Tag: Stephanie Arditti

Life x 3 by Yasmina Reza, Lyttelton Theatre, 2 December 2000

Janie and I rated this one in my log:

very good.

We also both remeber it quite well, 25 years later. That might have a fair bit to do with the superb cast: Mark Rylance, Harriet Walter, Imelda Staunton and Oliver Cotton. The production was directed by Matthew Warchus. We didn’t recogognise his name then but we certainly do now. Here is the Theatricalia entry for this one.

Yasmina Reza (as translated by Christopher Hampton) was all the rage in the English speaking world back then. This was our fourth go at one of hers – Art having been the piece that kicked off the Reza fashion…

Art by Yasmina Reza, Wyndham’s Theatre, 11 January 1997

…we’d even seen one of hers at The Almeida just 10 weeks earlier:

Conversations After A Burial by Yasmina Reza, Almeida Theatre, 16 September 2000

Anyway, apart from Art, with thought Life x 3 to be the most interesting and memorable of Reza’s works.

Again we went to a preview, so we were ahead of the critics. What did they think? Here’s Charles Spencer who seemed pretty impressed with it, at least as entertainment if not as profound drama:

Life Spencer Telegraph Life Spencer Telegraph 11 Dec 2000 The Daily Telegraph (London, Greater London, England) Newspapers.com

Kate Bassett wrote an interesting profile-cum-review with some equivocation about this piece and Reza-ism generally:

Life Bassett Indy Life Bassett Indy 10 Dec 2000 The Independent (London, Greater London, England) Newspapers.com

Our friend, Michael Billington, was not at all sure about this piece:

Life Billington Guardian Life Billington Guardian 8 Dec 2000 The Guardian (London, Greater London, England) Newspapers.com

Nicholas de Jongh was impressed, while spotting something a bit Ayckbournish about the piece, which I remember thinking/saying myself at the time:

Life de Jongh Standard Life de Jongh Standard 8 Dec 2000 Evening Standard (London, Greater London, England) Newspapers.com

Macbeth by William Shakespeare, Young Vic Theatre, 3 June 2000

This was a great production. I recall gently persuading Janie to see Macbeth again – she’s no fan of Shakespeare and felt that she had “done” Macbeth when seeing the 1994 Jacobi version.

Macbeth by William Shakespeare, Barbican Theatre, 19 February 1994

It was the pull of Tony Sher and Harriet Walter that won Janie round, firstly to attending and in the end to admitting what a fabulous production this production at The Young Vic was. It was fast, it was furious, it was very memorable. Greg Doran knows a thing or two about doing Shakespeare.

The Theatricalia entry reminds me that the 2000 version was an RSC touring production that started at the Swan in late 1999 and ended up at The Young Vic in mid 2000.

Here’s Charles Spencer’s review from the Swan:

Macbeth Spencer Telegraph

Article from 18 Nov 1999 The Daily Telegraph (London, Greater London, England)

While Spencer gushed, Susannah Clapp really raved about it in the Observer:

Macbeth Clapp Observer

Article from 21 Nov 1999 The Observer (London, Greater London, England)

Paul Taylor also spoke very highly of it in The Independent:

Macbeth Taylor Independent

Article from 17 Nov 1999 The Independent (London, Greater London, England)

Here’s Nicholas de Jongh’s take on the production, once it landed at The Young Vic:

Macbeth de Jongh Standard

Article from 28 Apr 2000 Evening Standard (London, Greater London, England)

Is the ultimate accolade five stars from our friend, Michael Billington?

Macbeth Billington Guardian

Article from 17 Nov 1999 The Guardian (London, Greater London, England)

Of course not – the ultimate accolade is Janie admitting that this was an exciting, jaw-dropping production of a play she didn’t much like.