Cous Cous Club Christmas Dinner At Souk, 17 December 2025

The Cous Cous Club is a gathering of Alleyn’s Old Boys from the mid to late 1970s – most of whom I have therefore known for over 50 years at the time of writing. In fact many of us have been gathering occasionally and informally in this way for decades.

It was one of Rohan Candappa’s ideas to name and brand a well established thing that previously had no sense of brand identity. Rohan used to be in advertising, but now does this sort of thing in his spare time.

I missed the inaugural meeting of the Cous Cous Club at Souk back in early autumn. I was in the USA, talking at the International Tennis Hall of Fame about events 150 years ago, at another of my clubs, that led to the codification of tennis into the modern game as we know it:

Still, despite the fact that I might easily confuse CCC and MCC in future conversations, Rohan invited me to join the Cous Cous Club for its first Christmas dinner and naturally I said “yes please”.

I was the first to arrive at the restaurant. Most of the party had gathered at a nearby hostelry for a pre-dinner drink, whereas I was coming hot foot from a prior engagement.

My earlier appointment had been a meeting with Professor Tim Connell, to plan my slot at the Gresham Society soirée, which this time will be in mid January rather than during the pre Christmas mêlée. I usually grace the soirée with late medieval music…sometimes more genuine than other times:

As the Cous Cous Club was on my mind, I teased Tim with the notion that I was planning, for Gresham Society, a sing-along of very, very old songs: Slade, Sweet, T-Rex, Rod…

But once I realised that Tim was close to tears and/or apoplexy at this thought, I showed him the early 17th century material, with a Gresham College connection, which I actually have in mind for the soirée sing-along. Tim then cheered up and calmed down.

Anyway, point is, as first to arrive at Souk, I got to chat with the charming and friendly waiter who was to be our main host for the evening. When I explained to him what the Cous Cous Club was, and the antiquity of our shared experience, the waiter was quite blown away. I suspect that young waiter has been on the planet for less half the time we Alleyn’s Old Boys have known each other.

No pressure…

…I said to the waiter, who just beamed, knowing that he and his colleagues would be able to cope with whatever collective curve balls our group of old boys might throw at them.

Then the main gang turned up from the pub, followed by a trickle of late-comers.

So who was there?…

…I hear multiple readers cry. Let’s call the register. This is school, after all, even if it is 50+ years on:

  • Nick Wahla
  • Rohan Candappa
  • Claire Brooke
  • Paul Driscoll
  • Simon Ryan
  • Andy Feeley
  • Dave Leach
  • Steve Butterworth
  • Perry Harley
  • John Eltham
  • Me (obvs).

Rohan provided each of us with a fez…apart from John Eltham who, always one of the keenest scouts, had brought his own. Rohan also awarded me my Cous Cous Club membership badge, which felt a bit like being inducted into The Tufty Club, but without first having to cross the road safely.

There were a couple of notable absences, not least Lisa Pavlovsky and Dave Wellbrook. That led, naturally, to those absent friends getting the hardest time of the evening. That might seem unfair, as they had no opportunity on the night to defend themselves, but life isn’t fair. The fact that life isn’t fair is a lesson you learn early at the very best schools. You also learn it at Alleyn’s. And you especially learn that lesson at the Cous Cous Club.

Claire Brooke had come all the way from Harrogate for the evening. Rohan felt, with some justification, that a wrong from the first gathering needed to be put right.

At the early Autumn inaugural Cous Cous Club gathering, Rohan had awarded Lisa Pavlovsky with a trophy recognising her as the first female House Captain at Alleyn’s School.

Lisa, awarded, beaming, early autumn 2025. Photo “borrowed” from Facebook.

But soon after that first event, it emerged that Claire Brooke had been the first female House Captain, albeit a joint one, the previous year. Rohan felt obliged to put matters right:

Claire, beaming, with her revenge trophy, awarded by Rohan, December 2025

Chat soon turned to sport and tales of derring-do gone by. As usual, John Eltham and Nigel Boatswain reminded me about my infeasibly successful/lucky stint in goal against them (Cribbs v Duttons) although the exact details of that story keep changing in people’s memories.

Exciting news, gang – I have actually found a diary reference to that glorious day on the football pitch, which might well be my only such diary entry in all the years I kept diaries. To be Ogblogged in the fullness of time – watch that space.

Then there was reference to the question “who was the youngest grandfather”, as Andy Feeley has recently become one of those. My arithmetical brain worked out that Dave Leach must have first become a grandfather when he was younger than Andy Feeley is now…which I think is right…but apparently that wasn’t the question. Andy Feeley was the youngest person in the room who is now a grandfather.

My confusion was deemed to be Wellbrookian, which turned the conversation to thoughts of Dave Wellbrook and why he wasn’t with us.

Has the lurgy…

…was as close to a polite answer as we got.

Dave Unwellbrook, then…

…I bet no-one had ever made that joke before.

Talk then naturally turned to Wellbrook’s recent treading of the boards, which several (braver than me) Cous Cous Club members had witnessed.

Wellbrook’s self-image, from Facebook. Is this acting, the method or something entirely other?

Nick Wahla’s review was an absolute classic. I paraphrase:

Wellbrook was very much himself in that performance, but he occasionally lapsed into real acting.

Praise indeed. Nick – you really should turn your hand to being a theatre critic.

Out of nowhere, Perry Harley related a story to me about him meeting Mungo Jerry while on holiday in Bournemouth. Perry wondered whether I remembered any Mungo Jerry songs other than “In the Summertime”.

