Mozart And Salieri by Alexander Pushkin, Almeida Theatre, 11 March 1989

I went to see this production at the Almeida with Kate (previously and latterly Susan) Fricker. I rated it as very good and I’m pretty sure that Kate really enjoyed this production too.

It was an adaptation of a short Pushkin play about the interaction/rivalry between the two composers. This play inspired Peter Shaffer to write Amadeus on the same topic but the pieces are quite different other than the core topic. Here is the Wikipedia entry about the play.

Of course there is little on-line about these old productions – this one doesn’t even have a Theatricalia entry – but I did find this fascinating Guardian piece, including a wonderful photo of Tilda Swinton in the role of Mozart – click here.

Below is Michael Billington’s Guardian review:

Billington on Mozart SalieriBillington on Mozart Salieri Mon, Apr 10, 1989 – 37 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Ratcliffe’s Observer review:

Ratcliffe on Mozart SalieriRatcliffe on Mozart Salieri Sun, Apr 16, 1989 – 43 · The Observer (London, Greater London, England) · Newspapers.com

The dates on these reviews imply that Kate and I attended a preview in March 1989.

The diary is silent about what Kate and I did before or after the show; I’m sure we will have eaten something or at least taken some refreshment and had a chat. Perhaps Kate remembers.

My memory isn’t brilliant on this one. I would have sworn that we saw Stella Gonet opposite Tilda Swinton in this, but all the evidence says we saw Lore Brunner. I can see no sign of ever having seen those two (Swinton and Gonet) on stage together, although both were prominent in the leading roles we were seeing at that time.

In any case, I believe this was only my second visit to the Almeida, the first having been some six months earlier, to see Hello And Goodbye. I do recall falling for the Almeida as a place itself on this second visit – whereas that first visit I was simply bowled over by the production and didn’t especially associate that visit with the Almeida. That was partly, I think, because Kate was especially taken with what they seemed to be doing at the Almeida in terms of restoring an old theatre for modern use.

Two Dinners, Le Caprice Restaurant & Kate’s Place, 10 November & 12 November 1988

I think the meal at Le Caprice was my parents’ idea – to celebrate my qualification as a Chartered Accountant along with Uncle Michael, Auntie Pam, Stanley Bloom and his good lady (Sharit?).

Le Caprice was a trendy place even then – I’m not quite sure what would have made mum and dad choose it. Perhaps to show off a bit. Perhaps because they had heard that it was a restaurant that was able to cope with fussy eaters…we had at least one in our party that day in Auntie Pam.

Roll the clock forward 30 years and I note that Kim likes that place, perhaps for similar “trendy but able to cope with a fussy eater” reasons.

I don’t believe any photos were taken that evening to mark the occasion – such meals were not seen to be the thing of photos necessarily back then. But it is just possible that I’ll stumble across some pictures when I delve into dad’s “late works” box of negatives and prints, which still awaits my trawl.

“Kates” means Kate (Susan) Fricker’s place. I’m pretty sure Kate was, at that time, living in a pied-à-terre flat in Hampstead, part of the house that had been the family home before her family moved to York.

Evenings with Kate were always pleasant. We both enjoyed cooking and eating good food. We both liked decent wine and we would always have interesting conversations. I’m sure that Saturday evening would have been such an evening.

I’m guessing that we would have both been in celebratory mode, work-wise, at that time – Kate was called to the bar around the time I qualified.