taste. Michael asked if his business partner might attend in his place, so I was graciously invited instead.

Simpler times, politically, the spring of 2013, I realise, writing now in the spring of 2018 – the aftermath of the “Russian spy nerve agent” debacle.

But I don’t think I am disclosing any Russian state secrets, nor am I likely to trigger the wrath of any bad guys, by reporting in glowing terms this absolutely splendid evening at the Russian Ambassador’s residence.

It is a beautiful building for a start, with charming reception rooms and an ideal large chamber for music of this kind – solo voices accompanied on the piano.

Russian Ambassador's Residence, London

The drinks reception before the concert was relatively low key and brief. Ideal in a way, as I suspect that many of the diverse guests, like me, knew few other people present, so it was much easier to socialise after the concert, once we had a topic of shared experience to discuss.

As it happens I did see a couple of people I knew; one couple I had met through cousins Angela and John at the LPO (another, relatively recent, high-falutin’ experience) – click here or below:

A Concert With Cousins Angela & John, London Philharmonic Orchestra, Royal Festival Hall, 28 March 2012

I also had a brief chat before the concert with one of Michael Mainelli’s colleagues from the City of London Corporation crowd.

Then the concert:

A very high quality of performance from the young performers, as you might expect. All bright young stars.

After the concert, the performers circulated with the guests – I enjoyed chatting with a couple of them who, as is often the case with music people, had superb English and sparkling personalities.

I met the Greek Ambassador and his wife, with whom I had a very interesting chat for quite some time, not least about economics, Greece and the economics of Greece.

I also remember meeting Rupert Gavin from Odeon Cinemas and chatting with him for a while.

The food was excellent – Russian-style grub to the very highest quality. Much of it finger food, but also fishes, meats and salads. Lovely wines – with vodkas on offer for brave folk (not I).

I thought I should make my exit before I started to get ideas above my station and spotted my opportunity to thank the Russian Ambassador in person, so made my retreat at that moment. I told the Ambassador that we were neighbours while thanking him – he told me that I should pop round again.

I had a truly Pooteresque moment a couple of days later when planning my thank you note, when I realised that. although I could get away with a simple “your excellency” when addressing the Ambassador in person to say goodbye, I needed to do a more through piece of research to write him a thank you note addressed correctly…

…confusingly difficult these days because there are now fully formal and less than fully formal written modes of address to choose from.

Russian Ambassador's Residence, London
Hi Alex…you said pop round any time…so how’s about next Thursday?
I think I went for “full monty” formal style of response in the end, just to be sure. I wouldn’t want to upset anyone – especially once they know where I live.

Joking apart, it had been a very unusual and enjoyable evening for me – very memorable.

Scottish Orchestra Does Russian (& Georgian) Composers At The Proms, Royal Albert Hall, 3 August 1997

This was our one visit to the Proms that season away from the clutches of The Duchess. I had fallen into the habit of treating her to one ort wo Proms each season, by that time. Janie and I occasionally also went to something of our own choosing.

On this occasion, I think the programme looked unusual and yet approachable. Alexander Lazarev conducting the Royal Scottish National Orchestra. I wanted to hear Francesca da Rimini performed live and Janie had acquired a taste for countertenor singing. Plus some unusual pieces.

Here is a link to the BBC stub for this Prom.

We heard:

  • Mikhail Ivanovich Glinka – Capriccio brillante (on the Jota Aragonesa)
  • Sergey Prokofiev – Violin Concerto No. 2 in G minor
  • Giya Kancheli – Symphony No. 3
  • Pyotr Ilyich Tchaikovsky – Francesca da Rimini
  • Alexander Glazunov – Raymonda, Op 57 No. 26 Grand pas espagnol Act 2- encore
  • Trad. – Eightsome (reel) – encore

What could possibly go wrong?

Nothing. Nothing went wrong. Although in truth, I don’t recall much about the lesser-known pieces and I cannot for the life of me work out where the countertenor fits in with this collection of pieces. Janie cemented her view that she didn’t like Prokofiev and that big symphony orchestra concerts were not really her favourite thing. Still, we both very much enjoyed our evening.

Here’s what the Glinka sounds like:

Here’s a good recording of the Prokofiev.

The Kancheli is strange yet certainly haunting:

I really enjoyed the Francesca da Rimini. Here is a more recent version of it from The Royal Festival Hall, but you’ll get the idea:

Dig this little bit of the Glazunov:

Fine composer, was Trad. Should have paired up with Anon – they could have been the Lennon and McCartney of the 11th to 19th centuries. Yet Janie insisted that the final encore was Trad’s “Tiresome Reel” rather than Eightsome Reel. I kinda see her point:

Geoffrey Norris in The Telegraph wrote very fondly of this Prom:

Lazarev Prom Norris TelegraphLazarev Prom Norris Telegraph 04 Aug 1997, Mon The Daily Telegraph (London, Greater London, England) Newspapers.com

Robert Cowan in the Independent also waxed lyrical about this Prom:

Lazarev Prom Cowan IndyLazarev Prom Cowan Indy 05 Aug 1997, Tue The Independent (London, Greater London, England) Newspapers.com

Rick Jones was less impressed in The Standard. I’m not quite sure what he means by an errrant electronic high-pitched note. Janie would argue that Prokofiev is meant to sound like that.

