Tag: Robin Soans

Visitors by Barney Norris, Bush Theatre, 6 December 2014

This was a really excellent piece, performed beautifully.

We went to see this only a month before mum died, by which time her dementia was getting rapidly worse. So I went with a mixture of trepidation and eager expectation.

I needn’t have worried – the play handled dementia as its central theme with great balance and dignity. An excellent effort from a young playwright in his 20s.  Barney Norris, you are now on our watch list.

Here is a link to the Bush resource on this play/production.

All of the performances were good, but Linda Bassett and Robin Soans were both exceptional.

There’s a neat little interview with Barney Norris (playwright) and Eleanor Wyld, one of the performers:

Mostly well received by the critics – click here for a search term that finds the reviews.

Perseverance Drive by Robin Soans, Bush Theatre, 5 July 2014

This is the sort of play/production that reminds us why we like the Bush so much.

The play is set in Barbados and London; the play is a mature drama, full of insight into Bajan life and culture. Robin Soans has previous of course – not least Life After Scandal…

Life After Scandal by Robin Soans, Hampstead Theatre, 21 September 2007

…but this play is quite different as when we had seen his previous work it had been verbatim theatre before this play.

Here is a link to the Bush’s resource on this play/production.

Excellent cast, excellent production. Janie and I were discussing the issues and the relative merits (and demerits) of the characters deep into the weekend.

Below is a trailer:

More interesting, here is a short interview with Robin Soans and director Madani Younis:

Finally, here is a link to a search term that finds the (mostly excellent) reviews.

 

 

 

 

 

The Stock Da’Wa by David Eldridge, Hampstead Theatre Downstairs, 22 April 2011

David Eldridge plays are like buses – you wait ages then two come along at more or less the same time – this was two David Eldridges in a row for us.

I think this was the first production we ever saw at the Hampstead Theatre Downstairs, quite early in the era of Ed Hall using that downstairs space for experimental works.

It was the evening of Good Friday; an unusual night for a theatre visit.

No formal reviews down there of course, but a few informal ones and other resources through the search term linked here…

…e.g. There Ought To Be Clowns Blogspot – click here.

I remember we thought this was a very good production and made a mental note to seek out subsequently the Hampstead Downstairs, which, by jingo, we have done.

On The Beach by Steve Waters, Bush Theatre, 25 April 2009

This play was part of a double bill of plays about climate change known together as The Contingency Plan.

We only fancied the first part; On The Beach.

The Bush was still above the pub on Shepherd’s Bush Green in those days.

It was well acted and produced, but we both found the first play a bit long, ponderous and not entirely plausible. We didn’t seek to book nor did we regret not having booked the second part.

On the whole the double-bill was reviewed jointly, so our take is only partial:

Life After Scandal by Robin Soans, Hampstead Theatre, 21 September 2007

This was a very interesting and entertaining piece of verbatim theatre. Robin Soans is good at this stuff; we’d seen Talking To Terrorists at The Royal Court. It was probably this sole factor which encouraged us to book the play.

We were pretty much out of love with the Hampstead Theatre at this time; during the Anthony Clark era. Clark himself directed this one and did a decent job of it.

It was deservedly pretty well received on the whole by the critics:

 

The Invention Of Love by Tom Stoppard, Lyttelton Theatre, RNT, 27 December 1997

We normally liked to see these “Cottesloe-type plays” at the Cottesloe, but we missed the boat with this one, seeing it a few month’s later at the Lyttelton.

Not really our cup of tea, this one. Janie isn’t all that keen on Stoppard in general and I found this one “a bit slow”.

I suspect we were both exhausted having worked all the way up to Christmas and then done the family bit for Christmas itself. I can see that Janie arranged a cab for Pauline, so I suspect this is the Christmas that Pauline came to the house and was thoroughly rude to my mum, dad, Hilary, Jacqui and Len – Len tried snipping back – good for him.

But away from the real life drama, this Stoppard drama was about A. E. Housman, with a marvellous cast, including John Wood as “the man in old age” and Paul Rhys as “a younger version of the man”. Also a selection of the usual suspects for fine National Theatre character acting, including Michael Bryant, Robin Soans, Benjamin Whitrow and John Carlisle. Richard Eyre directing – at the National for the last time. There is a Theatricalia entry – here.

Nicholas de Jongh in The Standard loved it:

Invention Standard de JonghInvention Standard de Jongh 02 Oct 1997, Thu Evening Standard (London, Greater London, England) Newspapers.com

Paul Taylor in the Independent also loved it:

Invention Standard de JonghInvention Standard de Jongh 02 Oct 1997, Thu Evening Standard (London, Greater London, England) Newspapers.com

My friend Michael Billington was also taken with it:

Invention Guardian BillingtonInvention Guardian Billington 02 Oct 1997, Thu The Guardian (London, Greater London, England) Newspapers.com