Eden by Hannah Patterson, Hampstead Theatre Downstairs, 16 February 2019

It’s been a wee while since we visited the Hampstead for no particular reason other than the productions not quite suiting us and perhaps less going on downstairs – our favourite part of the Hampstead.

Anyway, this one was downstairs and sounded interesting. A Trump-like American businessman who covets some unspoilt UK coastline for a golf complex using an employee with local connections to try and do his bidding.

Here is the Hampstead information on this play/production. Below is the explanatory vid and below that the programme, would you believe:

Need I say more?

Well, I’m going to say more anyway. We really enjoyed the play and this production of it. The way they designed some of the big visuals (golf course, construction site, neighbouring house…) into manageably small symbols on the stage was innovative, clever and entertaining.

The acting was all excellent, not least Yolanda Kettle as the conflicted young woman and Michael “Fatty Batter” Simkins as the Trump-like anti-hero of the piece.

I met Michael Simkins, many years ago, at Lord’s as it happens, where I passed an very pleasant afternoon chatting with him and Michael Billington. I’ll Ogblog that event in the fullness of time.

Meanwhile, Janie reckoned that Michael Simkins recognised me as the cast took their curtain call. I think she’s probably right, but almost certainly it would have been, “I know that bloke from somewhere…maybe cricket?”, rather than, “that’s the fellow I chatted with in August 2004 when I went to see Middlesex v Sussex at Lord’s with Michael Billington.”

Meanwhile, back to Eden.

Reviews and stuff (not many, it seems) through this link.

In truth, Janie and I both enjoyed the first half more than the (shorter) second half. The plot seemed to resolve to neatly and easily for our taste. But as is almost always the case at the Hampstead Downstairs, the piece was interesting, well-produced and entertaining.

If I had needed any reassurance that cricket and tennis are my games and that golf isn’t (I didn’t, but still), this play would have provided it.

Port by Simon Stephens, Lyttelton Theatre, RNT, 26 January 2013

This was an excellent play/production.

We’re really keen on Simon Stephens work and had high hopes for this play – high hopes that were indeed met.

The play is basically about Simon Stephen’s home town – Stockport.

This was a revival of one of Simon Stephen’s early works – we didn’t realise that when we booked it, bit never mind.

Years later, when Janie and I went to Southport, I had terrible trouble convincing Janie that they are very different places in the North-West with vaguely similar names.

Unfamiliar names in the cast but all did a cracking job. Superb design too. Marianne Elliott is such a good director.

Below is a trailer vid:

The piece had very good reviews – here is a link to a search term that finds them.

Below is a vox pop audience feedback vid:

Our vox pop – both Janie and I really liked it.

We went to see Marianne Elliott & Simon Stephens talk about the play 10 days later, which was interesting and good too:

Marianne Elliott And Simon Stephens On Port, 7 February 2013