Off the top of my head, I mentioned “Alright Alright Alright” and “Long Legged Woman Dressed In Black”, which raised much mirth and some scepticism too.

It was hard to disabuse Perry and friends of the scepticism, as neither Perry nor I could get our smartphones to connect to the outside world.

Strange how my memory instantly dredged up these tunes and lyrics from that era, way back when we all first met.

Rohan shot a short clip of video that evening, which I can share with you, dear, long-suffering readers:

I wondered, on seeing that clip, whether I might now, after all these years, be even more gobby than Nick Wahla. Now THERE’S a thought.

Yet, I was hugely honoured to read, on Facebook, that Rich Davies – who is hiding in Canada, blaming a little bit of slightly inclement weather for his absence from the evening – had awarded me the Golden Camel for looking the most Moroccan amongst us. That might have had something to do with the fact that I was the last to remove my fez hat.

Anyway, in case it isn’t clear by now, it was great to see everyone and I’m pretty sure we all had a great time.

Thanks, Rohan, for being such a stalwart organiser of great get-togethers. Much appreciated. And so well branded.

Merry Cousmas everybody.

“You’re Only Young Once But You Can Be Immature Forever”, Dinner With Fellow Alleyn’s Alums, Then Tink by Lizzy Connolly & Kat Kleve, The Other Palace, 8 October 2024

Olly Goodwin having received his Olly-Vier Theatre Award from Rohan Candappa

The above quote comes from Germaine Greer. It is apposite to both elements of the enjoyable evening I am about to describe.

“It was Candappa’s fault, Sir”. That non-quote is nevertheless true – this evening would not have happened, had it not been for Rohan Candappa doing his thing, both in terms of keeping us ’73-’80 Alleyn’s alums together and in helping to promote writing and theatrical talent.

Kat Kleve first came into my orbit when she worked with Rohan on One Starts in a Barber’s, One Starts in a Bar, which several of us Alleyn’s alums first saw at the Gladstone Arms in the autumn of 2018, after which it went to Edinburgh the next year and ultimately Kat’s bit ended up being Rohan’s first Lockdown Theatre production, And You Are? You can read all about it by clicking here or the link below.

At the time, I gave that piece the wildest praise I could conjure at the time:

Better than watching Boris Johnson telling you what to do and what not to do – Ian Harris, Ogblog.

Strangely, neither Kat nor Rohan latched on to that quote for promotional purposes at the time. Pearls…

…anyway, this time around Kat is performing her own show, written with Lizzy Connelly, named Tink. The play did famously well at Edinburgh in 2023 and now has a London run at The Other Palace. Book early to avoid disappointment.

Hence Rohan’s idea for us alums to meet up there for a bite, a drink and a show.

As coincidence would have it, Olly Goodwin was a Trustee of The Theatres Trust back when The Other Palace was just an idea. Olly was instrumental in helping that project get its planning permission. If you have ever wondered why that building has a glorious but perhaps incongruous-looking marble staircase…

…ask Olly. And if you have ever wondered why Rohan thought fit to award Olly Goodwin with an Olly-Vier Theatre Award…see headline photo…the answer is intrinsically connected to the above coincidence.

The food was pretty good and the serving staff delightful at The Other Palace, even when Olly exclaimed:

Hey, why have you served Ben with his drink before serving mine, which I ordered earlier?…

…ignoring the large glass of wine that the waitress had placed in front of him a few moments before serving Ben. That wine glass is also commemorated in the headline picture.

Here is the whole scene just before we went into the theatre…except that my lens isn’t wide enough to have captured all the group and I have cruelly left out our ringleader, Rohan.

You’ll just have to take my word for it that Rohan is like a kid in the proximity of a candy store on such occasions.

Ah, there he is…

Actually, we all tend to display our inner overgrown schoolboy modes when we get together, which is at least some of the point behind getting together. As Germaine Greer said:

You’re Only Young Once But You Can Be Immature Forever.

Anyway, recollecting our youth over dinner will have helped prepare us for the coming of age musical, Tink, which we then went down the Olly Goodwin Memorial Marble Staircase to see.

Tink by Lizzy Connolly & Kat Kleve

Here is a link to the Other Place information and resources on this show.

Here’s the trailer:

The conceit of the piece is that the central character – this is a one person show – is a modern Tinkerbell, growing up in the early 21st century rather than the early 20th century character in Peter Pan.

Not in truth my type of show, but Kat Kleve is a very talented and versatile performer, so there was plenty to enjoy in the performance.

It’s basically a coming of age story set in a fairies and elves context, which seemed startlingly like a human context to me. I liked the agonies Tink goes through around trying too hard to be the best at everything (which, it seems, is not guaranteed to make you popular – who knew?) and the social mores around how to dress and behave at teenage parties.

Especially interesting, to me, was the business around social media, which hadn’t been invented when we were kids. I’d long suspected that it is probably even harder to bee a teenager now than it was back in our day – this play illustrated some of the reasons why.

The songs are not really my type of songs either. They reminded me a little of Ed Sheeran and Meghan Trainor style singer-songwriter songs. Very well delivered, though. Here is an example of one of the songs:

That style of song might be spot on for the intended audience for this show, which I imagine to be a bit younger than me. We were there for the opening night and didn’t feel out of place, but I suspect that the average age of the audience will come down a decade or two on most other nights…

…apart from the nights for which Rohan is taking a posse of his friends.

The show runs until 20 October, so if you are reading this in time you might well want to click this link and grab some tickets, before dynamic pricing takes Kat Kleve out of your price range.