Tag: Stuart Fox

Loves Comedy by Henrik Ibsen, Orange Tree Theatre, 17 November 2012

Sometimes there is a reason why a great playwright’s early works don’t see the light of day.

This early Ibsen is a cautionary tale.

Worse, in the hands of the old-style Orange Tree orthodoxy, text that doesn’t deserve such respect is given the full length treatment…

…I don’t think we stuck the two hours and forty minutes of this one.

Here is a link to the Orange Tree resource on this one.

Not all that many reviews but surprisingly good ones – this search term finds the reviews for you.

I never thought I’d see the day that Janie and I couldn’t stick an Ibsen.

Mountain Hotel & Audience by Vaclav Havel, Orange Tree Theatre, 15 November 2008

It seemed like a good idea when we booked it. Here ‘s a link to the rubric that enticed us, along with the cast and creatives information.

We’d had previous experience of Vaclav Havel’s plays, so shouldn’t have been surprised to find the absurdity a bit lame and the drama weak.

In particular, I thought Audience (about a playwright stacking beer barrels in a warehouse) tame.

So what do we know?

Still, we enjoyed our Don Fernando dinner afterwards and never feel completely let down after an evening at the Orange Tree.

Mountain Hotel and Audience by Vaclav Havel, Orange Tree Theatre, 15 November 2008

This double bill was part of a Vaclav Havel Season that autumn at the Orange Tree.  We only attended this one evening.

Vaclav Havel is one of those writers that you really want to like and there are always some very clever lines and some interestingly weird scenes in his plays.  Yet somehow Havel never quite seems to work for me or for Janie.

Still, we enjoyed the evening.  The Mountain Hotel one was a typically Havel peculiar mix of people thrown together in a hotel garden being absurd together.  I think we even considered sneaking away a half time, but stayed to see what the second play was like.  Audience is a short quasi-autobiographical piece about Vanek, who works in an absurd beer factory.  It did not motivate us to return and see the other short Vanek plays later in the season.

It was all very well acted and well directed; David Antrobus is an Orange Tree regular and is reliably good.

You can read all about it, including who played whom and stuff, here.  Someone at the Orange Tree is doing an amazing archiving job; I am grateful to them.

Michael Billington, a long term Orange Tree fan, is polite but clearly didn’t much like the evening either.

Philip Fisher in the British Theatre Guide is more upbeat about the evening.

Ian Shuttleworth’s FT piece can still be seen archived here.

Nan, John Masefield, Orange Tree Theatre, 5 May 2007

Very Orange Tree, this one.

Written in the Edwardian era.  Set 100 years or so before that.

Janie is usually unenthusiastic about these period pieces, but we have been supporters of the Orange Tree for a long time and tend to get withdrawal symptoms if we reject all of the period stuff.

Mostly Orange Tree regulars in the cast.  Auriol Smith directing, Sam Walters hovering around like an expectant father (we were there very early in the run).

Here’s the Orange Tree Archive to tell you all about it – click here.  Didn’t realise the archive went back this far – pleasant surprise to find this.  Even some headlines from the reviews – well done Orange Tree.

It was a very good production, this.  One of the better ones there.  Kate McGuiness was especially good in the lead.

Michael Billington was generous with his praise, but he does have a soft spot for the Orange Tree – click here.

 

Lips Together, Teeth Apart by Terrence McNally, Orange Tree Theatre, 12 December 1998

The end of a weird quarter, during which we only went to the theatre five times, all of those visits being in Richmond.

Anyway, we both rather liked this play/production, rating it:

A good one.

Very much an off-Broadway play, Lips Together, Teeth Apart worked really well in the round at The Orange Tree.

Nick Curtis was quite taken with it in The Standard:

Lips Curtis StandardLips Curtis Standard 17 Nov 1998, Tue Evening Standard (London, Greater London, England) Newspapers.com

No doubt we ate at Don Fernando’s afterwards – we pretty much always did, although I seem to recall trying an alternative place (Italian I think) that proved less satisfactory on one of those five autumn 1998 visits to Richmond.

Sperm Wars by David Lewis, Orange Tree Theatre, 3 October 1998

My log is silent on this one. I think we quite liked it but clearly didn’t rave about it. Our diaries add nothing. Not even the fact that, almost certainly, we went to Don Fernando afterwards for a Spanish meal.

The local gazette papers had a rave review for this piece:

Sperm Harrison GazettesSperm Harrison Gazettes 16 Oct 1998, Fri Ealing and Acton Gazette (Ealing, London, England) Newspapers.com

Nick Curtis in The Standard was less sure:

Sperm Curtis StandardSperm Curtis Standard 23 Sep 1998, Wed Evening Standard (London, Greater London, England) Newspapers.com

Bodies by James Saunders, Orange Tree Theatre, 24 August 1996

Not especially memorable, this one…

…I noted in my log.

Janie and I were very keen on The Orange Tree at that time and on the whole the plays and the productions were excellent. James Saunders is not the easiest playwright, though.

Here is a link to the Bodies page on the James Saunders website.

We saw a revival of the piece, which had been an early effort at the Orange Tree back in the 1970s. Sam Walters had directed the original version; Dominic Hill directed our revival – no doubt mentored by Sam at that time. Here is a link to the Theatricalia entry for the version we saw.

Here is the review from the Independent.

Bodies Adrian Turpin IndependentBodies Adrian Turpin Independent 25 Sep 1996, Wed The Independent (London, Greater London, England) Newspapers.com

Here is Nick Curtis’s review from The standard:

Bodies Nick Curtis StandardBodies Nick Curtis Standard 03 Sep 1996, Tue Evening Standard (London, Greater London, England) Newspapers.com