Philip Halling / The Orange Tree Theatre, Richmond
Rice at The Orange Tree Theatre was our first visit to the theatre to see a drama for more than 18 months. There’s been a lot of water under the bridge since then.
The last thing we saw, just before the first lockdown, was Not Quite Jerusalem at the Finborough:
The Orange Tree assured us in its marketing that the theatre is “See It Safely” approved, which no doubt it was. The problem with that level of biosecurity in a small theatre like The Orange Tree is that the safety removes much of the warmth, atmosphere and absence of fourth wall that theatre in the round is meant to provide.
It didn’t help that the weather has turned a bit colder on us – well it is autumn – to the extent that even extra layers of clothing and cushions neither made us feel warm nor comfortable while sitting for 90 minutes plus.
The play was not designed to make us feel comfortable of course – it grapples with relationships, inter-generational conflict, cultural conflicts and international commerce – in the hands of two performers, primarily as a two-hander play but each performer also covers several additional, smaller roles.
As we would expect at The Orange Tree, one of our favourite places, the quality of the acting, directing and production was very high. We have been impressed by Matthew Xia’s work as a director before, both at the Orange Tree and elsewhere.
But this complex piece/production did not really warm the cockles of our hearts, to encourage us to rush back to fringe theatre the way we visited regularly and avidly prior to the pandemic. We’ve booked one or two things for this autumn/winter – we might book one or two more .
We’ll keep our (many) memberships going of course – we are still great supporters but we’re just not in a rush to attend very often – not yet anyway.
Mixed reviews but mostly good ones – accessible through this link.