Lazarev Prom Jones StandardLazarev Prom Jones Standard 04 Aug 1997, Mon Evening Standard (London, Greater London, England) Newspapers.com

Music At Oxford At The Old Royal Naval College, 9 June 1992

I was reminded of this evening when John Random and I visited the Old Royal Naval College and toured the Painted Hall ceiling in January 2018 – click here or below for that story:

If It Ain’t Baroque…Don’t Fix It, A Day Out With John Random, Old Royal Naval College, Greenwich,18 January 2018

I mentioned to John during that 2018 visit that I had attended (nay, even been part of the hosting group for) a concert in 1992, around the time, strangely, that John Random and I first met.

I did recall that I had seen Evelyn Glennie perform that evening and that it had been a BDO Binder Hamlyn event as part of my old firm’s sponsorship of Music at Oxford. But the rest I couldn’t recall and I felt a bit silly about that, because I knew that I would have kept the programme at least and that it was all lined up to be Ogblogged…eventually. I should have dug out the bumf before the 2018 visit.

Anyway, curiosity got the better of me a few days later and I dug out the programme. Indeed, not only the programme but, inside the programme, instructions from the BDO Binder Hamlyn marketing department telling me what to do.

Here’s the programme:

Below is a link to a pdf of the instruction pack for hosts. There is even a copy of the form you needed to fill in if you wanted to arrive in Greenwich by boat.

Instruction pack for hosts – including boat form – click here.

People who know me through Z/Yen and associate “me and boats” in the context of our many Lady Daphne boat trips over the years, might be surprised to realise that I chose not to arrive by boat…those who know me a bit better than that in the matter of boats will be far less surprised.

Those who want a laugh about what happened the last time I was “conned” into transferring by boat will enjoy the following piece – click here or below:

Nicaragua, Morgan’s Rock to Mukul, 16 February 2016

A common theme to all the elements of this story so far is Michael Mainelli, who was/is:

  • the BDO Binder Hamlyn partner who led on the Music at Oxford sponsorship/marketing events,
  • my business partner at Z/Yen who owned and led on the Lady Daphne boat trips thing,
  • someone who, coincidentally, visited Morgan’s Rock in Nicaragua with his family (though not Mukul, which didn’t exist back then) a few years before Janie and I went there.

Anyway, I got a chance to interview Michael about the Music at Oxford event yesterday (25 January 2018). His main regret was that he couldn’t recall who he took as his date that year to Music at Oxford. Our conversation then side-tracked onto the loony rule that Binder Hamlyn had (and many firms still have) prohibiting intra-firm romances. Michael was already going out with Elisabeth back then but it was a secret, closely guarded by several dozen of the several hundred Binder Hamlyn staff and partners. So Michael had to take a decoy date to events like this instead.

Once we got over that digression, Michael recalled that this particular event was rather a ground-breaking one. Certainly it was the first time that we had taken  a Music at Oxford concert beyond Oxford. But Michael thinks it might have been the first (or certainly one of the first) commercially sponsored concerts to take place at the Old Royal Naval College Chapel.

Michael also recalls that Evelyn Glennie was very pleasant company over dinner after the concert.

Here is an interesting little vid about Evelyn Glennie:

Here is a little vid of the percussion and timpani cadenzas from the Panufnik Concertino that Glennie played that night in the chapel – but this is some other people playing. It is a bit noisy:

But the Old Royal Naval College Chapel is a Baroque building of great beauty, so you might want to imagine the sole baroque piece we heard that night, Bach’s Ricecare a 6 from A Musical Offering. Here is a sweet vid of the Croating Baroque Ensemble performing it:

But surely the last word should go to John Random. Because, strangely, that 1992 spring/summer was when John and I met – through NewsRevue. John was the first director to have my comedy material performed professionally – click here or below for one of the better examples from that season:

You Can’t Hurry Trusts, NewsRevue Lyric, 7 May 1992

On spotting that we also heard a piece by Antonín Dvořák in the Old Royal Naval College that summer’s night in 1992, I was also reminded of one of John Random’s lyrics from that same summer. Because that was the summer that Czechoslovakia split into the Czech Republic and Slovakia. John wrote a superb lyric to the tune of Slow Hand by The Pointer Sisters, which included the wonderful couplet:

Not a compatriot of Dvořák,

I want a lover who’s a Slovak.

1992 was a seminal summer in so many ways.

A mere 25 years later…double-selfies hadn’t been invented in 1992