But Mnemonic didn’t need our soft spot – it was excellent in its own right.
Superb
…I said in my log and meant it.
Strangely, writing 25 years later, this piece has recently been revived (or rather, reimagined) by Complicité in London at the National.
This original production was at the more utilitarian Riverside Studios, a venue we have always liked.
Excellent cast, including Simon McBurney himself, the wonderful Katrin Cartlidge (who died tragically young) and Richard Katz, who had previously worked wonders with my material in NewsRevue – for example the Woody Allen role in Mama Mia Farrow:
I think a lot of the usual suspects ignored it until it transferred to the National a couple of year’s later…and then was reimagined more than 20 years after that.
But we saw the original production…at The Riverside…have I mentioned that before?
We were tending to book RNT things in preview or very early in runs, so this was an unusually late visit to see this one – perhaps we couldn’t get the seats we wanted until later or perhaps we missed it in the first block of dates.
Anyway, we thought this was “very good”.
One of our favourite troupes, Théâtre de Complicité, was responsible for this one. Juliet Stevenson played the lead along with Simon McBurney who also directed. The Theatricalia entry can be found here.
This was the first of those “in the round” productions that the RNT did at The Olivier while it was being refurbished.
Nicholas de Jongh in The Standard was not too keen on it:
Two visits to the Olivier Theatre with Bobbie in 48 hours. Just fancy. Must have been an availability thing and both of us wanting to see both plays.
In my log I wrote,
Good, but not as good as I had hoped it would be.
I seem to recall finding the play a bit wordy, a bit worthy and also some of the legal aspects a little unconvincing. I think the feedback from Bobbie’s legal entourage was similar on that last point when we ended up comparing notes.